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Bashlets
There is no financial incentive for most artists to record now a days. That's why concert tickets for most acts are through the roof. If there was great money to be made, they would be making records. And just like our lives, their lives have changed. They could put out another Sticky Fingers but it still wouldn't give us the thrill that we got at age 16. No matter how good the album is it will not bring us back to our youth
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HairballQuote
Bashlets
There is no financial incentive for most artists to record now a days. That's why concert tickets for most acts are through the roof. If there was great money to be made, they would be making records. And just like our lives, their lives have changed. They could put out another Sticky Fingers but it still wouldn't give us the thrill that we got at age 16. No matter how good the album is it will not bring us back to our youth
Maybe it could speak to us as adults in the same way Dylan's latter day albums have done for some of us - my favorite Dylan album is Time Out of Mind from '97 (with Blood on the Track from '75 not far behind).
But with Mick writing/singing about roosters, cocks, titties, and beer, etc., seems he's hellbent on speaking to fans as if they were still in their youth. And when he does get "deep" (Doom and Gloom, Getta Grip, etc.) it all sounds phony and contrived. Keith on the other hand has been able to age gracefully as far as songwriting goes (Robbed Blind, Illusion, Just a Gift, etc.), and whether one likes Crosseyed Heart or not, it's clear he wasn't trying to be something he's not. Since they couldn't see eye to eye on Getta Grip/England Lost, probably best if they kept with blues covers at this point. Otherwise, we may be waiting forever for a new album of originals that they both can agree on, and any compromises could result in a disjointed hodgepodge of Mick vs. Keith ideas.
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Hairball
Interesting Rocky, but rest assured I was not equating Crosseyed Heart with Time Out of Mind (or Love and Theft) as Dylan is no doubt in a league of his own, and something else altogether as you say. My point - and this is just my opinion - is that the music and lyrics Keith has produced in these latter years is less cringeworthy than what Mick has come up with and delivered. While Keith was recording a stripped down album in an old school style, Mick is recording singles with drum loops and samples. While Keith writes about the ups and downs of love and life(Illusion, Just a Gift, Amnesia, et al) Mick is jumping on the latest political bandwagon with Getta Grip and England Lost. While Keith is recording a cover of an ancient Lead Belly tune, Mick is hiring the young hot shot Skepta for his latest single. While Keith was honoring Mary Clayton at the Apollo, Mick was on stage with Taylor Swift. While Keith is currently collaborating with soul singer Bettye LaVette, Mick was collaborating with the likes of Will.I.Am and Superheavy. It's great that Mick still strives to be seen as 'experimental' and 'edgy' and 'contemporary', but most of the time the results leave a foul taste for those us who would rather hear something a bit more subtle from a 74 year old Great Grandfather, and ultimately it all makes him seem out of touch imo.
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Hairball
Interesting Rocky, but rest assured I was not equating Crosseyed Heart with Time Out of Mind (or Love and Theft) as Dylan is no doubt in a league of his own, and something else altogether as you say. My point - and this is just my opinion - is that the music and lyrics Keith has produced in these latter years is less cringeworthy than what Mick has come up with and delivered. While Keith was recording a stripped down album in an old school style, Mick is recording singles with drum loops and samples. While Keith writes about the ups and downs of love and life(Illusion, Just a Gift, Amnesia, et al) Mick is jumping on the latest political bandwagon with Getta Grip and England Lost. While Keith is recording a cover of an ancient Lead Belly tune, Mick is hiring the young hot shot Skepta for his latest single. While Keith was honoring Mary Clayton at the Apollo, Mick was on stage with Taylor Swift. While Keith is currently collaborating with soul singer Bettye LaVette, Mick was collaborating with the likes of Will.I.Am and Superheavy. It's great that Mick still strives to be seen as 'experimental' and 'edgy' and 'contemporary', but most of the time the results leave a foul taste for those us who would rather hear something a bit more subtle from a 74 year old Great Grandfather, and ultimately it all makes him seem out of touch imo.
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Monsoon Ragoon
With no real news available, threads like this turn into freak-shows. As always.
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DoxaQuote
Monsoon Ragoon
With no real news available, threads like this turn into freak-shows. As always.
