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GazzaQuote
deardoctorQuote
liddas
Re Trouble:
Keith noted (from timeisonourside.com) "Right where I'm sitting now in my sunroom where I wrote it, it seemed like a real Hank Williams kind of song. But I think Waddy Wachtel pointed out to me that Hank Williams songs - that style of music - can easily be rocked up and moved up. Of course, it could be a rock and roll song! ... So here I'm doing Trouble, and I'm seeing it shifting from like 1949 to like 1958. And yeah, how would the Everlys have handled this? Or Chet Atkins? Or Hank Garland, who is also another guitar player with that kind of style? We just moved it up with the drums. Also, in the back of my mind, I always thought of Trouble in terms of Poor Jenny by the Everly Brothers".
So, one of the two:
The above quote is BS (the Stones' version ain't no Hank Williams), or
Just Before is not an early version of Trouble. Of course there are similarities, but they could be non-intentional. For sure the melody line must be Keith's idea. The credits on CH say K+J
C
So let's face it:
KEITH STOLE TROUBLE FROM THE ROLLING STONES
Jagger did right as he released 1985 "Lonely at the top" credited as jagger / richards although he developed that song much more than keith did with "trouble".
We will never know, what jagger said to that fact, as he listened to trouble first time...
Songwriting credit isn't really an issue until the song is copyrighted or officially released - which the Stones version of this never was. They bring their own demos into a Stones session. This one was evidently one that Mick had no part in writing, in which case theres no reason to give him a songwriting credit. Had the Stones released it, it would have been credited to Jagger-Richards (as per their long standing agreement) or quite possibly Jagger-Richards-Jordan if he had contributed to the music
Its quite likely that Keith may have written a substantial chunk of the version of 'Lonely at the top' (ie, the lyrics) that the Stones recorded in Nassau in 1979, hence his credit as a co-writer on Mick's solo version.
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MelBelliQuote
GazzaQuote
deardoctorQuote
liddas
Re Trouble:
Keith noted (from timeisonourside.com) "Right where I'm sitting now in my sunroom where I wrote it, it seemed like a real Hank Williams kind of song. But I think Waddy Wachtel pointed out to me that Hank Williams songs - that style of music - can easily be rocked up and moved up. Of course, it could be a rock and roll song! ... So here I'm doing Trouble, and I'm seeing it shifting from like 1949 to like 1958. And yeah, how would the Everlys have handled this? Or Chet Atkins? Or Hank Garland, who is also another guitar player with that kind of style? We just moved it up with the drums. Also, in the back of my mind, I always thought of Trouble in terms of Poor Jenny by the Everly Brothers".
So, one of the two:
The above quote is BS (the Stones' version ain't no Hank Williams), or
Just Before is not an early version of Trouble. Of course there are similarities, but they could be non-intentional. For sure the melody line must be Keith's idea. The credits on CH say K+J
C
So let's face it:
KEITH STOLE TROUBLE FROM THE ROLLING STONES
Jagger did right as he released 1985 "Lonely at the top" credited as jagger / richards although he developed that song much more than keith did with "trouble".
We will never know, what jagger said to that fact, as he listened to trouble first time...
Songwriting credit isn't really an issue until the song is copyrighted or officially released - which the Stones version of this never was. They bring their own demos into a Stones session. This one was evidently one that Mick had no part in writing, in which case theres no reason to give him a songwriting credit. Had the Stones released it, it would have been credited to Jagger-Richards (as per their long standing agreement) or quite possibly Jagger-Richards-Jordan if he had contributed to the music
Its quite likely that Keith may have written a substantial chunk of the version of 'Lonely at the top' (ie, the lyrics) that the Stones recorded in Nassau in 1979, hence his credit as a co-writer on Mick's solo version.
Hmmm. The “Lonely” that was released in 1985 bears very little resemblance to the jam recorded in 1979, and I find it very hard to believe Keith had a hand in its narrative about an aspiring actress. It’s possible he came up with the title.
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keithsman
Mick absolutely ruined Just Before, ( Trouble ) terrible vocals, no wonder Keith took it with him, can't blame him.
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GazzaQuote
keithsman
Mick absolutely ruined Just Before, ( Trouble ) terrible vocals, no wonder Keith took it with him, can't blame him.
Its a rough demo with unfinished lyrics. Of course the vocals are 'terrible'.
and maybe its a first take. Why assume this is what it sounded like after being worked on for ages?
'Satisfaction' probably sounded like shit when they were trying it out as well.
They did about 20-30 songs like this in about a month and released four of them.
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peoplewitheyes
Hey keithsman, your 'terrible vocals' comment is a little harsh. Clearly these are just run=throughs, with Jagger trying to get a handle on melody, phrasing etc. scatting his way around before the lyrics are set.
Maybe Mick grew bored of it after going round in cirles with his podner, while the latter tries to remember what the intro had been like...
