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DandelionPowdermanQuote
kleermakerQuote
DandelionPowderman
He missed the slow days with RTJ, JJF, ADTL, BS and MR?
Those songs weren't played "fast and furious" during Taylor's days at all the way they were in 81/82: ragged and rushed. Besides they played all songs that way, so that it seemed as if it was all one and the same 'song'. I heard it myself. Very boring.
Yes, they were, and it's easy to prove as well
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kleermakerQuote
pmk251
I probably have not spent enough time on this recording. My patience lapses while I try to shift out what Taylor is playing. But the BoB performance interests me. It is from 48:46 to 55:40. It gets interesting around 51 - 52:00. Can the expert ears here tell who plays the solos around 51:00? Thereafter Taylor starts a rhythm ditty that stops Jagger in his tracks. His stage awareness is amazing. He starts to say something, hears Taylor's little variation on the theme and says go ahead. In the next minute or so the song gets funky while the guitars play around Taylor's little variations. It's the high point of interest for me in this show.
Sounds like Taylor to my ears. Too fluent for Ronnie and certainly for Keith.
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kleermakerQuote
DandelionPowdermanQuote
kleermakerQuote
DandelionPowderman
He missed the slow days with RTJ, JJF, ADTL, BS and MR?
Those songs weren't played "fast and furious" during Taylor's days at all the way they were in 81/82: ragged and rushed. Besides they played all songs that way, so that it seemed as if it was all one and the same 'song'. I heard it myself. Very boring.
Yes, they were, and it's easy to prove as well
They were played fast - except ADTL, BS, and MR - but tasty. Not furious, let alone ragged and rushed.
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Mr. JimiQuote
RawIguanaCologne
THANK YOU FOLKS!!!! HERE´S THE SOUNDBOARD VERSION
I LIKE IT A LOT!!!!!
Check out 1:16 mark as "You cant always get what you want" enters into the break and the 1981 sing along, it that Taylor playing throughout "the break" and the Mick's attempt to get the crowd singing?
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kleermakerQuote
Mr. JimiQuote
RawIguanaCologne
THANK YOU FOLKS!!!! HERE´S THE SOUNDBOARD VERSION
I LIKE IT A LOT!!!!!
Check out 1:16 mark as "You cant always get what you want" enters into the break and the 1981 sing along, it that Taylor playing throughout "the break" and the Mick's attempt to get the crowd singing?
It sure is Taylor, I can say that without confirmation of Dandie. Great playing. Btw. it's a pity the sound board recording isn't stereo. And then that everything and everyone dominating (annoying) saxophone!
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DandelionPowdermanQuote
kleermakerQuote
DandelionPowdermanQuote
kleermakerQuote
DandelionPowderman
He missed the slow days with RTJ, JJF, ADTL, BS and MR?
Those songs weren't played "fast and furious" during Taylor's days at all the way they were in 81/82: ragged and rushed. Besides they played all songs that way, so that it seemed as if it was all one and the same 'song'. I heard it myself. Very boring.
Yes, they were, and it's easy to prove as well
They were played fast - except ADTL, BS, and MR - but tasty. Not furious, let alone ragged and rushed.
Except MR? Fastest ever in 73...
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MunichhiltonQuote
kleermakerQuote
pmk251
I probably have not spent enough time on this recording. My patience lapses while I try to shift out what Taylor is playing. But the BoB performance interests me. It is from 48:46 to 55:40. It gets interesting around 51 - 52:00. Can the expert ears here tell who plays the solos around 51:00? Thereafter Taylor starts a rhythm ditty that stops Jagger in his tracks. His stage awareness is amazing. He starts to say something, hears Taylor's little variation on the theme and says go ahead. In the next minute or so the song gets funky while the guitars play around Taylor's little variations. It's the high point of interest for me in this show.
Sounds like Taylor to my ears. Too fluent for Ronnie and certainly for Keith.
Certainly for Keith? Ridiculous. "Only found out yesterday" is beautifully fluent and magically put together (fun to play as well)...and that's modern day Keith...
Trust in Keith that he can be as fluent as the intro to Knocking or as simple as Honky Tonk....it's his choice
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DandelionPowderman
Elaborate!
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His Majesty
Frankenstein goes for the odd ball studio creations featuring ye olde tracks with modern editing and overdubs. Like a 50 year old woman with sprayed on tan, face lift and fake tits.
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kleermakerQuote
Fuman2Quote
pmk251Quote
kleermakerQuote
pmk251
I probably have not spent enough time on this recording. My patience lapses while I try to shift out what Taylor is playing. But the BoB performance interests me. It is from 48:46 to 55:40. It gets interesting around 51 - 52:00. Can the expert ears here tell who plays the solos around 51:00? Thereafter Taylor starts a rhythm ditty that stops Jagger in his tracks. His stage awareness is amazing. He starts to say something, hears Taylor's little variation on the theme and says go ahead. In the next minute or so the song gets funky while the guitars play around Taylor's little variations. It's the high point of interest for me in this show.
Sounds like Taylor to my ears. Too fluent for Ronnie and certainly for Keith.
