jamesfdouglas wrote: >The version of Knockin' is different and much better than Four Flicks. It sure is different, because the 1st part you hear Keith on both channels. It seems they just put in parts from other recordings of Keith's guitar and removed Ronnies part.
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1. Leave Decca 2. Regroup for the '89 Steel Wheels album/tour
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Stanbooth wrote >"Borrowed Tune" off Tonights the Night is basically Lady Jane though uncredited. Yes, but the credits are in the lyrics: "I'm singing this borrowed tune I took from the Rolling Stones"
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The Drive-By Truckers dedicated their 'Southern Rock Opera' (a great double CD) to 'America's Greatest Rock and Roll Band Lynyrd Skynyrd'.
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Good news! Is it a recording of one show? Or are the tracks from various shows?
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The Stones mark I is a long time ago and therefore not discussed as much as mark II & III. But I love some of the old stuff. A favourite of mine is Out of Our Heads (on vinyl), UK Track listing: "She Said Yeah" "Mercy, Mercy" "Hitch Hike" "That's How Strong My Love Is" "Good Times" "Gotta Get Away" "Talkin�
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Little Queenie on Ya Ya's, the part where he goes up the scale during the 2nd guitarsolo. Lovely!
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Thanks y'all. You've convinced me. I'm gonna get it. RnT
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Is it any good? Worth buying?
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Chuck playing one-note punctuations means he leaves more room for the guitars, which is great. You can't blame Chuck for the lack of guitars in the mix in the beginning of the show.
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Agree with StonesTod. In '99 both Ron & Keith played slide, didn't they? It's pretty difficult to sing this song and play slide at the same time. So it's a smart choice to leave the guitar parts to Ronnie & Blondie if this results in a better performance. And judged by the reactions the performance was great!
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At Vredenburg, a clubshow in august 2003. They just finished a song (think it was IORR) en Ronnie started playing the outro chords again, on his own. Mick said someting like: 'Thank you Ronnie, that's enough' to make him stop playing.
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Fantastic album. I like their live albums better than their studio LP's. Great shows in 1982 opening for the Stones. Wish they would put out a DVD of a live show. Or get back together again! They did a US reunion tour about 7 years ago, right?
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The meat I eat for dinner... Live with me
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Brewscrew1987, I fully agree. Judged on the recordings of Twickenham and Glasgow, Ronnie is much better than he was the first part of the ABB tour. His playing shows confidence, he knows what he's doing and the fear in his playing is gone.
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JKF: I was just about to post the same. I've been listening to Twicks and now I'm listening to Glasgow and they've been playing GREAT!!! I'm so pleased and proud of what I'm hearing. Ronnie is so much better now. There's no fear in his playing anymore, he KNOWS what he's doing. What a great band, what a gift to this world. Amen.
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Also very good: the Stripped live '95 B-sides: Gimme Shelter, All down the line, Live with me, Tumblin'Dice and BlackLimousine. Would be a great EP.
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If you look at the wonderful pictures of Sheffield Ronnie seems to play the SG a lot, because Keith at the same time uses his Holowbody, his blond Tele without a capo, and with a capo on the 4th fret (Tumblin' Dice?).
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Is the AD30TC a combo or a top?
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Got my money back today. So almost 5 weeks since returning the tickets on july 10th.
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>Rnt, >please let me konw about reaction. >Are you a outside Belgium customer ? Yeah Gerhard, I'm from Holland.
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It's been coming for a long time. The former attitude of rebellion is long gone. I guess it's very hard to maintain that attitude when you become as big, rich and old as the Stones and your leadsinger even gets a knighthood. Maybe it's part of growin'up. And times have changed offcourse. In the 60's and 70's there were not many politicians and corperate leaders that
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I've sent my tickets back on july 10th. Still no reaction. I've sent an e-mail tonight.
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To be honest, I think one of the reasons they start with JJF is that it's easy to play. No real @#$%& ups, unlike Brown Sugar (it's not very encouraging to start a show in the wrong key, or whatever Keith was doing with BS too many times in 2003!).
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rknuth wrote: ------------- > Not officially at stadiums! Try the black market around the stadium. Even if it's not sold out?
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Mick on a strat, Ronnie does the solo. So that leaves Keith on acoustic?
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The album SOUNDS great. Only 16 tracks, tracksheet was part of the vinyl version. Drums on just 3/4 tracks I believe, but what a superb sound!
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The total outcome is the result of many parts: not just guitars ans amps, but also the microphones, pre-amps for the mics, the recorder, the mixing desk, the halls they recorded in, the performance etc. And everything in those days was analogue offcourse. I think what's really important is the balance between ambience (the mikes recording the sound in the hall) and close miking (the mikes j
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Feak and Roll Into the Fog is a great DVD indeed. The music's fantastic. The BC could do with a little more show though. After Freak & Roll I played the Paris club show of 4 Flicks and I couldn't help thinking: these Stones guys are twice as old but they entertain twice as hard.
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Can we trust Mail On Sunday? How about the possibilty they've blown up this story, spiced up his comments or have not spoken to Bill at all? RnT
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