Mercy Mercy would be cool (so would Melody) and please keep Tumbling Dice!
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There's the name for the tour...NO SITTING!
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The only real celebrities at a Stones show are...the Stones.
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I don't know of them ever playing Hip Shake, Casino, Sweet Black Angel, Turd, Ventilator Blues, Just Wanna See His Face, Let It Loose, Stop Breaking Down or Soul Survivor live...hopefully after this tour I can take Sweet Black Angel and Let It Loose of that list!
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Again, if they're going to get political, why not take on Al Qaeda or the prick in North Korea? I love the Stones but perhaps the lyric in Beast of Burden is now appropriate..."A'int I tough enough?"
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I had read once it was originally "Anita, I ne-e-ed you" in reference to Anita Pallenberg. It didn't sound quite right and ended up as Angie...
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A few of my favorites: Time Waits For No One, Moonlight Mile, Let It Loose From others... Sleepless by Peter Wolf You Nearly Did Me In, Irene Wilde, 3000 Mile From Here, and Dead Man Walking by Ian Hunter Company by Ricki Lee Jones
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Chuck is alright...but please bring back a real piano!
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I think SRV opened for the Stones in severals shows in Europe in 1982... Also, does anybody know if it was SRV or his brother Jimmy who plays the great solo on Hard To Be from their Family Style album?
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www.drudgereport.com
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I second the endoresement of Rockpassion...six DVDs delivered as promised and the Live Extracts on the site are some of the most fun things on the net!
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I'm not sure he would ever admit it, but I think the audience has a bit to do with it. When the audience (and Keith) is animated and enthusiastic, it eggs him on. When they just sort of stand there, his moves tend to be more robotic. ALso, if there is a sex song (Stray Cat Blues) or one he can act out (Out of Control, Midnight Rambler) as opposed to just lead, (YCAGWYW), the spontanei
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StonesTod, you're right, it was a tad better on Licks... Still, YCAGWYW always tarts great, ends great, but it seems o just drone on and on between the two...time that could be so better spent playing, say, Good Times/Bad Times or I Got The Blues... Time will tell...
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Y'all think there is near consensus that they can drop YCAGWYW?
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I only know a few songs of theirs...what is it that makes them a good live act?
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I have a gut feeling it will be Get Off Of My Cloud...
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It's satirical arrogance...
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My favorites in no particular order... Ya-Ya's Live Licks Disc 2 Keith & Whino at the Palladium Joe Ely Live at Liberty Lunch Bob Marley & The Wailers (1975) Muddy Missippi Waters Live (Late 70s) Buddy Gy and Juniour Wells Drinkin' Tn'T and Smokin' Dynamite No Security B.B. King Live at Cook County Jail *Crackin' Up from El Mocambo...
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'havin' a good time? YEAH!
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Love it...pure and simple...yet no one else can do it quite their way...
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R, Great set list and intro...I took Start Me Up out of mine because it seems so damn obligatory but putting it on the B Stage might give it some kick...
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Speaking of hats, why has Keith taken to wearing one...it looks ridiculous. Bring back the headband!
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Get Off Of My Cloud You Got Me Rocking Tumbling Dice Oh No Not You Again Honky Tonk Women The New Bluesy Song Good Times Bad Times Midnight Rambler New Keith Song Whatever Else Keith Wants Child of the Moon Can’t You Hear Me Knocking B Stage As Tears Go By (for outside venues) or Landy Jane (for arenas) Little Queenie (or Sweet Little Sixteen or Let It Rock) Star Star Mother’s L
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yes, go...she's great live (except for the tone of her rantings...very immature for someone over 30 let alone over 50) and actually had some pseudo-Keith moves when she played guitar!
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Yes, BTB is horribly underrated. But I have to disagree slightly with the original post in this thread...I love Already Over Me - Mick's vocals and all of the instrumentation really paints a picture. Always Suffering sounds simple but it, too, paints a picture. Juiced pushes it in a good way nmy only critisism is that Out Of Control seems to end prematurely...much better live.
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Similar to you, after waiting 25 years I saw Ricki Lee about 18 months ago. She was great but, unfortunately, went on an adolescent-sounding political tirade. Nobody interrupted her, her singing and the group she assembled was fantastic (including an impromptu version of My Funny Valentine), and she left out most of her "hits" with the exception of Youngblood. So you probably didn�
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Bitch works best on the studio version where the horn come in gradually, not a full frontal assault. While the main riff is obviosly memorable, it's the low sax accents that enhance its sexiness...IMHO...
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Bjornulf, Were you serious, is Keith shy about that stuff? I never looked at it that way...
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It would be cool if Mick would break up the intros throughout the show...surprise everyone...do the horn section either right before or after a horn number...same with the singers, CL, and DJ...and do them fast...and save Ron, Charlie and Keith for their own spot...(thinking back to Live Aid when Mick was running around asking "Where'e Tina?," maybe he could do something similar wi
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As Tears Go By and Lady Jane would be welcome ballads...
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