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RobertJohnson
Wish list for a future permanent (I hope so) Mick Taylor-section:
Sway
Time Waits For No One
Dead Flowers
Beast Of Burden
Moonlight Mile
Angie
Wild Horses
YCAGWYW
Winter
100 Years Ago
Hide Your Love
Silver Train
Coming Down Again
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71Tele
Some great comments here. No doubt some people still prefer the safe Vegas-era Stones and are uncomfortable with Taylor's performance. Does he overplay at times? Yes. Is he a bit ragged in places? Yes. Was he nervous? Possibly. Did he want to make a statement? Definitely!
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71Tele
So...what do you suppose we will see on Thursday?
- A similar performance of MR.
- A more subdued Taylor on MR.
- A different song (or songs) with Taylor.
- No Taylor at all, because the band was irritated at his performance (my fear).
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GumbootCloggeroo
It was nice to see Mick T. play with The Stones again. But man oh man, he has certainly lost his magic touch.
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SweetThing
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GumbootCloggeroo
Mick T was clearly enjoying his moment on the big stage. How often does he play to a big crowd like that on a big stage like that? That might be the last time. Unfortunately, he didn't blow me away. I wish he had. I'm all for continuing a solo and going nuts if you're doing something impressive or whatever, but he just kept playing mediocre stuff. The look on Ronnie's face when Mick took the slide out of his pocket said it all. A musician knows when another is bombing. But hey, I'm glad they played together again. It was nice to see, at least!
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RobertJohnson
Wish list for a future permanent (I hope so) Mick Taylor-section:
Sway
Time Waits For No One
Dead Flowers
Beast Of Burden
Moonlight Mile
Angie
Wild Horses
YCAGWYW
Winter
100 Years Ago
Hide Your Love
Silver Train
Coming Down Again
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TimeIsQuote
Long John Stoner
He was clearly the best guitar player on that stage.
Over their careers, you can debate that. I'll go for Keith, which is more to my taste.
On THIS night, he was by far the worst.
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carlorossiQuote
71Tele
Some great comments here. No doubt some people still prefer the safe Vegas-era Stones and are uncomfortable with Taylor's performance. Does he overplay at times? Yes. Is he a bit ragged in places? Yes. Was he nervous? Possibly. Did he want to make a statement? Definitely!
Agree with your take, sort of. MR was one of the few songs that they've managed to NOT play like the "Vegas Stones". They really tear it up. CindyC remarked in another thread how Keith's body language during the song was rude to MT. I think he was just trying to keep it all on time with Taylor subconciously trying to speed it up. Not easy. No knock on Taylor, he was justifiably an excitable boy.
You can say that again!Quote
treaclefingers
I thought it was great...more please. Looking forward to the Thursday 'clips'.
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Edward TwiningQuote
carlorossiQuote
71Tele
Some great comments here. No doubt some people still prefer the safe Vegas-era Stones and are uncomfortable with Taylor's performance. Does he overplay at times? Yes. Is he a bit ragged in places? Yes. Was he nervous? Possibly. Did he want to make a statement? Definitely!
Agree with your take, sort of. MR was one of the few songs that they've managed to NOT play like the "Vegas Stones". They really tear it up. CindyC remarked in another thread how Keith's body language during the song was rude to MT. I think he was just trying to keep it all on time with Taylor subconciously trying to speed it up. Not easy. No knock on Taylor, he was justifiably an excitable boy.
Yes, well this is the point. Taylor took the Stones very much out of the "Vegas Stones" comfort zone, and in doing so, he created a level of spontaneity and raw energy, which has rarely been seen within the Rolling Stones performances for at least the last three decades. He shook things up quite considerably. Keith has needed a challenge for so very long, and because he needs to prove he can still hold his own with whoever, Taylor makes for him very enlightening company. My thoughts concerning Taylor's performance is technically it was no masterclass, in fact there were moments when his playing veered towards being plain embarrassing - he sounded quite out of tune at one point, although Taylor redeemed himself also pretty much with some wonderful jazzy/bluesy licks. Just a flicker of magic here and there made the hairs on the back of my neck stand on end, which is a feeling i haven't had properly with the Stones since Taylor left the group in 74. Even his less inspiring moments found the Stones sounding dangerous, raw and exciting, which should be in truth, the essence of a Stones live performance. Taylor struck me as lacking practice, as in rehearsal time, almost as though he had come on stage fresh off the street. He needs to fully reaquaint himself with those songs and integrate himself a little more with the band, so there is a little more musical empathy. However, his ability remains intact, if not his level of consistency, but there's nothing missing that a degree of practice can't rectify. I felt the band themselves, and especially Jagger, raised their game, with the fresh injection of energy Taylor brought to proceedings.