Yep. I guess our moderator might re-consider this thread's sticky status at the moment, because having such a visible position at the top of the open page, I guess it is too tempting to write whatever OT occurs in one's mind here. For me it is such a disappointment whenever I visit the site and see this thread 'alive', and then open it, there is nothing substantive here, but same old crap repeated again and again (especially the one about supposed Mick vs. Keith controversy - I can see that one might prefer one over other for whatever reasons, but to repeat the same old points and views again and again in whatever context, is just so damn boring and predictable - and especially here: no any informative value).
- Doxa
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Hairball
My point - and this is just my opinion - is that the music and lyrics Keith has produced in these latter years is less cringeworthy than what Mick has come up with and delivered. .... It's great that Mick still strives to be seen as 'experimental' and 'edgy' and 'contemporary', but most of the time the results leave a foul taste for those us who would rather hear something a bit more subtle from a 74 year old Great Grandfather, and ultimately it all makes him seem out of touch imo.
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shattered1978
With making this thread sticky, BV wants to avoid having "new album"-threads popping up like mushroom.
It's easy: As long as this thread is sticky, there is no real news
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Rocky Dijon
Captain Hook is a great name for pirate Keith. It also bears consideration that Peter Pan and Captain Hook are the same character, psychologically - but at different stages in their lives. While it might not belong in discussions about the new album, it's hard not to have side conversations and react. That is all that was happening.
We will get a new album and we will have news of the studio soon. Quite possibly around time for the Grammy parties if Mick attends.
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Rocky Dijon
No insider knowledge. I'm not an insider. Just logical to conclude we'll hear something soon as we did last year. We'll either hear about more studio time or something. The last reliable piece of info from Soldatti is that Universal has it as a tentative release later this year. The holidays are over. Grammy's are here. Knebworth is announced Wednesday. News will come of some sort.
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IanBillen
I wonder if they are recording in India?
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Hairball
Interesting Rocky, but rest assured I was not equating Crosseyed Heart with Time Out of Mind (or Love and Theft) as Dylan is no doubt in a league of his own, and something else altogether as you say. My point - and this is just my opinion - is that the music and lyrics Keith has produced in these latter years is less cringeworthy than what Mick has come up with and delivered. While Keith was recording a stripped down album in an old school style, Mick is recording singles with drum loops and samples. While Keith writes about the ups and downs of love and life(Illusion, Just a Gift, Amnesia, et al) Mick is jumping on the latest political bandwagon with Getta Grip and England Lost. While Keith is recording a cover of an ancient Lead Belly tune, Mick is hiring the young hot shot Skepta for his latest single. While Keith was honoring Mary Clayton at the Apollo, Mick was on stage with Taylor Swift. While Keith is currently collaborating with soul singer Bettye LaVette, Mick was collaborating with the likes of Will.I.Am and Superheavy. It's great that Mick still strives to be seen as 'experimental' and 'edgy' and 'contemporary', but most of the time the results leave a foul taste for those us who would rather hear something a bit more subtle from a 74 year old Great Grandfather, and ultimately it all makes him seem out of touch imo.
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JJHMickQuote
Hairball
Interesting Rocky, but rest assured I was not equating Crosseyed Heart with Time Out of Mind (or Love and Theft) as Dylan is no doubt in a league of his own, and something else altogether as you say. My point - and this is just my opinion - is that the music and lyrics Keith has produced in these latter years is less cringeworthy than what Mick has come up with and delivered. While Keith was recording a stripped down album in an old school style, Mick is recording singles with drum loops and samples. While Keith writes about the ups and downs of love and life(Illusion, Just a Gift, Amnesia, et al) Mick is jumping on the latest political bandwagon with Getta Grip and England Lost. While Keith is recording a cover of an ancient Lead Belly tune, Mick is hiring the young hot shot Skepta for his latest single. While Keith was honoring Mary Clayton at the Apollo, Mick was on stage with Taylor Swift. While Keith is currently collaborating with soul singer Bettye LaVette, Mick was collaborating with the likes of Will.I.Am and Superheavy. It's great that Mick still strives to be seen as 'experimental' and 'edgy' and 'contemporary', but most of the time the results leave a foul taste for those us who would rather hear something a bit more subtle from a 74 year old Great Grandfather, and ultimately it all makes him seem out of touch imo.
