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OpenG
Paul Kossoff - what a player and the band Free with Rogers and fraser - Paul died way to young and sadly at 26.
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TheflyingDutchmanQuote
DandelionPowdermanQuote
OpenG
The quote from EC is from Melody Maker .
By this time, Taylor’s reputation as a lead guitarist was spreading, presenting him with more recognition – and opportunities. In November of ’69, Clapton told Melody Maker, “I saw John Mayall in America, and we jammed… Mick Taylor is very good – frightening.” Further session work came in the form of accompanying pianist Champion Jack Dupree on a few tracks for Scooby Dooby Doo, as well as a single recorded by the Irish singer/songwriter Jonathan Kelly. “Make A Stranger Your Friend” featured Taylor along with a cast of thousands, most notably Beatles’ associate Klaus Voorman on bass and guitarist Albert Hammond.
There is another article, I believe also Melody Maker: After Hendrix blew Clapton off the stage in the Marquee club with Jack Bruce and Ginger Baker, Hendrix asked Clapton afterwards: "How come you cannot play the rhythm guitar?"
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SpudQuote
TheflyingDutchmanQuote
DandelionPowdermanQuote
OpenG
The quote from EC is from Melody Maker .
By this time, Taylor’s reputation as a lead guitarist was spreading, presenting him with more recognition – and opportunities. In November of ’69, Clapton told Melody Maker, “I saw John Mayall in America, and we jammed… Mick Taylor is very good – frightening.” Further session work came in the form of accompanying pianist Champion Jack Dupree on a few tracks for Scooby Dooby Doo, as well as a single recorded by the Irish singer/songwriter Jonathan Kelly. “Make A Stranger Your Friend” featured Taylor along with a cast of thousands, most notably Beatles’ associate Klaus Voorman on bass and guitarist Albert Hammond.
There is another article, I believe also Melody Maker: After Hendrix blew Clapton off the stage in the Marquee club with Jack Bruce and Ginger Baker, Hendrix asked Clapton afterwards: "How come you cannot play the rhythm guitar?"
Maybe Eric should have countered with "...how come you can't tune the guitar "
[Jimi maybe had a point . You've never seen Eric playing too many Chords ...But then again, neither did BB King]
I agree , it's like perfect leave it alone !Quote
TheflyingDutchman
Sometimes I wonder why they did the overdubs on JJF and Carol on YaYa's. These originals (+footage) in a way sound more spontaneous and 2-dimensional to me. Thanks to Kleermaker btw.
MSG 1969.
HTW/ MSG 1969
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MAYO
I wonder if Mick still in business. He does not records. I heard long time ago here that he was in the studio but nothing was released. Not book biographies not reisssues, in fact nothing at all. Not really good news .
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S.T.P
He's retired.
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TravelinMan
He may be retired but he does have unreleased material. Hopefully he finds a way to get it out there, a lot of people love his playing.
It’s dirt cheap to release stuff via the digital platforms.
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OpenG
A Stones Throw was such a great record all 10 songs packed with MT’s vibrato. I remember reading that he had left over tracks that at the time would make some next record but that never happened. Morning Comes is brilliant and MT’s version of Blind Willie is dynamite. He said he was in the studio with Dylan when Dylan cut the track and is on with Dylan
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kowalski
I was reading this 10 years old article and was wondering if Mick Taylor and the Stones camp got around some agreement about his royalties from the 5 albums he worked on.
[www.dailymail.co.uk]
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DandelionPowdermanQuote
kowalski
I was reading this 10 years old article and was wondering if Mick Taylor and the Stones camp got around some agreement about his royalties from the 5 albums he worked on.
[www.dailymail.co.uk]
Some say he accepted a lump sum of money in 81/82 when they changed record company, and some say he didn't get anything. Hard to tell what really happened...