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Maindefender
Save Me or Plundered my Soul may have made their way to TY, never know. I think Hey Negrita bumped Slave and Worried Bout You got bumped by the two existing ballads. Black & Blue might make for an interesting deluxe package?
Oh yes, especially if it had high quality sound versions of the 11 minute Hey Negrita and the long Slave.....
Is the Jeff Beck material from these sessions deluxe worthy?
Love Charlie there during the first few minutes. bash bash
Love this...lots of good stuff still in the can...does need a heckuva lot of polish though.
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GasLightStreet
Still astounds me to this day that they left Slave and Worried About You unfinished. Just imagine the album with those tracks on it as well.
Had they finished them, of course.
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kowalski
Replace Cherry Oh Baby with Slave (short version) and Melody with Worried About You (both from versions on TY), and you get possibly their most solid/substantial album after Exile...
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GasLightStreet
Still astounds me to this day that they left Slave and Worried About You unfinished. Just imagine the album with those tracks on it as well.
Had they finished them, of course.
Replace Cherry Oh Baby with Slave (short version) and Melody with Worried About You (both from versions on TY), and you get possibly their most solid/substantial album after Exile...
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Rockman
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Deluxtone
Don't forget some of sticky Fingers DP, (sister morphine).
I thought that Keith was very influenced by Cooder - re different tunings - including OpenG.
Such open tunings became Keith's trademark - and combining this with his Berry style.
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Deluxtone
Ok, that's pretty clear reagrding dates and
yes, a completely different approach!
And now I come to think of it isn't much of the Satanics sessions 'tapes' open tuned?
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kowalski
Replace Cherry Oh Baby with Slave (short version) and Melody with Worried About You (both from versions on TY), and you get possibly their most solid/substantial album after Exile...
No, thanks. I allready think it IS, the way it is.
And I would NEVER change a friggin' thing about their 'big 9' imo (debut album - Aftermath - BB - LIB - SF - EOMS - B&B - SG - TY)
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Deluxtone
Ok, that's pretty clear reagrding dates and
yes, a completely different approach!
And now I come to think of it isn't much of the Satanics sessions 'tapes' open tuned?
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DandelionPowderman
The powerful sound on Citadel sounds like open tuning. It isn't, though.
One of my all time faves, btw.
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DandelionPowderman
What about 2000 Man? Probably not, but that riff sure can be played in open tuning, sounding like that.
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DandelionPowderman
Keith never was as inspired by Cooder as he was by Berry.
There are a couple of licks on HTW and LIB, the album. That's all.
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kowalski
Replace Cherry Oh Baby with Slave (short version) and Melody with Worried About You (both from versions on TY), and you get possibly their most solid/substantial album after Exile...
No, thanks. I allready think it IS, the way it is.
And I would NEVER change a friggin' thing about their 'big 9' imo (debut album - Aftermath - BB - LIB - SF - EOMS - B&B - SG - TY)
Big 10... TRS - Aftermath - BB - LIB - SF - EOMS - GHS - B&B - SG - TY
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kowalski
Replace Cherry Oh Baby with Slave (short version) and Melody with Worried About You (both from versions on TY), and you get possibly their most solid/substantial album after Exile...
No, thanks. I allready think it IS, the way it is.
And I would NEVER change a friggin' thing about their 'big 9' imo (debut album - Aftermath - BB - LIB - SF - EOMS - B&B - SG - TY)
Big 10... TRS - Aftermath - BB - LIB - SF - EOMS - GHS - B&B - SG - TY
...I don't share the sentiment for thát album, but hey:
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DandelionPowderman
Keith never was as inspired by Cooder as he was by Berry.
There are a couple of licks on HTW and LIB, the album. That's all.
He was very inspired by Cooder and Keith acknowledges this. Cooder is very important in the transition 1968/1969, an important era.
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DandelionPowderman
Keith never was as inspired by Cooder as he was by Berry.
There are a couple of licks on HTW and LIB, the album. That's all.
He was very inspired by Cooder and Keith acknowledges this. Cooder is very important in the transition 1968/1969, an important era.
Scratch the surface of that view and what is revealed is quite a bit less sensational.
He borrowed some Ry-isms for a few recordings, some of which were already similar to the way he played anyway.
If he took Ry for all he could get, what he managed to get wasn't that much.
Of course, you have a thing about it, so hey ho.
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RollingFreak
I love half of it, and I hate half of it.
Hand Of Fate
Memory Motel
Fool To Cry
Crazy Mama
are excellent songs. Thats one hell of an LP side. However, literally before and after each good song is a terrible song to go with it:
Hot Stuff - just awful
Hey Negrita
Melody
Cherry Oh Baby
are just terrible songs. Boring, repetitive, and not a style the Stones can successfully tackle. I give them credit for branching out into different style, but all 4 of those songs, to me, literally sound like they went into the studio, recorded for 5 minutes off the top of their heads, and then left. The 4 I enjoy sound like classic Stones and sound like actual time was taken to write them.