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IanBillenQuote
Socrates1
“The album consists of covers of blues songs of Chicago. It was recorded live in the studio in just three days, with the musicians in a circle around the microphones." -Don Was
That's what I meant, Ian. No need to be persnickety about it. I meant the Stones were gathering around a mic, or groupings of mics, like Don Was said. Picture Keith, Ronnie and Clapton around one mic, then Mick And Darryl having a mic maybe or whatever. And Charlie would have some drum mics. They weren't really clear on how the drums were mic'd. And whether or not Mick and Darryl were sharing a mic is purely conjecture on my part. I'm picturing groupings of mics with the Stones around them, kind of leaning into the mics.
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I thought you were saying they all sat in a circle with a single Mic in the middle of all of them as the only source .. (my bad). Was gonna say .. that could never work.
With that said .. I am certain all of them were miced individually ... with a few or 'some' additional mics placed in the middle of them for ambiance. Singers always get close miced... and drums do as well.
Still it is not any sort of norm .. a sort of unique way of recording stuff ...especially for now a days, anyway. Has to be for the right type of material .. to even consider.. for example: This would never ever work or be even considered for any sort of Pop recording.
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RipThisBone
Mick singing Howlin' Wolf's "Built For Comfort" would be a surprise...
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DandelionPowdermanQuote
RipThisBone
Mick singing Howlin' Wolf's "Built For Comfort" would be a surprise...
Probably rewritten to Built For Speed
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HMSQuote
BILLPERKS
Yes ,there will be a new single .
Said who?
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HMS
A Blues-song released as a single would peak at No. 185. Ouch. I dont think there will be a single-release.
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HMS
Is the picture of the harps the cover of the Blues-album?
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HMSQuote
Woz
> The album contains Chicago blues covers. They were recorded live in studio in 3 days with musicians in circle around the mics, no edit on songs, You can hear Watts drums through Jagger's mic. Record sounds raw, very authentic. Captures the essence of what they are. <
In other words, Don Was didn't @#$%& them up with compression and other cheesy studio tactics...
Maybe final production is yet to be done.
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IanBillenQuote
Socrates1
I'm really excited about the blues album. It's amazing the way they recorded it, with everyone circled around one microphone...that's what I wanted to read. Crosseyed Heart is not computerized music. The acoustic guitar is the most important. I can't wait to hear the new one. Probably Charlie naming it is the best idea.
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Well.. coming from an audio engineering background I know that you have misunderstood. Everyone was not circled around one (<a single) microphone.
They were sitting in a circle using separate microphones. Since they were so close, there was 'leakage' .. One instrument intended for one microphone or set of microphones (Charlies Drums) bleeds in to the microphone intended for another (Micks vocal Mic).
Still a cool concept for this record and it is certainly 'not the norm' as far as recording songs as far as any sort rock act goes ..in a multi-million dollar, multi-track recording studio situation (a not so 'standard' recording assembly for them as their usual stuff / set-up requires.. BUT ..with that said... Jazz and blues recordings can allow this type of thing at times)
Ian
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GasLightStreetQuote
HMSQuote
BILLPERKS
Yes ,there will be a new single .
Said who?
It doesn't matter.Quote
HMS
A Blues-song released as a single would peak at No. 185. Ouch. I dont think there will be a single-release.
You know nothing, as usual.Quote
HMS
Is the picture of the harps the cover of the Blues-album?
You ask stupefying questions as well.
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GasLightStreet
Drive-By Truckers do the same thing. Other rock bands do the same thing. It still happens.
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KRiffhard
Are you sure that it will a blues covers album without original stuff?!
I bet for a double album with 2 sides...
Time will tell!
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henrik87Quote
KRiffhard
Are you sure that it will a blues covers album without original stuff?!
I bet for a double album with 2 sides...
Time will tell!
Of course this is a possibility. We will know for sure this Thursday ...
I am still convinced that the Dec release is blues only. But it might not be covers only. They could easily include one ore two blues tracks written by the Glimmer Twins.
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KRiffhard
Are you sure that it will a blues covers album without original stuff?!
I bet it'll be a double album with 2 sides...
Time will tell!
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georgelicksQuote
KRiffhard
Are you sure that it will a blues covers album without original stuff?!
I bet it'll be a double album with 2 sides...
Time will tell!
Blues covers no originals, a single will be released on Thursday, the original plan was to release a double album with covers and originals but the new stuff is not ready yet and will be out next year.
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swimtothemoonQuote
georgelicksQuote
KRiffhard
Are you sure that it will a blues covers album without original stuff?!
I bet it'll be a double album with 2 sides...
Time will tell!
Blues covers no originals, a single will be released on Thursday, the original plan was to release a double album with covers and originals but the new stuff is not ready yet and will be out next year.
Thanks for clarifying the release plans Georgelicks.