This is why it should have been a necessity for all of them to establish a solo path way back to the mid/1980s. Mick to do the experimental things and Keith leaving his songs / especially as he is not very productive / to the Stones.
In a 1970s German music lexicon it said that the Stones are not expressing the notion of the times but they are creating them. If we do not want a modern Stones we should not complain about Vegas setlists and be thankful to Mick that he still has that progressive approach to his music that the Stones were once famous for.
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JJHMickQuote
Hairball
Interesting Rocky, but rest assured I was not equating Crosseyed Heart with Time Out of Mind (or Love and Theft) as Dylan is no doubt in a league of his own, and something else altogether as you say. My point - and this is just my opinion - is that the music and lyrics Keith has produced in these latter years is less cringeworthy than what Mick has come up with and delivered. While Keith was recording a stripped down album in an old school style, Mick is recording singles with drum loops and samples. While Keith writes about the ups and downs of love and life(Illusion, Just a Gift, Amnesia, et al) Mick is jumping on the latest political bandwagon with Getta Grip and England Lost. While Keith is recording a cover of an ancient Lead Belly tune, Mick is hiring the young hot shot Skepta for his latest single. While Keith was honoring Mary Clayton at the Apollo, Mick was on stage with Taylor Swift. While Keith is currently collaborating with soul singer Bettye LaVette, Mick was collaborating with the likes of Will.I.Am and Superheavy. It's great that Mick still strives to be seen as 'experimental' and 'edgy' and 'contemporary', but most of the time the results leave a foul taste for those us who would rather hear something a bit more subtle from a 74 year old Great Grandfather, and ultimately it all makes him seem out of touch imo.
This is why it should have been a necessity for all of them to establish a solo path way back to the mid/1980s. Mick to do the experimental things and Keith leaving his songs / especially as he is not very productive / to the Stones.
In a 1970s German music lexicon it said that the Stones are not expressing the notion of the times but they are creating them. If we do not want a modern Stones we should not complain about Vegas setlists and be thankful to Mick that he still has that progressive approach to his music that the Stones were once famous for.
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JJHMickQuote
Hairball
Interesting Rocky, but rest assured I was not equating Crosseyed Heart with Time Out of Mind (or Love and Theft) as Dylan is no doubt in a league of his own, and something else altogether as you say. My point - and this is just my opinion - is that the music and lyrics Keith has produced in these latter years is less cringeworthy than what Mick has come up with and delivered. While Keith was recording a stripped down album in an old school style, Mick is recording singles with drum loops and samples. While Keith writes about the ups and downs of love and life(Illusion, Just a Gift, Amnesia, et al) Mick is jumping on the latest political bandwagon with Getta Grip and England Lost. While Keith is recording a cover of an ancient Lead Belly tune, Mick is hiring the young hot shot Skepta for his latest single. While Keith was honoring Mary Clayton at the Apollo, Mick was on stage with Taylor Swift. While Keith is currently collaborating with soul singer Bettye LaVette, Mick was collaborating with the likes of Will.I.Am and Superheavy. It's great that Mick still strives to be seen as 'experimental' and 'edgy' and 'contemporary', but most of the time the results leave a foul taste for those us who would rather hear something a bit more subtle from a 74 year old Great Grandfather, and ultimately it all makes him seem out of touch imo.
This is why it should have been a necessity for all of them to establish a solo path way back to the mid/1980s. Mick to do the experimental things and Keith leaving his songs / especially as he is not very productive / to the Stones.
In a 1970s German music lexicon it said that the Stones are not expressing the notion of the times but they are creating them. If we do not want a modern Stones we should not complain about Vegas setlists and be thankful to Mick that he still has that progressive approach to his music that the Stones were once famous for.
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Monsoon Ragoon
I have no problem with a relative "modern" Stones sound like they tried on Undercover or Bridges. I think Too Much Blood or Anybody Seen My Baby were pretty good. But I have a problem with pseudo-80's-trash like the Jagger single last year.
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JJHMick
If they had steadily released - [...] - they would not have to ask themselves how or whether to continue they could have afforded some ups and downs. And we would especially love them for their downs [...].
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Maindefender
Enough with the cover albums, it's time for a traditional original Rolling Stones album.....