Sounds like Taylor to me too. I ask because I am surprised that 1) he was allowed to get that solo in; and 2) that it fits so nicely on a song he has never played before. Remarkable.
I have a daydream question that I ponder: Would there have been a Some Girls album with Taylor? From this performance of BoB I would say yes. Just different and interesting.
Sounds like Ronnie to me. Those hammer-ons sound like his work with The Faces.
Then this must be Ronnie's best solo ever with the Stones. But let Dandie, who's the real expert on both Ronnie and Mick T., decide who's playing this short solo.
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kleermakerQuote
DandelionPowderman
Elaborate!
Just listen. Saves me a difficult explanation.
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kleermakerQuote
kleermakerQuote
Fuman2Quote
pmk251Quote
kleermakerQuote
pmk251
I probably have not spent enough time on this recording. My patience lapses while I try to shift out what Taylor is playing. But the BoB performance interests me. It is from 48:46 to 55:40. It gets interesting around 51 - 52:00. Can the expert ears here tell who plays the solos around 51:00? Thereafter Taylor starts a rhythm ditty that stops Jagger in his tracks. His stage awareness is amazing. He starts to say something, hears Taylor's little variation on the theme and says go ahead. In the next minute or so the song gets funky while the guitars play around Taylor's little variations. It's the high point of interest for me in this show.
Sounds like Taylor to my ears. Too fluent for Ronnie and certainly for Keith.
Sounds like Taylor to me too. I ask because I am surprised that 1) he was allowed to get that solo in; and 2) that it fits so nicely on a song he has never played before. Remarkable.
I have a daydream question that I ponder: Would there have been a Some Girls album with Taylor? From this performance of BoB I would say yes. Just different and interesting.
Sounds like Ronnie to me. Those hammer-ons sound like his work with The Faces.
Then this must be Ronnie's best solo ever with the Stones. But let Dandie, who's the real expert on both Ronnie and Mick T., decide who's playing this short solo.
Hey Dandie, please give us your final verdict!
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DrPeteIt was my first Stones concert and certainly a memorable one! I swear I saw MT Walk on after Whip and before Lstnt. AND I remember a KC Dj on KY102 mention that afternoon MT was in town and wouldn't it be cool IF he played on stage that night!! IT WAS SERIOUSLY COOLQuote
OutOfTimeWow! Great ohcarol!! Do you remember how long Mick Taylor was on stage? I listened some of the soundboard recording today and heard a MT solo on Black Limousine. Also there is a picture of Keith, MT and MJagger (jumping wide legged in front of MT) with all the balloons on the floor indicating MT was on Satisfaction (the last song of the show also in 1981)Quote
ohcarol
I was there as was Dr.Pete! Cold night great show! I followed the band back to the Westin Crown Center hotel!
This show is the missing link between The Mick Taylor Years (69-74) and the 50 and Counting Tour !!!
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DandelionPowdermanQuote
kleermakerQuote
DandelionPowderman
Elaborate!
Just listen. Saves me a difficult explanation.
I thought you might find it difficult
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kleermakerQuote
Mr. JimiQuote
RawIguanaCologne
THANK YOU FOLKS!!!! HERE´S THE SOUNDBOARD VERSION
I LIKE IT A LOT!!!!!
Check out 1:16 mark as "You cant always get what you want" enters into the break and the 1981 sing along, it that Taylor playing throughout "the break" and the Mick's attempt to get the crowd singing?
It sure is Taylor, I can say that without confirmation of Dandie. Great playing. Btw. it's a pity the sound board recording isn't stereo. And then that everything and everyone dominating (annoying) saxophone!
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DandelionPowdermanQuote
kleermakerQuote
kleermakerQuote
Fuman2Quote
pmk251Quote
kleermakerQuote
pmk251
I probably have not spent enough time on this recording. My patience lapses while I try to shift out what Taylor is playing. But the BoB performance interests me. It is from 48:46 to 55:40. It gets interesting around 51 - 52:00. Can the expert ears here tell who plays the solos around 51:00? Thereafter Taylor starts a rhythm ditty that stops Jagger in his tracks. His stage awareness is amazing. He starts to say something, hears Taylor's little variation on the theme and says go ahead. In the next minute or so the song gets funky while the guitars play around Taylor's little variations. It's the high point of interest for me in this show.
Sounds like Taylor to my ears. Too fluent for Ronnie and certainly for Keith.
Sounds like Taylor to me too. I ask because I am surprised that 1) he was allowed to get that solo in; and 2) that it fits so nicely on a song he has never played before. Remarkable.
I have a daydream question that I ponder: Would there have been a Some Girls album with Taylor? From this performance of BoB I would say yes. Just different and interesting.
Sounds like Ronnie to me. Those hammer-ons sound like his work with The Faces.
Then this must be Ronnie's best solo ever with the Stones. But let Dandie, who's the real expert on both Ronnie and Mick T., decide who's playing this short solo.
Hey Dandie, please give us your final verdict!
Taylor starts interrupting in Ronnie's solo toward the ending, and starts forming a new theme at 51:30-ish...