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Socrates1Quote
IanBillenQuote
Socrates1
“The album consists of covers of blues songs of Chicago. It was recorded live in the studio in just three days, with the musicians in a circle around the microphones." -Don Was
That's what I meant, Ian. No need to be persnickety about it. I meant the Stones were gathering around a mic, or groupings of mics, like Don Was said. Picture Keith, Ronnie and Clapton around one mic, then Mick And Darryl having a mic maybe or whatever. And Charlie would have some drum mics. They weren't really clear on how the drums were mic'd. And whether or not Mick and Darryl were sharing a mic is purely conjecture on my part. I'm picturing groupings of mics with the Stones around them, kind of leaning into the mics.
_________________________________________
I thought you were saying they all sat in a circle with a single Mic in the middle of all of them as the only source .. (my bad). Was gonna say .. that could never work.
With that said .. I am certain all of them were miced individually ... with a few or 'some' additional mics placed in the middle of them for ambiance. Singers always get close miced... and drums do as well.
Still it is not any sort of norm .. a sort of unique way of recording stuff ...especially for now a days, anyway. Has to be for the right type of material .. to even consider.. for example: This would never ever work or be even considered for any sort of Pop recording.
I just picture the Stones circling around microphones like Don Was said. It's interesting how the best Stones songs, from all their albums over the years, have a 'live' sound quality about them.
Yet Mick mentioned in an interview a few years ago that 'nothing is ever really live' in the studio. He said something like that. So you can imagine it's almost never all the members of the Stones, like you would see them in concert, playing together live on the studio recordings.
Maybe you would have a few Stones laying down a rhythm track first, on any given song. In the case of the new blues album, you could have Keith, Ronnie and Clapton all playing acoustic guitars around one microphone. And that becomes the basis for overdubbing vocals etc. Or maybe you have one guitar and vocals, and that becomes the basis for the song, or just one guitar and drums.
Think about how Keith and Charlie recorded Street Fighting Man onto that little cassette deck that Keith used to have. Charlie had a travel drum kit, Keith had an acoustic guitar, and the real 'live' part of the Street Fighting Man studio recording is Keith and Charlie playing together.
Daniel Lanois referred to music as "fabric" in this way. You have these pieces of aural fabric that you weave together into songs. So, Ian, I was just saying that I was excited about Don Was' comments concerning "microphones." And I was envisioning the use of single microphones and how the Stones might be gathered around them, creating that real organic Stones sound that you can't get from click tracks.
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GasLightStreetQuote
IanBillenQuote
Socrates1
I'm really excited about the blues album. It's amazing the way they recorded it, with everyone circled around one microphone...that's what I wanted to read. Crosseyed Heart is not computerized music. The acoustic guitar is the most important. I can't wait to hear the new one. Probably Charlie naming it is the best idea.
____________________________________________________
Well.. coming from an audio engineering background I know that you have misunderstood. Everyone was not circled around one (<a single) microphone.
They were sitting in a circle using separate microphones. Since they were so close, there was 'leakage' .. One instrument intended for one microphone or set of microphones (Charlies Drums) bleeds in to the microphone intended for another (Micks vocal Mic).
Still a cool concept for this record and it is certainly 'not the norm' as far as recording songs as far as any sort rock act goes ..in a multi-million dollar, multi-track recording studio situation (a not so 'standard' recording assembly for them as their usual stuff / set-up requires.. BUT ..with that said... Jazz and blues recordings can allow this type of thing at times)
Ian
The Stones have been recording in the same room and have had leakage on just about every LP their entire recording career (not every song, of course).
Drive-By Truckers do the same thing. Other rock bands do the same thing. It still happens. Some are careful about isolation. Leakage is cool.
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RipThisBoneQuote
swimtothemoonQuote
georgelicksQuote
KRiffhard
Are you sure that it will a blues covers album without original stuff?!
I bet it'll be a double album with 2 sides...
Time will tell!
Blues covers no originals, a single will be released on Thursday, the original plan was to release a double album with covers and originals but the new stuff is not ready yet and will be out next year.
Thanks for clarifying the release plans Georgelicks.
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Socrates1
There's an interesting article about some dude who worked with Bob Dylan on Love & Theft. Whenever Bob had to do a rare vocal punch-in, they would have the whole band playing behind Bob, as he stood before the mic, just so they could get that 'bleeding-in' sound from the band to match what they had already recorded. L&T was the last album Bob Dylan recorded before protools became the norm in studios. So when they recorded L&T, they had to splice tape together and all that stuff.
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Socrates1
No, they specifically did it for the bleeding-in thing. The article is on the internet somewhere.
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IanBillen
I think you may mean Dylan recorded live and so did all the band but they were behind him all playing at one.
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Socrates1Quote
IanBillen
I think you may mean Dylan recorded live and so did all the band but they were behind him all playing at one.
Yeah. I guess "L&T" was pretty much recorded live like that. But you always have to wonder how live it all really is.
I'm just tired of human beings following blips. Even if you don't hear the click track in a song, it still means human beings are mimicking the actions of a computer generated sequence. It's really putting the cart before the horse.
Back to the microphone thing: I just picture Stones and friend (Clapton) playing acoustic guitars around one microphone, just going by what Don Was said. Then maybe Sasha, Bernard and Jaguarillo are around one microphone. Hopefully that's the way they did the whole blues album, with everyone blending together.