For information about how to use this forum please check out forum help and policies.
Quote
GasLightStreetQuote
Four Stone WallsQuote
GasLightStreet
The breakdown, with the janky guitar and the keyboard bouncing around, and then one strum of what sounds like a hollowbody guitar that gently comes in before Charlie comes back in, is a fantastic aspect of the tune: it has elements of the keyboard break (even better in the remix) of Miss You, while also having a bit of 'use the studio' layering from UNDERCOVER: they're paying attention to the production for what seems like the first time in, well, a lot of the songs have basically been a carpet bomb since 1983.
Laugh... is the closest thing I can think of that isn't, and then you get into some of the other well produced songs like How Can I Stop, Thief In The Night, You Don't Have To Mean It, ASMB?, Brand New Car, Blinded By Love, Break The Spell, I'll include Harlem Shuffle in this because it does sound like the only song they really worked on for that shyste of an album, Feel On Baby, Too Much Blood, All The Way Down and Tie You Up where you can tell they paid a good bit of attention to what was going on.
Loops ...
I agree with your first paragraph, strongly.
Wrt Dirty Work Album I think they worked on' quite a lot of the tracks - to good effect Imo. HS, One Hit, Winning Ugly Back to Zero. Others are notso 'worked on ' but they are spontaneous and fun .... Dirty Work, Had It With You, and I like, Hold Back.
Whatever you think Of DW album we can agree that songs don't have to be 'worked on' to have value/authenticity etc.
The production on DIRTY WORK (as well as other albums, of course, from the late 1970s through 2005) is all over the place. Harlem Shuffle is the solidest song on the LP - it has the best most thoughtful attention to detail production of the album. Others are just carpet bombs, where the production requires no thought (Rough Justice, Summer Romance, Dirty Work, Lowdown), the only thought that went into it was getting it on tape (Hold Back, Hold On To Your Hat, Flip The Switch, It Won't Take Long). They've done that on a lot of albums.
Oddly enough, Back To Zero has pretty good production on it.
Part of the issue is some of the songs don't really work regardless, which is a majority of DIRTY WORK. The mix could've helped but it's pretty bad as well - even the mastering didn't help.
Quote
GasLightStreetQuote
Four Stone WallsQuote
GasLightStreet
The breakdown, with the janky guitar and the keyboard bouncing around, and then one strum of what sounds like a hollowbody guitar that gently comes in before Charlie comes back in, is a fantastic aspect of the tune: it has elements of the keyboard break (even better in the remix) of Miss You, while also having a bit of 'use the studio' layering from UNDERCOVER: they're paying attention to the production for what seems like the first time in, well, a lot of the songs have basically been a carpet bomb since 1983.
Laugh... is the closest thing I can think of that isn't, and then you get into some of the other well produced songs like How Can I Stop, Thief In The Night, You Don't Have To Mean It, ASMB?, Brand New Car, Blinded By Love, Break The Spell, I'll include Harlem Shuffle in this because it does sound like the only song they really worked on for that shyste of an album, Feel On Baby, Too Much Blood, All The Way Down and Tie You Up where you can tell they paid a good bit of attention to what was going on.
Loops ...
I agree with your first paragraph, strongly.
Wrt Dirty Work Album I think they worked on' quite a lot of the tracks - to good effect Imo. HS, One Hit, Winning Ugly Back to Zero. Others are notso 'worked on ' but they are spontaneous and fun .... Dirty Work, Had It With You, and I like, Hold Back.
Whatever you think Of DW album we can agree that songs don't have to be 'worked on' to have value/authenticity etc.
The production on DIRTY WORK (as well as other albums, of course, from the late 1970s through 2005) is all over the place. Harlem Shuffle is the solidest song on the LP - it has the best most thoughtful attention to detail production of the album. Others are just carpet bombs, where the production requires no thought (Rough Justice, Summer Romance, Dirty Work, Lowdown), the only thought that went into it was getting it on tape (Hold Back, Hold On To Your Hat, Flip The Switch, It Won't Take Long). They've done that on a lot of albums.