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71Tele
Some great comments here. No doubt some people still prefer the safe Vegas-era Stones and are uncomfortable with Taylor's performance. Does he overplay at times? Yes. Is he a bit ragged in places? Yes. Was he nervous? Possibly. Did he want to make a statement? Definitely!
But he achieved what no one else has in 25 years. He made the Rolling Stones dangerous again. For 12 minutes anyway.
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TimeIsQuote
NickB
and didn't pay enough attention to his playing which was often off time and in the wrong key. He kind of spoiled it for me trying to take over and dominate the stage. To me he made himself look a bit of a jerk and in hindsight I'm sure he'll realise. If he came out and just stood there and played properly and listened to what the other musicians were playing then I'm sure it would have been better.
As for the need to rehearse the song with the band.....not sure that he does..he just needs to listen rather than play all over the song.
Amen. Off tempo and off key. Those are kind of pretty basic for any musician.
Someone else said he fills out the sound as opposed to Ronnie. There's a difference between filling out the sound and drowning it out. Young teenagers learning to play the guitar for the first time "fill" out the sound that way.
I'm sure nerves or something must have been playing with him, but man that was just a shock to see, especially after the initial excitement of hearing he was playing Rambler and all this fans' raving about it - hence my posts about it.
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RokyfanQuote
RobertJohnson
Wish list for a future permanent (I hope so) Mick Taylor-section:
Sway
Time Waits For No One
Dead Flowers
Beast Of Burden
Moonlight Mile
Angie
Wild Horses
YCAGWYW
Winter
100 Years Ago
Hide Your Love
Silver Train
Coming Down Again
To me the obvious two are Love in Vain and CYHMK. Some of yours are right on (Sway, Moonlight Mile, Time) some are mystifying (BOBurden), the last 5 would be a great set in a different world 35 years ago but they are not sitting down and working up live versions of all this stuff they they never even did when they were a working band. And its not like Taylor is joining up or anything even if they do anything more thn the 4 more planned.
The best cut I ever heard with Taylor is Gimmee Shelter from Philly 72 early show. Check that out if you have it.
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RokyfanQuote
RobertJohnson
Wish list for a future permanent (I hope so) Mick Taylor-section:
Sway
Time Waits For No One
Dead Flowers
Beast Of Burden
Moonlight Mile
Angie
Wild Horses
YCAGWYW
Winter
100 Years Ago
Hide Your Love
Silver Train
Coming Down Again
To me the obvious two are Love in Vain and CYHMK. Some of yours are right on (Sway, Moonlight Mile, Time) some are mystifying (BOBurden), the last 5 would be a great set in a different world 35 years ago but they are not sitting down and working up live versions of all this stuff they they never even did when they were a working band. And its not like Taylor is joining up or anything even if they do anything more thn the 4 more planned.
The best cut I ever heard with Taylor is Gimmee Shelter from Philly 72 early show. Check that out if you have it.
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Bliss
The question is..do you want to see MT with the Stones again, for as long as the band continues?
If the answer is NO, by all means, carry on with these criticisms of his performance. They are sure to have the desired effect.
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DandelionPowderman
Taylor was a bit unsure about where to solo, that's all. I thought it was a good performance, and Mick helped him a few times. Check out where Mick says "I'll take it", and then he starts his harp solo.
Nobody is giving Taylor the look or a cold shoulder. Keith is just focusing on laying down the rhythm, and that is a harder task when the other guitar player constantly is looking for spots to play solo licks.
All in all it was great seeing Taylor again, and this number, and hopefully others, will be even greater with time - if Taylor indeed joins in for the rest of the shows.
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whitem8
Great post tele. Yup, MT shook it up. And MOVED! Shit he moved more than him and Bill Wyman combined in just this one show. Some beautiful guitar work. Yes, sloppy at times, overplayed, and a funky wrong key hit. But it was glorious. Brought out an edge that hasn't been heard in too long. I wish to hell they would do Plundered My Soul! WOuld sound great live. But I suspect, Keith views that as a Mick J solo song...and would balk at it.
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terraplane
Actually the audio of the song sounds better than the video clip. There is a lot of noise bouncing around on the you tube clip so it sounds messier than it was. He certainly overplayed IMO (and I'm a big fan) but there were some nice moments for sure. They could edit some of his licks out and it would sound a lot better.