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kovachQuote
LongBeachArena72Quote
stone4ever
Like me Keith probably thinks rap is crap. Why would or should Keith pretend to like something if he doesn't. Why would i, why would anyone, that would be so pathetic just to pretend like you're into something because its new and trending. Whats wrong with not liking the latest thing, hell i never liked the latest thing even when i was a teenager.
I find this black jive gangster in your face mother @#$%& attitude a huge letdown to black music in general, and black people come to think of it.
When you think of all the incredible black artists and music through the years its confusing to me that they don't seem to have any good role models today.
When i think of all the greats like Howlin Wolf or Muddy Walters and all we get today is Hip Hop and Rap.
Sorry i know some of you guys love it and good luck to you but it doesn't take genius to make it, not to me anyway.
1) Hip-hop has spoken to tens of millions of people all over the world; it is quite obviously a source of great pride to many people in the African-American community. Its reach and influence on popular and musical culture are nearly immeasurable.
2) White people are certainly entitled to an opinion about the worthlessness of that art form. When a famous white musician however makes those remarks about them most popular black music form in his lifetime ... well, that raises some eyebrows, no? It's ok he doesn't like it ... but why go out of his way to diss it? Just makes him seem like an out of touch dick, in my mind ... altho to you I suppose that may be part of Keith's badge of authenticity. I just remember a time when Keith was more in tune with what was happening on the street.
The African American community is only at best 13% so there's a lot of white folks buying this stuff as well; in fact that would mean the majority of people buying it are not African Americans at all!
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DandelionPowderman
Raises eyebrows? I don't know.
But Keith mainly put his finger on the unhealthy sides of hip hop: the guns and the killings. That was his message in the interview, if memory serves. And he praised it's forerunner: Jamaican dub.
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MrEcho
Jagger working with Skepta could be as great in its own way as Richards working with Steve Jordan. If Jagger allows it to be a true collaboration.
And, by the way, Skepta is a grime artist, not a "rapper". Two different things. Grime built on rap and hip hop, but it's a genre unto itself.
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LongBeachArena72Quote
DandelionPowderman
Raises eyebrows? I don't know.
But Keith mainly put his finger on the unhealthy sides of hip hop: the guns and the killings. That was his message in the interview, if memory serves. And he praised it's forerunner: Jamaican dub.
"Rap — so many words, so little said." He added: "What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they're happy. There’s an enormous market for people who can't tell one note from another."
-Keith Richards, Rolling Stone magazine, 9 Sept 2015
Nothing in that quote about anything unhealthy; I only recall his comments about rap' lack of musical worth.
I'll defer to you about Jamaican dub's role in hip-hop's origins. I was into hip-hop with the Sugarhill Gang and Kurtis Blow in the late 70's and did not detect that influence. But your mileage may vary.
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LongBeachArena72Quote
DandelionPowderman
Raises eyebrows? I don't know.
But Keith mainly put his finger on the unhealthy sides of hip hop: the guns and the killings. That was his message in the interview, if memory serves. And he praised it's forerunner: Jamaican dub.
"Rap — so many words, so little said." He added: "What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they're happy. There’s an enormous market for people who can't tell one note from another."
-Keith Richards, Rolling Stone magazine, 9 Sept 2015
Nothing in that quote about anything unhealthy; I only recall his comments about rap's lack of musical worth.
I'll defer to you about Jamaican dub's role in hip-hop's origins. I was into hip-hop with the Sugarhill Gang and Kurtis Blow in the late 70's and did not detect that influence. But your mileage may vary.
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DandelionPowderman
"But I did get interested when they started shooting each other. That's more like it, y'know? Wipe each other out!"
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LongBeachArena72Quote
MrEcho
Jagger working with Skepta could be as great in its own way as Richards working with Steve Jordan. If Jagger allows it to be a true collaboration.
And, by the way, Skepta is a grime artist, not a "rapper". Two different things. Grime built on rap and hip hop, but it's a genre unto itself.
I agree, it's a very interesting choice. Whether it will yield anything of value of course remains to be seen. But grime is pretty hardcore and unrelenting; there are certainly safer choices out there if Mick's primary goal was to cash in or ride coattails or try to surf a trend.
A rough analogy might be that if Mick were doing a country album he'd have chosen to work with Jamey Johnson instead of Luke Bryan.
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Rockman
Bo and Jerome were rappin' it out back in '58 ...........
Say man
What's that boy?
I want to tell you about your girlfriend,
What about my girl?
But you don't look strong enough to take the message
I'm strong enough
I might hurt your feelings
My feelings already hurt by bein' here with you
Well, I was walking down the street with your girl the other day
Uh-huh
And the wind was blowin' real hard
Is that right?
And the wind blew her hair into my face
Uh-huh
Hee-hee, you know what else happened?
What happened?