Oddly enough, Back To Zero has pretty good production on it.
Part of the issue is some of the songs don't really work regardless, which is a majority of DIRTY WORK. The mix could've helped but it's pretty bad as well - even the mastering didn't help.
Quote
doitywoik
OK, finally made it to listen to the song on proper headphones and now it sounds better – but also worse. The track is full of clippings, very incompetent production job! Brickwalled to the max and beyond … all the crackling and clicks you can hear almost constantly are not some futuristic percussion effects but simply cut-off wave forms. It's appalling to hear (and see) such a thing in a puportedly professional production! This wouldn't even happen to amateurs. Whoever in their team is responsible for this should immediately be fired – no, wait, what if it was Mick himself … LOL
Here's a screenshot from WaveLab, shortly after three seconds into the song. No matter where you look into the file you find such clippings. The file is the official .wav file I bought from qobuz.com. They charged me 2 EUR for this. I should ask my money back.
As for Mick's voice, I don't really hear a vocoder. His lead vocals are often doubled unisono an octave down. Whether by himself or someone else I can't tell (and I'm not eager to find out).
Here are some vocoder examples. The first one is from a 1965 German SciFi series, the countdown starting at ca. 9". My first time to hear a vocoded voice (when I saw the replay in 1967): [youtu.be] , a demo: [www.youtube.com] , a fun one: [www.youtube.com] , and Kraftwerk used vocoders constantly: [www.youtube.com] [www.youtube.com]
Quote
MisterDDDDQuote
doitywoik
OK, finally made it to listen to the song on proper headphones and now it sounds better – but also worse. The track is full of clippings, very incompetent production job! Brickwalled to the max and beyond … ...
No offense, but YAWN.
Sounds great to these ears. Particularly given the fashion it had to be created.
Quote
Four Stone Walls
...And I love Hold Back - and would rather listen to that than any track on Undercover...
[iorr.org]Quote
GasLightStreet
Was gonna find the HONK thread to update it now that Living In A Ghost Town is on it but I gave up after page 20.
Quote
MisterDDDD[iorr.org]Quote
GasLightStreet
Was gonna find the HONK thread to update it now that Living In A Ghost Town is on it but I gave up after page 20.
Quote
marquessQuote
doitywoik
OK, finally made it to listen to the song on proper headphones and now it sounds better – but also worse. The track is full of clippings, very incompetent production job! Brickwalled to the max and beyond … all the crackling and clicks you can hear almost constantly are not some futuristic percussion effects but simply cut-off wave forms. It's appalling to hear (and see) such a thing in a puportedly professional production! This wouldn't even happen to amateurs. Whoever in their team is responsible for this should immediately be fired – no, wait, what if it was Mick himself … LOL
Here's a screenshot from WaveLab, shortly after three seconds into the song. No matter where you look into the file you find such clippings. The file is the official .wav file I bought from qobuz.com. They charged me 2 EUR for this. I should ask my money back.
As for Mick's voice, I don't really hear a vocoder. His lead vocals are often doubled unisono an octave down. Whether by himself or someone else I can't tell (and I'm not eager to find out).
Here are some vocoder examples. The first one is from a 1965 German SciFi series, the countdown starting at ca. 9". My first time to hear a vocoded voice (when I saw the replay in 1967): [youtu.be] , a demo: [www.youtube.com] , a fun one: [www.youtube.com] , and Kraftwerk used vocoders constantly: [www.youtube.com] [www.youtube.com]
Hello,
great audio analysis you have made. I think that the version that is available right now is a "special edition" for itunes and all the streamings available. With a focus on the drums and bass, with some compression added.
I expect to have a better (unaldultered) version of the song later on with the phisical release.
Quote
GasLightStreetQuote
MisterDDDD[iorr.org]Quote
GasLightStreet
Was gonna find the HONK thread to update it now that Living In A Ghost Town is on it but I gave up after page 20.
I searched.
How the hell did you find it? I didn't know there were a few merged threads either.