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MelBelliQuote
GazzaQuote
deardoctorQuote
liddas
Re Trouble:
Keith noted (from timeisonourside.com) "Right where I'm sitting now in my sunroom where I wrote it, it seemed like a real Hank Williams kind of song. But I think Waddy Wachtel pointed out to me that Hank Williams songs - that style of music - can easily be rocked up and moved up. Of course, it could be a rock and roll song! ... So here I'm doing Trouble, and I'm seeing it shifting from like 1949 to like 1958. And yeah, how would the Everlys have handled this? Or Chet Atkins? Or Hank Garland, who is also another guitar player with that kind of style? We just moved it up with the drums. Also, in the back of my mind, I always thought of Trouble in terms of Poor Jenny by the Everly Brothers".
So, one of the two:
The above quote is BS (the Stones' version ain't no Hank Williams), or
Just Before is not an early version of Trouble. Of course there are similarities, but they could be non-intentional. For sure the melody line must be Keith's idea. The credits on CH say K+J
C
So let's face it:
KEITH STOLE TROUBLE FROM THE ROLLING STONES
Jagger did right as he released 1985 "Lonely at the top" credited as jagger / richards although he developed that song much more than keith did with "trouble".
We will never know, what jagger said to that fact, as he listened to trouble first time...
Songwriting credit isn't really an issue until the song is copyrighted or officially released - which the Stones version of this never was. They bring their own demos into a Stones session. This one was evidently one that Mick had no part in writing, in which case theres no reason to give him a songwriting credit. Had the Stones released it, it would have been credited to Jagger-Richards (as per their long standing agreement) or quite possibly Jagger-Richards-Jordan if he had contributed to the music
Its quite likely that Keith may have written a substantial chunk of the version of 'Lonely at the top' (ie, the lyrics) that the Stones recorded in Nassau in 1979, hence his credit as a co-writer on Mick's solo version.
Hmmm. The “Lonely” that was released in 1985 bears very little resemblance to the jam recorded in 1979, and I find it very hard to believe Keith had a hand in its narrative about an aspiring actress. It’s possible he came up with the title.
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Gazza
But Mick finished the lyrics for Almost Hear You Sigh. As far as I recall, all the songs on Talk is Cheap are credited to Richards-Jordan, so they evidently worked as a songwriting team on those sessions.
If Mick and Keith give up any part of a songwriting credit to any third party on a Stones record (including Ronnie), its safe to assume they had a sizeable hand in that song's composition. As we all know, there have been quite a few occasions down the years where they either did so belatedly (Marianne) or not at all (Mick Taylor)
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MelBelliQuote
Gazza
But Mick finished the lyrics for Almost Hear You Sigh. As far as I recall, all the songs on Talk is Cheap are credited to Richards-Jordan, so they evidently worked as a songwriting team on those sessions.
If Mick and Keith give up any part of a songwriting credit to any third party on a Stones record (including Ronnie), its safe to assume they had a sizeable hand in that song's composition. As we all know, there have been quite a few occasions down the years where they either did so belatedly (Marianne) or not at all (Mick Taylor)
Mick’s contribution to AHYS was huge. My suspicion is that *Jordan’s* was minimal at best — and yet he got credit because (again, I suspect) that the Richards/Jordan byline was very much the same kind of pro forma, no-matter-who-did-what arrangement as Jagger/Richards.
It’s interesting to me that that has now changed. Crosseyed Heart saw the first-ever sole Keith Richards compositions in Robbed Blind and Suspicious. It’s not a big deal; it’s not a scandal — but it does signal a change.
One of the reasons Ronnie got co-credited with four tracks on Dirty Work was Keith’s “to hell with that BS” reaction to Mick giving himself sole credit for some of the She’s the Boss songs. We all know Keith is very open about the collaborative “antenna”-like nature of songwriting. I think the claim of sole authorship generally strikes Keith as sort of ... uppity. And so, on Dirty Work, what with Mick being literally absent so often, Keith was adamant that Ronnie got credit on those tracks.
It *could* be that crediting Mick on Crosseyed Heart for everything that orginated from Stones sessions would’ve meant he got credit for half the album, or more. That would’ve looked silly.
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GazzaQuote
keithsman
Mick absolutely ruined Just Before, ( Trouble ) terrible vocals, no wonder Keith took it with him, can't blame him.
Its a rough demo with unfinished lyrics. Of course the vocals are 'terrible'.
and maybe its a first take. Why assume this is what it sounded like after being worked on for ages?
'Satisfaction' probably sounded like shit when they were trying it out as well.
They did about 20-30 songs like this in about a month and released four of them.
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corriecas
I wonder what The Stones think/feel about this Leak of outtakes???
Jeroen
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ironbelly
When I call your name - is it me or it firmly sits somewhere between Make No Mistake and Hate It When You Leave?
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peoplewitheyes
I also agree that "Cried Out" is very clearly the embryonic "Laugh, I Nearly Died". The feel, the tension in Mick´s melody, the chord changes, some of the lyrical touches.