The wind blew her hair into her face
Yeah?
And we went a little further; you want to hear the rest of it?
I might as well...
The wind blew her hair into the street!
Hey, since you told me about my girl I'm gonna tell you about yours
I was walking down the street with your girl
Yeah?
I took her home, for a drink, you know
Took her home?
Yeah, just for a drink
Oh
But that chick looked so ugly she had to sneak up on a glass to get a drink of water
Hah-hah-hah-hah, well, you've got the nerve to call somebody ugly
Why you're so ugly the stork that brought you into the world ought to be arrested
That's alright
My mama didn't have to put a sheet over my head so sleep could slip up on me
Hey, looky here
What's that?
Where you from?
South America
What's that?
South America
You don't look like no South American to me
I'm still from South America
What part?
South Texas
Hah-hah-hah, where your western boots at?
I've got 'em on
Them ain't no boots you got on, they're broke in
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LongBeachArena72Quote
DandelionPowderman
"But I did get interested when they started shooting each other. That's more like it, y'know? Wipe each other out!"
Now THAT'S the Keef we all know and love!
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HairballQuote
LongBeachArena72Quote
DandelionPowderman
"But I did get interested when they started shooting each other. That's more like it, y'know? Wipe each other out!"
Now THAT'S the Keef we all know and love!
Lol - Keith can be a serious assh0le.
Again, I have to question his sanity when he spews out these rants.
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HairballQuote
LongBeachArena72Quote
DandelionPowderman
"But I did get interested when they started shooting each other. That's more like it, y'know? Wipe each other out!"
Now THAT'S the Keef we all know and love!
Lol - Keith can be a serious assh0le.
Again, I have to question his sanity when he spews out these rants.
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LongBeachArena72Quote
kovachQuote
LongBeachArena72Quote
stone4ever
Like me Keith probably thinks rap is crap. Why would or should Keith pretend to like something if he doesn't. Why would i, why would anyone, that would be so pathetic just to pretend like you're into something because its new and trending. Whats wrong with not liking the latest thing, hell i never liked the latest thing even when i was a teenager.
I find this black jive gangster in your face mother @#$%& attitude a huge letdown to black music in general, and black people come to think of it.
When you think of all the incredible black artists and music through the years its confusing to me that they don't seem to have any good role models today.
When i think of all the greats like Howlin Wolf or Muddy Walters and all we get today is Hip Hop and Rap.
Sorry i know some of you guys love it and good luck to you but it doesn't take genius to make it, not to me anyway.
1) Hip-hop has spoken to tens of millions of people all over the world; it is quite obviously a source of great pride to many people in the African-American community. Its reach and influence on popular and musical culture are nearly immeasurable.
2) White people are certainly entitled to an opinion about the worthlessness of that art form. When a famous white musician however makes those remarks about them most popular black music form in his lifetime ... well, that raises some eyebrows, no? It's ok he doesn't like it ... but why go out of his way to diss it? Just makes him seem like an out of touch dick, in my mind ... altho to you I suppose that may be part of Keith's badge of authenticity. I just remember a time when Keith was more in tune with what was happening on the street.
The African American community is only at best 13% so there's a lot of white folks buying this stuff as well; in fact that would mean the majority of people buying it are not African Americans at all!
yes, but from a creative pt of view, it's clearly a black art form. other than eminem, has there been a critically and commercially successful hip hop artist?
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kovachQuote
LongBeachArena72
yes, but from a creative pt of view, it's clearly a black art form. other than eminem, has there been a critically and commercially successful hip hop artist?
3 words...ice ice baby
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MrEchoQuote
LongBeachArena72Quote
MrEcho
Jagger working with Skepta could be as great in its own way as Richards working with Steve Jordan. If Jagger allows it to be a true collaboration.
And, by the way, Skepta is a grime artist, not a "rapper". Two different things. Grime built on rap and hip hop, but it's a genre unto itself.
I agree, it's a very interesting choice. Whether it will yield anything of value of course remains to be seen. But grime is pretty hardcore and unrelenting; there are certainly safer choices out there if Mick's primary goal was to cash in or ride coattails or try to surf a trend.
A rough analogy might be that if Mick were doing a country album he'd have chosen to work with Jamey Johnson instead of Luke Bryan.
Totally agree. If Jagger were looking for mainstream acceptance, he'd be working with Kanye, Beyonce, Jay-Z, Coldplay, Ed Sheeran or Adele. Skepta on the other hand is from the projects. He's hardcore. Good choice.
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DandelionPowdermanQuote
MrEchoQuote
LongBeachArena72Quote
MrEcho
Jagger working with Skepta could be as great in its own way as Richards working with Steve Jordan. If Jagger allows it to be a true collaboration.
And, by the way, Skepta is a grime artist, not a "rapper". Two different things. Grime built on rap and hip hop, but it's a genre unto itself.
