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DandelionPowdermanQuote
LuxuryStones
Does anybody know if Keith or other band members also wiped/dubbed their tracks on YAYa's? DP?
According to Mathijs Keith overdubbed parts of his rhythm track on SCB. I'm not quite convinced, but will listen, as that particular part sounds fatter snd fuller.
But, if memory serves, it sounds fuller on the bootlegs, too. Will check.
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pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
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RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
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LuxuryStonesQuote
Turner68
I think it's ok that Keith was covering for Taylor's rhythm skills, it's what band mates are supposed to do - cover for one another. Not quit and then complain for 40 years.
Taylor could have done it himself if needed, he was perfectly competent.
Btw, have you served?
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RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
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kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
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kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
Quote
Turner68Quote
kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
yes, it was great once they got ron wood and didn't have to overdub their live albums as much.
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Mathijs
Just found another guitar overdub on Ya-Ya's...During Keith's solo on Honky Tonk Women, Taylor's counter rhythm guitar is removed and replaced by Richards playing an heavy, straight forward Berry rhythm.
So now we have:
JJF - Taylor partially removed during the outro section (the E - D - C# - B parts)
Carol - Taylor's main rhythm part, overdubbed by Richards. Taylor's counter turn-arounds still present
Stray Cat - Richards standard tuned rhythm guitar during the verses ('oh yeah, you're a strange stray cat') replaced with a much heavier open-tuned rhythm guitar
Midnight Rambler - Taylor removed during parts of the slow, middle piece. Probably due to tuning problems / tuning up
Were any of the bonus tracks, Satisfaction etc, from the 2009 release overdubbed?
Little Queenie - Taylors main rhythm guitar replaced by Richards
Honky Tonk Woman – Taylor’s rhythm guitar replaced in the solo section
Mathijs
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DandelionPowderman
Did Keith also add solo overdubs? I thought it was just rhythm guitar?
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DandelionPowderman
Did Keith also add solo overdubs? I thought it was just rhythm guitar?
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LuxuryStonesQuote
DandelionPowderman
Did Keith also add solo overdubs? I thought it was just rhythm guitar?
Listen to Carol
yes LYL is far superiorQuote
Turner68Quote
kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
yes, it was great once they got ron wood and didn't have to overdub their live albums as much.
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kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
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lem motlow
pretty much every live record has overdubs on it and comes up here every little while.
then we have to tell a bunch of fans that yes-there are dubs on live at leeds,the song remains the same,ya ya's and every other live record that you love.and by the way there is no santa claus.
then we get the "hey,[insert name of record no one has heard of here] has not one overdub on it.then we all take time out to yawn and think about how much we dont care.
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DandelionPowdermanQuote
LuxuryStonesQuote
DandelionPowderman
Did Keith also add solo overdubs? I thought it was just rhythm guitar?
Listen to Carol
I have It's a fixed solo, which he did for most of the tour.
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DandelionPowderman
Have I missed something? Because I remember people saying that the parts Keith overdubbed were insignificant and that the acetates from NYC sounded just as good.
@ DoomandGloom: The El Mocambo side on LYL is imo just as good as Ya Yas.
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RockingLonestar
Why can´t the overdubbed rhythm parts of Taylor, especcially on Carol and Queenie, not be overdubbed by Taylor? I think he plays a very good Berry rhythm guitar on Let It Rock (Leeds and Marquee) and Star STar (Brüssel).
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MunichhiltonQuote
DandelionPowderman
Have I missed something? Because I remember people saying that the parts Keith overdubbed were insignificant and that the acetates from NYC sounded just as good.
@ DoomandGloom: The El Mocambo side on LYL is imo just as good as Ya Yas.
Good man
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DandelionPowderman
Have I missed something? Because I remember people saying that the parts Keith overdubbed were insignificant and that the acetates from NYC sounded just as good.
@ DoomandGloom: The El Mocambo side on LYL is imo just as good as Ya Yas.