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Wild SlivovitzQuote
ironbelly
When I call your name - is it me or it firmly sits somewhere between Make No Mistake and Hate It When You Leave?
I agree about it having the same vibe, and I think Keith's vocals would fit better in them
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corriecas
I wonder what The Stones think/feel about this Leak of outtakes???
Jeroen
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Gazza
As far as I recall, all the songs on Talk is Cheap are credited to Richards-Jordan, so they evidently worked as a songwriting team on those sessions.
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MelBelli
It’s interesting to me that that has now changed. Crosseyed Heart saw the first-ever sole Keith Richards compositions in Robbed Blind and Suspicious. It’s not a big deal; it’s not a scandal — but it does signal a change.
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Hairball
To give the diehards something to chew on after 13+ years without a new album?
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Hairball
Maybe Keith (and/or Ronnie) leaked it to show what could have been 16 years ago?
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retired_dogQuote
corriecas
I wonder what The Stones think/feel about this Leak of outtakes???
Jeroen
As an artist, I can't imagine that the Stones want rough song sketches like these leaking out to the public.
Because you always have people who obviously don't understand what rough song sketches with unfinished lyrics and tentative vocal tryouts are like keithsman/Riffie who never misses a chance to take a stab against Jagger with remarks like these:
"Mick absolutely ruined Just Before, ( Trouble ) terrible vocals, no wonder Keith took it with him, can't blame him."
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Hairball
How can we be sure that Mick really had anything to do with the writing of the early Crosseyed Heart version...he's basically just humming along looking for a melody or whatever.
I've only listened to these leaks in full a couple of times, but maybe there's something amidst the banter before Because that indicates Mick adds something else?
Whatever the case, glad it was resurrected by Keith and Jordan, and properly recorded the way it eventually was.Quote
corriecas
I wonder what The Stones think/feel about this Leak of outtakes???
Jeroen
Could be an official leak?
To whet the appetites of diehards for the supposed forthcoming album?
To give the diehards something to chew on after 13+ years without a new album?
Maybe Keith (and/or Ronnie) leaked it to show what could have been 16 years ago?
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DandelionPowderman
It was leaked in 2014..
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doitywoikQuote
DandelionPowderman
It was leaked in 2014..
Is it known when the songs/files/whatever originally got to the entity from whom they where leaked in 2014? Same year or earlier?
Just wondering - when the basic leak took place in 2014 only it could have happened in the course of Mick/Keith activities reviewing leftovers from earlier sessions for potential use on a new album.
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keithsmanQuote
retired_dogQuote
corriecas
I wonder what The Stones think/feel about this Leak of outtakes???
Jeroen
As an artist, I can't imagine that the Stones want rough song sketches like these leaking out to the public.
Because you always have people who obviously don't understand what rough song sketches with unfinished lyrics and tentative vocal tryouts are like keithsman/Riffie who never misses a chance to take a stab against Jagger with remarks like these:
"Mick absolutely ruined Just Before, ( Trouble ) terrible vocals, no wonder Keith took it with him, can't blame him."
I just say it as i see it and hear it, didn't realize having an opinion that differs with the majority was such a problem, i give Jagger plenty of credit, but i honestly have fallen out of love with his voice when its so high in the mix and what he seems to do with Stones albums production wise, he takes the beauty out of them, these tracks are brilliant, such potential in them.
The point i'm making now is a valid one, most of these songs are Keith's , i can't prove it but it's obvious.
These are excellent tracks, better than most of the stuff on ABB.
It wouldn't surprise me if Keith didn't instigate the release of these unfinished songs
Hey man don't take my views so seriously , Mick is a legend , a genius, the best front man that ever held a mic. Don't let my observations ruin your day.
Sorry i don't follow the herd man, what can i say.
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TooTough
Hearing this stuff I just can´t see a reason why they can´t or shouldn´t
be able to write 12 nice tracks together.
The melodies are there and the instruments sound right.
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peoplewitheyes
Hey keithsman, your 'terrible vocals' comment is a little harsh. Clearly these are just run=throughs, with Jagger trying to get a handle on melody, phrasing etc. scatting his way around before the lyrics are set.
Maybe Mick grew bored of it after going round in cirles with his podner, while the latter tries to remember what the intro had been like...
Yeah a bit harsh but i'm beginning to wonder if Mick has this boring attitude towards Keith's songs in the studio.
It brings to mind Mick singing One More Shot live, he acted like he didn't want to bother with it so it gets dropped from the set. He stumbles through it like it was too awkward to get his chops round, looked like an armature.
Meanwhile he gave everything he had into Doom And Gloom.
And lets face it One More Shot is classic Stones
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TooTough
Hearing this stuff I just can´t see a reason why they can´t or shouldn´t
be able to write 12 nice tracks together.
The melodies are there and the instruments sound right.
I don't think that writing 12 nice tracks together over a couple of years is the problem. I think the burden to come up with 12 great tracks for what most likely will be their final album is somewhat too heavy for them.