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duke richardson
what we need is a recipe..
how to make Jumping Jack Flash..
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His Majesty
Kinda, but not really.
Keith fingered that low notes with high B differently. Some of the other parts might sound nice, but don't relate to what's on the record that much.
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lem motlow
the best rock and roll song ever put on record or played live on a concert stage.[/quote
hear, hear.
The song just launches and whips the whole time
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jazzbass
Wish they'd play it live with the proper acoustic intro.
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His MajestyQuote
howled
No.
It's why the opening JJF chords (before anything else joins in) have hardly any bottom end on the chords, because the bottom 4 strings are tuned up an octave.
Due to compression, sounds and mixing.
The opening chords feature usual open E tuning, or to put it another way the pitches found in open E tuning are there.
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jazzbass
Wish they'd play it live with the proper acoustic intro.
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duke richardson
Johnny Winter Live did it justice..
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howledQuote
His MajestyQuote
howled
No.
It's why the opening JJF chords (before anything else joins in) have hardly any bottom end on the chords, because the bottom 4 strings are tuned up an octave.
Due to compression, sounds and mixing.
The opening chords feature usual open E tuning, or to put it another way the pitches found in open E tuning are there.
The whole thing can be played just using open E no doubt, but I'm not totally sure that that's the way Keith did it.
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seitan
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duke richardsonQuote
Elmo Lewis
While I love "Mr. Soul", it is a straight copy of the "Satisfaction" lick.
he admitted as much
..the title of the song escapes me but the lyric is '..this song..
that I stole from the Rolling Stones.."
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runaway
1968. one of their greats and the way they performed this track at the time ; " Cool with their make-ups and painted faces".
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Eleanor Rigby
Think the 1969/1970 live versions are the only live versions that do the original justice.
Ripping song.
Studio version brilliant. ..but there's something about the Altamont version that is scary!