Quote
SomeGuy
When Doom & Gloom first came out online it was a rather strange sounding mix (drumwise) also, compared to the GRRR album version, if I remember correctly. If this comes out on a new album in the future, perhaps we will hear a more Charlie Watts like sound, who knows.
Quote
NilsHolgersson
I think the chance of LIAGT being on a new album had slimmed down since it's now on HONK!
Quote
24FPS
To me it's a great, mature Rolling Stones tune. I'm glad I'm one of the ones who likes it. Quit analyzing it, and enjoy it. Even the bass doesn't bug me that bad. It lacks the emotion of the Golden Era, but it does the job at hand.
One new Rolling Stones single is worth more than all the bonus DVD tracks from the post Wyman era.
Quote
KRiffhardQuote
NilsHolgersson
I think the chance of LIAGT being on a new album had slimmed down since it's now on HONK!
Maybe LIAGT it's the song on which they hitted the famous wall!!!
Quote
KRiffhardQuote
NilsHolgersson
I think the chance of LIAGT being on a new album had slimmed down since it's now on HONK!
Maybe LIAGT it's the song on which they hitted the famous wall!!!
Quote
JordyLicks96
They hit the famous wall on a track titled, "Get Out Of My Way." The song title, along with another track called, "Drive Me Too Hard" appeared in the BLUE & LONESOME deluxe edition booklet.
Quote
MisterDDDDQuote
JordyLicks96
They hit the famous wall on a track titled, "Get Out Of My Way." The song title, along with another track called, "Drive Me Too Hard" appeared in the BLUE & LONESOME deluxe edition booklet.
No idea obv., but seems "Get Out Of My Way" may have been an excellent choice for a B-side to LIAGT
Also, for if/when it is released claiming first on "GOOMW"
Quote
JordyLicks96Quote
KRiffhardQuote
NilsHolgersson
I think the chance of LIAGT being on a new album had slimmed down since it's now on HONK!
Maybe LIAGT it's the song on which they hitted the famous wall!!!
They hit the famous wall on a track titled, "Get Out Of My Way." The song title, along with another track called, "Drive Me Too Hard" appeared in the BLUE & LONESOME deluxe edition booklet.
Quote
DandelionPowdermanQuote
JordyLicks96Quote
KRiffhardQuote
NilsHolgersson
I think the chance of LIAGT being on a new album had slimmed down since it's now on HONK!
Maybe LIAGT it's the song on which they hitted the famous wall!!!
They hit the famous wall on a track titled, "Get Out Of My Way." The song title, along with another track called, "Drive Me Too Hard" appeared in the BLUE & LONESOME deluxe edition booklet.
Could those two be old blues numbers, since Hate To See You Go and Blue And Lonesome are on the list as well?
Quote
JordyLicks96Quote
MisterDDDDQuote
JordyLicks96
They hit the famous wall on a track titled, "Get Out Of My Way." The song title, along with another track called, "Drive Me Too Hard" appeared in the BLUE & LONESOME deluxe edition booklet.
No idea obv., but seems "Get Out Of My Way" may have been an excellent choice for a B-side to LIAGT
Also, for if/when it is released claiming first on "GOOMW"
I wonder if we'll ever get any of these other songs they've recorded for this new album in some shape or form:
Bad Luck Hideaway
Bottom Of My Heart
Drive Me Too Hard
Fool's Paradise
Get Out Of My Way
Never There
Quote
NilsHolgersson
I think the chance of LIAGT being on a new album had slimmed down since it's now on HONK!
Quote
JordyLicks96Quote
MisterDDDDQuote
JordyLicks96
They hit the famous wall on a track titled, "Get Out Of My Way." The song title, along with another track called, "Drive Me Too Hard" appeared in the BLUE & LONESOME deluxe edition booklet.
No idea obv., but seems "Get Out Of My Way" may have been an excellent choice for a B-side to LIAGT
Also, for if/when it is released claiming first on "GOOMW"
I wonder if we'll ever get any of these other songs they've recorded for this new album in some shape or form:
Bad Luck Hideaway
Bottom Of My Heart
Drive Me Too Hard
Fool's Paradise
Get Out Of My Way
Never There