I agree, it's a very interesting choice. Whether it will yield anything of value of course remains to be seen. But grime is pretty hardcore and unrelenting; there are certainly safer choices out there if Mick's primary goal was to cash in or ride coattails or try to surf a trend.
A rough analogy might be that if Mick were doing a country album he'd have chosen to work with Jamey Johnson instead of Luke Bryan.
Totally agree. If Jagger were looking for mainstream acceptance, he'd be working with Kanye, Beyonce, Jay-Z, Coldplay, Ed Sheeran or Adele. Skepta on the other hand is from the projects. He's hardcore. Good choice.
The "London projects"?..
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Hairball
He's probably referring to Jamaican dj's who "toasted" (or rapped) over pre-existing tunes dating back to the late '60's. They became legitimate artists in their own right recording or 'dubbing' their vocals over pre-existing tunes with original vocals removed. See U-Roy as a prime example. Many early rappers did indeed credit the Jamaican dj's for inspiring them to rap, though I can't find any quotes right now.
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LongBeachArena72Quote
DandelionPowderman
Raises eyebrows? I don't know.
But Keith mainly put his finger on the unhealthy sides of hip hop: the guns and the killings. That was his message in the interview, if memory serves. And he praised it's forerunner: Jamaican dub.
"Rap — so many words, so little said." He added: "What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they're happy. There’s an enormous market for people who can't tell one note from another."
-Keith Richards, Rolling Stone magazine, 9 Sept 2015
Nothing in that quote about anything unhealthy; I only recall his comments about rap's lack of musical worth.
I'll defer to you about Jamaican dub's role in hip-hop's origins. I was into hip-hop with the Sugarhill Gang and Kurtis Blow in the late 70's and did not detect that influence. But your mileage may vary.
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MrEchoQuote
DandelionPowdermanQuote
MrEchoQuote
LongBeachArena72Quote
MrEcho
Jagger working with Skepta could be as great in its own way as Richards working with Steve Jordan. If Jagger allows it to be a true collaboration.
And, by the way, Skepta is a grime artist, not a "rapper". Two different things. Grime built on rap and hip hop, but it's a genre unto itself.
I agree, it's a very interesting choice. Whether it will yield anything of value of course remains to be seen. But grime is pretty hardcore and unrelenting; there are certainly safer choices out there if Mick's primary goal was to cash in or ride coattails or try to surf a trend.
A rough analogy might be that if Mick were doing a country album he'd have chosen to work with Jamey Johnson instead of Luke Bryan.
Totally agree. If Jagger were looking for mainstream acceptance, he'd be working with Kanye, Beyonce, Jay-Z, Coldplay, Ed Sheeran or Adele. Skepta on the other hand is from the projects. He's hardcore. Good choice.
The "London projects"?..
North London housing project.
No, no, I was just being a smartass, as you say. No worries.Quote
stone4everQuote
keefriff99stone4ever also refered to rap as "jive"...I don't think this Archie Bunker-wannabe has updated his slang lexicon since 1975.Quote
DelticsQuote
keefriff99I don't think you're going to get through to stone4ever, given the vitriol in his tirade.Quote
LongBeachArena72Quote
stone4ever
Like me Keith probably thinks rap is crap. Why would or should Keith pretend to like something if he doesn't. Why would i, why would anyone, that would be so pathetic just to pretend like you're into something because its new and trending. Whats wrong with not liking the latest thing, hell i never liked the latest thing even when i was a teenager.
I find this black jive gangster in your face mother @#$%& attitude a huge letdown to black music in general, and black people come to think of it.
When you think of all the incredible black artists and music through the years its confusing to me that they don't seem to have any good role models today.
When i think of all the greats like Howlin Wolf or Muddy Walters and all we get today is Hip Hop and Rap.
Sorry i know some of you guys love it and good luck to you but it doesn't take genius to make it, not to me anyway.
1) Hip-hop has spoken to tens of millions of people all over the world; it is quite obviously a source of great pride to many people in the African-American community. Its reach and influence on popular and musical culture are nearly immeasurable.
2) White people are certainly entitled to an opinion about the worthlessness of that art form. When a famous white musician however makes those remarks about them most popular black music form in his lifetime ... well, that raises some eyebrows, no? It's ok he doesn't like it ... but why go out of his way to diss it? Just makes him seem like an out of touch dick, in my mind ... altho to you I suppose that may be part of Keith's badge of authenticity. I just remember a time when Keith was more in tune with what was happening on the street.
I like plenty of hip hop music...I just don't thinking mixing modern hip hop with a 73-year old white British man is a recipe for success.
And as far as rap being a bad influence...many of the old bluesmen were hardly paragons of virtue. I'm sure some of the exploits they engaged in put most modern rappers to shame.
"new and trending"?
