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Mathijs
I never liked I'm Free for example: that song drags, and I don't like Taylor's approach to it.
Mathijs
One has to be rather cold blooded not to feel or at least not to understand the musical warmth / melodic romance Taylor is adding here.
In fact ... One of MT's very ingenious contributions ... But also I like Keith's heavy rhythm-guitar on this track during the 69 tour (San Diego, Boston, if I remember right), that contrasts the brilliance of Taylor's lead in a specific way.
This is f-in fantastic! Never heard it before. VEry very cool version. Jagger could have done more on this one. MIssed oppurtunity on Jagger. What a f-in awesome guitar track.
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His Majesty
As for Rolling Stones guitar solos, Brian showed how it should/could be done back in 1963...
Excitingly racous, positively distinctive... it is melodic, to the point, has a beginning and an end.
Elmore James doing a Beatles melody, the old and the new brought together in new and exciting way.
It some what has a partner in 1969... It's almost as if it's the same player as he developed a few years later.
So good, they spliced it on again.
I now feel there is quite a musical lineage between Jones and Taylor in that Taylor is almost the kind of guitarist Jones could have been had Jones applied his thirst for adventure and his musicality to just the guitar.
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71TeleQuote
DandelionPowdermanQuote
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71Tele
True, they started slow in '69, but so what? This was the first time ever on the road in the "modern era" of concerts. New amps, new PA rigs, new audiences, new guitarist. So they took a little time to gell and people find this something to criticize? I wish we had the evolution in playing on the tours from 1975-on, but of course we don't. As for Keith peaking in '75, the only thing that peaked for him then was his heroin use.
It wasn't criticism, just pointing out that you can't judge an entire tour by its best show only.
I love this tour myself, and find it among the three best tours they ever did.
PS: I think Keith peaked in 77, heroin-wise He had big problems in 73.
Perhaps you sometimes focus on the details of what I say rather than the larger point, or perhaps I don't communicate as well as I think. I should have said that the heroin use affected his playing more in '75 than in '73, because I think it's obvious it did. You are likely right that his "use" peaked in '77.
He played more, better and more adventurous in 75, imo, so it's hard for me to see that. Loved his sound as well.
OK. I saw it up close and personal when his adventurousness seemed remarkably like nodding out. But I am sure other shows were different.
Side note: No thread where I criticize Wood's playing is complete without Max'sKansasCity screaming bloody murder and calling me every name in the book. I kind of miss the bastard.
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His Majesty
A song called I'm Free calls for freedom of expression.
They were free to sing and play out of tune on the studio version... and did so. hehe.
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Max'sKansasCityQuote
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DandelionPowdermanQuote
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DandelionPowdermanQuote
71Tele
True, they started slow in '69, but so what? This was the first time ever on the road in the "modern era" of concerts. New amps, new PA rigs, new audiences, new guitarist. So they took a little time to gell and people find this something to criticize? I wish we had the evolution in playing on the tours from 1975-on, but of course we don't. As for Keith peaking in '75, the only thing that peaked for him then was his heroin use.
It wasn't criticism, just pointing out that you can't judge an entire tour by its best show only.
I love this tour myself, and find it among the three best tours they ever did.
PS: I think Keith peaked in 77, heroin-wise He had big problems in 73.
Perhaps you sometimes focus on the details of what I say rather than the larger point, or perhaps I don't communicate as well as I think. I should have said that the heroin use affected his playing more in '75 than in '73, because I think it's obvious it did. You are likely right that his "use" peaked in '77.
He played more, better and more adventurous in 75, imo, so it's hard for me to see that. Loved his sound as well.
OK. I saw it up close and personal when his adventurousness seemed remarkably like nodding out. But I am sure other shows were different.
Side note: No thread where I criticize Wood's playing is complete without Max'sKansasCity screaming bloody murder and calling me every name in the book. I kind of miss the bastard.
Tele, you are EVERY NAME IN THE BOOK!!!
rar rar rarRARARRARAR RAR!! lol....
If there were 2 guys I know I would enjoy drinking a beer(or 10) with, it is the two good men quoted above. It would be great if more here were as awesome as these have proven to be.
Ya bastard, time to switch keyboards, time for your piano lesson...Quote
71Tele
Hey Max! Great to know you're still here. And I hope you know I meant "bastard" affectionately!
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DandelionPowderman
This one's for you, Max:
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DandelionPowderman
This one's for you, Max:
Izzy!!!
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Max'sKansasCityYa bastard, time to switch keyboards, time for your piano lesson...Quote
71Tele
Hey Max! Great to know you're still here. And I hope you know I meant "bastard" affectionately!
practice practice practice... that piano aint gonna play itself, unless it does.
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His Majesty
Macca got the mellotron that was used on The Beatles aka white album.
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71TeleQuote
His Majesty
Macca got the mellotron that was used on The Beatles aka white album.
Smae one as used on Strawberry Field, right?
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Doxa
Nice to see you back, His Majesty! You were missed.
- Doxa
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DandelionPowderman
That must have been a great experience, Tele!
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71TeleQuote
DandelionPowderman
That must have been a great experience, Tele!
I felt the presence of the Lord, DP. Praise Jesus.
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Redhotcarpet
Mellotron:
The "Samba" sound
Starts at Ringos: "Dont forget the apples..."
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His Majesty
Look again just to make sure you are meaning the right youtube clip?