Quote
Mr. JimiQuote
kleermakerQuote
Mr. JimiQuote
RawIguanaCologne
THANK YOU FOLKS!!!! HERE´S THE SOUNDBOARD VERSION
I LIKE IT A LOT!!!!!
Check out 1:16 mark as "You cant always get what you want" enters into the break and the 1981 sing along, it that Taylor playing throughout "the break" and the Mick's attempt to get the crowd singing?
It sure is Taylor, I can say that without confirmation of Dandie. Great playing. Btw. it's a pity the sound board recording isn't stereo. And then that everything and everyone dominating (annoying) saxophone!
OMG that sax is just to much and on the 82 shows its omipresent and changes their whole sound . . .
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kleermakerQuote
DandelionPowdermanQuote
kleermakerQuote
kleermakerQuote
Fuman2Quote
pmk251Quote
kleermakerQuote
pmk251
I probably have not spent enough time on this recording. My patience lapses while I try to shift out what Taylor is playing. But the BoB performance interests me. It is from 48:46 to 55:40. It gets interesting around 51 - 52:00. Can the expert ears here tell who plays the solos around 51:00? Thereafter Taylor starts a rhythm ditty that stops Jagger in his tracks. His stage awareness is amazing. He starts to say something, hears Taylor's little variation on the theme and says go ahead. In the next minute or so the song gets funky while the guitars play around Taylor's little variations. It's the high point of interest for me in this show.
Sounds like Taylor to my ears. Too fluent for Ronnie and certainly for Keith.
Sounds like Taylor to me too. I ask because I am surprised that 1) he was allowed to get that solo in; and 2) that it fits so nicely on a song he has never played before. Remarkable.
I have a daydream question that I ponder: Would there have been a Some Girls album with Taylor? From this performance of BoB I would say yes. Just different and interesting.
Sounds like Ronnie to me. Those hammer-ons sound like his work with The Faces.
Then this must be Ronnie's best solo ever with the Stones. But let Dandie, who's the real expert on both Ronnie and Mick T., decide who's playing this short solo.
Hey Dandie, please give us your final verdict!
Taylor starts interrupting in Ronnie's solo toward the ending, and starts forming a new theme at 51:30-ish...
Taylor's 'interruption' starts at 51:11.
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DandelionPowdermanQuote
His Majesty
Keith is particularly ace on guitar during this time, he has definitely continued to develop as a player way past the "golden era", not a fan of some of the tones though.
It's nice to hear you saying that - finally
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LuxuryStonesQuote
His Majesty
Frankenstein goes for the odd ball studio creations featuring ye olde tracks with modern editing and overdubs. Like a 50 year old woman with sprayed on tan, face lift and fake tits.
I wonder what you would say if the initial tracks turned out to be only 5 years old.
No, actually I don't.. Jagger's and Taylor's overdubs are face lift and fake tits to you.
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His Majesty
The sax level on this is not that much louder than Taylor is on some of the 70's bootlegs. Really irritating when an instrument is overly loud and yer not a fan of the playing style innit?
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Fuman2Quote
kleermakerQuote
DandelionPowdermanQuote
kleermakerQuote
kleermakerQuote
Fuman2Quote
pmk251Quote
kleermakerQuote
pmk251
I probably have not spent enough time on this recording. My patience lapses while I try to shift out what Taylor is playing. But the BoB performance interests me. It is from 48:46 to 55:40. It gets interesting around 51 - 52:00. Can the expert ears here tell who plays the solos around 51:00? Thereafter Taylor starts a rhythm ditty that stops Jagger in his tracks. His stage awareness is amazing. He starts to say something, hears Taylor's little variation on the theme and says go ahead. In the next minute or so the song gets funky while the guitars play around Taylor's little variations. It's the high point of interest for me in this show.
Sounds like Taylor to my ears. Too fluent for Ronnie and certainly for Keith.
Sounds like Taylor to me too. I ask because I am surprised that 1) he was allowed to get that solo in; and 2) that it fits so nicely on a song he has never played before. Remarkable.
I have a daydream question that I ponder: Would there have been a Some Girls album with Taylor? From this performance of BoB I would say yes. Just different and interesting.
Sounds like Ronnie to me. Those hammer-ons sound like his work with The Faces.
Then this must be Ronnie's best solo ever with the Stones. But let Dandie, who's the real expert on both Ronnie and Mick T., decide who's playing this short solo.
Hey Dandie, please give us your final verdict!
Taylor starts interrupting in Ronnie's solo toward the ending, and starts forming a new theme at 51:30-ish...
Taylor's 'interruption' starts at 51:11.
I still think it's Ronnie. Maybe you're confused because the notes are in tune, they're the proper pitch? Also, those notes sound like they're off of the board but I thought Taylor only had an amp on stage.
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kleermakerQuote
His Majesty
The sax level on this is not that much louder than Taylor is on some of the 70's bootlegs. Really irritating when an instrument is overly loud and yer not a fan of the playing style innit?
This sax is making the guitars almost inaudible. Taylor never did that to Keith.