Rap and hip-hop have been around for forty years!
Like all musical genres there's great and there's crap and let's face it, there's been plenty of crap rock.
Let's hear it before we pass judgement.
I'm just thankful he didn't refer to rap as "the coloreds' music".
Hey smart ass i was referring to jive as attitude, to taunt or sneer at. I didn't say rap was jive.
Archie Bunker wannabe ?? What you saying i'm a racist because i don't like rap.??
Haha, no i'm not quite that bad and i do love a lot of music from as far back as the 30's to the present day. You wouldn't believe the amount of music i love, it covers so many decades and so many artists, its my life actually. Sorry about my rant, its just that i am completely uninterested in Rap or Hip Hop because my ears are deaf to it.
I'm not at liberty to judge something if i have no connection to it so for that reason i'm out of this conversation.
I've listened to it over the years, i've even tried to like it but it's just not music to my ears.
If that makes me out of order to dislike something then what can i say.
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DandelionPowdermanQuote
HairballQuote
LongBeachArena72Quote
DandelionPowderman
"But I did get interested when they started shooting each other. That's more like it, y'know? Wipe each other out!"
Now THAT'S the Keef we all know and love!
Lol - Keith can be a serious assh0le.
Again, I have to question his sanity when he spews out these rants.
Ironizing over rap's future, don't you think?
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LongBeachArena72
..from a creative pt of view, it's clearly a black art form. other than eminem, has there been a critically and commercially successful hip hop artist?In fact, one of the things that is different about the evolution of hip hop, as compared to, say, rock'n'roll. rock also of course had black antecedents but was 'popularized' and then taken into the global mainstream by mostly white artists. that never happened in hip-hop. although people all over the world, of all shapes, sizes, colors, and creeds dig hip-hop, the music has not been "co-opted" by white artists and remains today a black-produced phenomenon.
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LongBeachArena72
OMG, Ed Sheeran. Talented kid. I actually dig him. And because there's no song that's not improved by Muppets, here's my favorite Ed song.
But he's so cuddly and commercial can you possibly imagine the firestorm of ridicule that would have been heaped down upon Sir Michael's head had he been the one touting Eddie?
Eh...I have to STRONGLY disagree with the Vanilla Ice inclusion.Quote
Hairball
Along with Eminem as you mentioned, there was also the Beastie Boys who opened it up for a lot of young white boys who wanted to fight for their right to party. They were critically acclaimed and very successful.
And to a much lesser degree - Vanilla Ice. No matter how much of a fraudulent fool he would eventually be proven to be, he did have a large fan base of mostly white kids glued to their MTV. I doubt he was critically acclaimed (unless it was for being a clown), but he was successful for a short period. I do agree though that rap and hip hop is clearly black art form and remains today a black-produced phenomenon that hasn't been diluted in the same way rock, blues, and many other genres have been. But maybe it will take someone with the super star status of Mick Jagger and his foray in to the rap world with the help of Skepta to change all that, but I highly doubt it.
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keefriff99Eh...I have to STRONGLY disagree with the Vanilla Ice inclusion.Quote
Hairball
Along with Eminem as you mentioned, there was also the Beastie Boys who opened it up for a lot of young white boys who wanted to fight for their right to party. They were critically acclaimed and very successful.
And to a much lesser degree - Vanilla Ice. No matter how much of a fraudulent fool he would eventually be proven to be, he did have a large fan base of mostly white kids glued to their MTV. I doubt he was critically acclaimed (unless it was for being a clown), but he was successful for a short period. I do agree though that rap and hip hop is clearly black art form and remains today a black-produced phenomenon that hasn't been diluted in the same way rock, blues, and many other genres have been. But maybe it will take someone with the super star status of Mick Jagger and his foray in to the rap world with the help of Skepta to change all that, but I highly doubt it.
I was 13 when Ice Ice Baby was a big hit, so I can attest to how WILDLY popular he was for a VERY short period of time, but to include him alongside Eminem and the Beastie Boys does them a tremendous disservice and gives him props that he absolutely doesn't deserve.
He was a flash-in-the-pan one hit wonder, nothing more.
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Hairball
Along with Eminem as you mentioned, there was also the Beastie Boys who opened it up for a lot of young white boys who wanted to fight for their right to party. They were critically acclaimed and very successful.
And to a much lesser degree - Vanilla Ice. No matter how much of a fraudulent fool he would eventually be proven to be, he did have a large fan base of mostly white kids glued to their MTV. I doubt he was critically acclaimed (unless it was for being a clown), but he was successful for a short period. I do agree though that rap and hip hop is clearly black art form and remains today a black-produced phenomenon that hasn't been diluted in the same way rock, blues, and many other genres have been. But maybe it will take someone with the super star status of Mick Jagger and his foray in to the rap world with the help of Skepta to change all that, but I highly doubt it.