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GasLightStreetQuote
SomeGuy
Kimsey was indeed their best producer after Miller. But, if one likes Dirty Work's songs or not, the sound was more of a Stones sound than any album that came after (Blue And Lonesome excepted, perhaps). If that is Don's fault, I don't know. Kimsey didn't really achieve it with Steel Wheels either. But perhaps it was just the times, like some mid 70s albums started to sound different from what came before, too. Creative juices (or lack thereof) sure make a difference also.
What part of DIRTY WORK sounds "more Stones" than anything post-DW? There are plenty of good "Stones sound" produced songs post DW.
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MelBelliQuote
KRiffhardQuote
doitywoik
Ian said, "Definitely fresh" - there could be worse assessments.Details remain only wth him, as of yet, but will hopefully be shared.
There has been some criticism as to the sound (not by Ian but others), I reserve judgement on that as long as I can listen to the song only on the shitty laptop speakers and not on my stereo or proper headphones. To me the song sounds still a bit like work in progress (which it possibly is/was), to me this contributes to its charm. I couldn't really hear the autotune that others discussed but that might have to do with the laptop speakers. They give me an idea what the song may sound like but not much more. Whether it's an instant classic or not is not a relevant question to me. At any rate, no song to be ashamed of. I'd appreciate to have the song also on the new album, with the original lyrics (I guess the song came originally in the my-baby-left-me domain) and whatever further touches they would still add to it .
Hi Doitywoik! Do you like the drum sound on LIAGT? Imho it doesn't seems Charlie's style and i hear a 'virtual' and cold sound like a drum loop or something like that.
In any case (tell me if i'm wrong) it’s not the same drum sound and style as last year’s sessions:
[mobile.twitter.com]
At 09 sec. Charlie hit the snare drum 3 times...disappeared in the official version!!!
It’s Charlie, but with “imperfections” corrected on a computer grid. It makes him sound like a machine. It’s unfortunate.
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GAFF
Get Don Was out. Would love to see Jack White produce them, or how about just the Glimmer Twins? Don Was is weak.
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Stoneage
Even if they had an album ready to go (which I don't think they have)...I don't think the industry is ready to release anything at the moment.
Except the odd single though (obviously).
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Hairball
Hoping to replace Don Was at this late point of their career seems futile, and hoping for Jack White to replace him is such 2010-ish thing to say.
Might as well hope for Rick Rubin, or Daniel Lanois, or (fill in your favorite producer) while we're at it, killing time by filling up pages while waiting for a new Stones album...
Now that Ghost Town has failed in the charts (and not because it's a bad song), it could be a major setback for any release...they'll have to rethink the strategy while attempting to "improve" the material they have.
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marquessQuote
Hairball
Hoping to replace Don Was at this late point of their career seems futile, and hoping for Jack White to replace him is such 2010-ish thing to say.
Might as well hope for Rick Rubin, or Daniel Lanois, or (fill in your favorite producer) while we're at it, killing time by filling up pages while waiting for a new Stones album...
Now that Ghost Town has failed in the charts (and not because it's a bad song), it could be a major setback for any release...they'll have to rethink the strategy while attempting to "improve" the material they have.
Hello,
failed in the charts? I remember seeing that it was nº1 in iTunes. The song has not been phisically available, yet.
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marquessQuote
Hairball
Hoping to replace Don Was at this late point of their career seems futile, and hoping for Jack White to replace him is such 2010-ish thing to say.
Might as well hope for Rick Rubin, or Daniel Lanois, or (fill in your favorite producer) while we're at it, killing time by filling up pages while waiting for a new Stones album...
Now that Ghost Town has failed in the charts (and not because it's a bad song), it could be a major setback for any release...they'll have to rethink the strategy while attempting to "improve" the material they have.
Hello,
failed in the charts? I remember seeing that it was nº1 in iTunes. The song has not been phisically available, yet.
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doitywoikQuote
MelBelliQuote
KRiffhardQuote
doitywoik
Ian said, "Definitely fresh" - there could be worse assessments.Details remain only wth him, as of yet, but will hopefully be shared.
There has been some criticism as to the sound (not by Ian but others), I reserve judgement on that as long as I can listen to the song only on the shitty laptop speakers and not on my stereo or proper headphones. To me the song sounds still a bit like work in progress (which it possibly is/was), to me this contributes to its charm. I couldn't really hear the autotune that others discussed but that might have to do with the laptop speakers. They give me an idea what the song may sound like but not much more. Whether it's an instant classic or not is not a relevant question to me. At any rate, no song to be ashamed of. I'd appreciate to have the song also on the new album, with the original lyrics (I guess the song came originally in the my-baby-left-me domain) and whatever further touches they would still add to it .
Hi Doitywoik! Do you like the drum sound on LIAGT? Imho it doesn't seems Charlie's style and i hear a 'virtual' and cold sound like a drum loop or something like that.
In any case (tell me if i'm wrong) it’s not the same drum sound and style as last year’s sessions:
[mobile.twitter.com]
At 09 sec. Charlie hit the snare drum 3 times...disappeared in the official version!!!
It’s Charlie, but with “imperfections” corrected on a computer grid. It makes him sound like a machine. It’s unfortunate.
I think MelBelli is on the right track: it's Charlie but quantized in ProTools or the like. Since the snippet from Keith is so short it is difficult to make an in-depth comparison. I could also imagine they sampled certain bars of Charlie's original drum track and built a new drum track from that. That would aso explain why so many bars sound the same.
As for Mick's vocals (as well as the overall sound), I can still listen only via the loudspeakers of this rather old laptop here (that is, I need to squeeze my head between the keyboard and the screen because even the max volume is so low) so some things may escape me and others may be artefacts from the speakers rather than the song as such. A (mild) vocoder may well be there, or Mick doubled his vocals a few times (Ian Anderson of Jethro Tull used to do that a lot). His voice sounds slightly processed to me. I'm not so sure about whether they corrected the pitch with Melodyne in some places. I don't know the present version of Melodyne but I am (was) (roughly) familiar with the 2008/2009 version, and if you did pitch corrections with that version you would never know/hear they were done.
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GasLightStreet
LIAGT lifts the gloom of thinking they've been screwing off. I have thought/felt for years that they're just been doing a whole lot of nothing and that nothing will come of it.
I'm glad to say I was wrong.
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GasLightStreet
LIAGT lifts the gloom of thinking they've been screwing off. I have thought/felt for years that they're just been doing a whole lot of nothing and that nothing will come of it.
I'm glad to say I was wrong.
Well. You know. So far.
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Hairball
Now that Ghost Town has failed in the charts, it could be a major setback for any release...they'll have to rethink the strategy while attempting to "improve" the material they have.
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DandelionPowderman
Don't take the bait..
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Doxa
"failed in the charts", "major setback", "rethink the strategy"...
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SomeGuyQuote
GasLightStreetQuote
SomeGuy
Kimsey was indeed their best producer after Miller. But, if one likes Dirty Work's songs or not, the sound was more of a Stones sound than any album that came after (Blue And Lonesome excepted, perhaps). If that is Don's fault, I don't know. Kimsey didn't really achieve it with Steel Wheels either. But perhaps it was just the times, like some mid 70s albums started to sound different from what came before, too. Creative juices (or lack thereof) sure make a difference also.
What part of DIRTY WORK sounds "more Stones" than anything post-DW? There are plenty of good "Stones sound" produced songs post DW.
The guitars and bass mainly.