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NaturalustQuote
kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
Technically you are 100% right. But the result is so good it doesn't matter much to me. There really isn't much to prove if the objective is to provide the best product to the people.
The value of true live recordings is rather subjective. I'm not so sure I can quantify what it means to me. There are some live recordings like Frampton Comes Alive that really draw you in with the audience sounds and participation and there are studio recordings that were basically recorded live in the studio where you can't tell what has been overdubbed. And of course the hybrids when the live flavor comes thru but overdubs have been done and the live recordiings like Fonda Theater where "corrections" have been made.
But I must admit there is a wow factor involved when a hot band is captured live and no overdubs are done. Allman Brothers at Fillmore East comes to mind.
What does a true live album/recording mean to you kleerie?
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kleermakerQuote
NaturalustQuote
kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
Technically you are 100% right. But the result is so good it doesn't matter much to me. There really isn't much to prove if the objective is to provide the best product to the people.
The value of true live recordings is rather subjective. I'm not so sure I can quantify what it means to me. There are some live recordings like Frampton Comes Alive that really draw you in with the audience sounds and participation and there are studio recordings that were basically recorded live in the studio where you can't tell what has been overdubbed. And of course the hybrids when the live flavor comes thru but overdubs have been done and the live recordiings like Fonda Theater where "corrections" have been made.
But I must admit there is a wow factor involved when a hot band is captured live and no overdubs are done. Allman Brothers at Fillmore East comes to mind.
What does a true live album/recording mean to you kleerie?
I like live music more than studio music, however great the latter can be. But nothing, not even the best sound equipment at home, can defeat the live experience of music, no matter what music it is. It doesn't have to be perfect, it doesn't have to be perfectly in tune, but it fascinates me to hear how it really was played. So to me a true live recording is second best to a live experience. It's pure and vulnerable, different from any studio album.
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Turner68Quote
kleermakerQuote
NaturalustQuote
kleermakerQuote
RockingLonestarQuote
pepganzo
It is a great live album also with some studio works. Also waiting for Columbus of little feat has got a lot of overdubs and it is brilliant
Waiting For Columbus is one of my all time faves since it was released, way back in 1978. And it will ever be.
When the remastered and expanded Version was released in 2002, I read in the liner notes for the first time that on the album are many overdubs and edits.
But I don´t mind, it remains one of my faves of all times, not only live recordings, but recordings in general.
And for me it´s the same with GYYYO.
But with (so many) overdubs, it's no longer a live album, but a hybrid between a live and a studio album.
Technically you are 100% right. But the result is so good it doesn't matter much to me. There really isn't much to prove if the objective is to provide the best product to the people.
The value of true live recordings is rather subjective. I'm not so sure I can quantify what it means to me. There are some live recordings like Frampton Comes Alive that really draw you in with the audience sounds and participation and there are studio recordings that were basically recorded live in the studio where you can't tell what has been overdubbed. And of course the hybrids when the live flavor comes thru but overdubs have been done and the live recordiings like Fonda Theater where "corrections" have been made.
But I must admit there is a wow factor involved when a hot band is captured live and no overdubs are done. Allman Brothers at Fillmore East comes to mind.
What does a true live album/recording mean to you kleerie?
I like live music more than studio music, however great the latter can be. But nothing, not even the best sound equipment at home, can defeat the live experience of music, no matter what music it is. It doesn't have to be perfect, it doesn't have to be perfectly in tune, but it fascinates me to hear how it really was played. So to me a true live recording is second best to a live experience. It's pure and vulnerable, different from any studio album.
i agree with you. have you seen the stones on this tour? i would strongly recommend it.
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LuxuryStonesQuote
RockingLonestar
Why can´t the overdubbed rhythm parts of Taylor, especcially on Carol and Queenie, not be overdubbed by Taylor? I think he plays a very good Berry rhythm guitar on Let It Rock (Leeds and Marquee) and Star STar (Brüssel).
Probably Richards being a controle freak.