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kammpberg
My two cents.....
Part of the pleasure of being a true longterm fan is being critical of an album, tour whatever. Saying that everything is classic or the greatest or was a huge success is actually worthless. There's no barometer, nothing to gauge or compare.
Personally, I'm thrilled that Keith released a new solo record. Any new material by any Stones relation to me is cause for celebration (including the new Bill Wyman album this year).
I really like Wyman's solo career and with the Rhythm Kings, but his new album was simply OK and didn't last much on my playlist.
Keith's album was very good - a solid 3 stars out of 5. To me Robbed Blind is the closest to a truly great track on the album. But in general few real "highs" just a solid release that will not get much play over the years. But that's fine. I'm thrilled he released an album.
But this talk of classic and comparing to Exile and worse is the sales figures.
To many people the sales figures are irrelevant and that's fine too. But for those who care, stop preaching what a huge success it was. Sorry 60k in the US is a dismal failure for someone of the magnitude of Keith Richards. The publicity in the US was HUGE. Multiple magazine articles and covers. Major press in every major newspaper. Oh what else - a film documentary released at the same time which also gathered huge press and exposure. Oh what else - major TV exposure and interviews. And 60k sales in the US? Sorry from a commercial standpoint that is a failure.....and that's not a criticism it's a fact. And you know what - that's OK. Just accept it for what it is.
Similar solo releases at similar times - like David Gilmour and Don Henley were way more commercially successful with far less press and exposure.
It is what it is. The Stones are a huge public relations machine and get exposure like few others....but certainly don't translate to huge sales.
They're "my" band. I love them and am thrilled when they release new material, but thru the hyperbole, be damn honest about being disappointed when it doesn't translate to overall commercial success.
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Hairball
He's not Mick Jagger trying to fit in with the young generation by compromising who he is, and the record is proof of that - high quality that reflects the music of classic Rolling Stones.
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NaturalustQuote
Hairball
He's not Mick Jagger trying to fit in with the young generation by compromising who he is, and the record is proof of that - high quality that reflects the music of classic Rolling Stones.
Sounds like he may just be compromising who you think he is. Mick might just like contemporary pop and being popular with young people.
It's good, but it can't really be fairly compared so directly to Stones records, imo.
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Hairball
He's not Mick Jagger trying to fit in with the young generation by compromising who he is, and the record is proof of that - high quality that reflects the music of classic Rolling Stones.
Sounds like he may just be compromising who you think he is. Mick might just like contemporary pop and being popular with young people.
It's good, but it can't really be fairly compared so directly to Stones records, imo.
As to your first point, perhaps true, but it's been detrimental to his solo career as well as what he bring to the Stones imo. And a Stones fan, everything he does now is indeed compromised because of his desire for 'contemporary pop and being popular with young people', and it seems that most here would agree.
As to your last point, different strokes for different folks - you don't like CH as much as I do obviously. Considering Keith has been the mastermind/architect behind some of the Stones best music for most of their existence, I'd say it's quite easy to compare CH directly to Stones records when they were at their best. It's the best Stones related material in decades without any question. Again, just my opinion.
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NaturalustQuote
Hairball
He's not Mick Jagger trying to fit in with the young generation by compromising who he is, and the record is proof of that - high quality that reflects the music of classic Rolling Stones.
Sounds like he may just be compromising who you think he is. Mick might just like contemporary pop and being popular with young people.
It's good, but it can't really be fairly compared so directly to Stones records, imo.
As to your first point, perhaps true, but it's been detrimental to his solo career as well as what he bring to the Stones imo. And a Stones fan, everything he does now is indeed compromised because of his desire for 'contemporary pop and being popular with young people', and it seems that most here would agree.
As to your last point, different strokes for different folks - you don't like CH as much as I do obviously. Considering Keith has been the mastermind/architect behind some of the Stones best music for most of their existence, I'd say it's quite easy to compare CH directly to Stones records when they were at their best. It's the best Stones related material in decades without any question. Again, just my opinion.
I don't agree. I think Mick can put out whatever sort of music he wants, and I will listen to whatever he puts out and decide if I like it or not based on what on I hear. I wouldn't say that "everything he does is compromised." Just curious - have you seen the Bob Dylan documentary "No Direction Home"? He was accused of just trying to sound contemporary and cater to the young crowd when he went electric and made Highway 61 Revisited. It isn't necessarily a bad thing. I fault Mick for making sub-par records, not for trying to stay relevant.
The last time Keith surprised everyone by putting out a great album was Talk is Cheap, which in my opinion directly led to the Stones getting back together, making a new album, and going on a hugely successful tour. Crosseyed Heart can likewise be a win/win. A little healthy competition between the glimmer twins can be a good thing.
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GasLightStreet
The board looks bizarre without this thread as a sticky anymore. It's very confusing.
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GasLightStreet
The board looks bizarre without this thread as a sticky anymore. It's very confusing.
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kammpberg
The fact is, the album has exceeded most people's expectations as far as quality (I give it a 5 out of 5 easily), as well as sales and chart positions (not that this matters).
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kammpberg
The fact is, the album has exceeded most people's expectations as far as quality (I give it a 5 out of 5 easily), as well as sales and chart positions (not that this matters).
Can you OBJECTIVELY give CH 5 out of 5 easily if let's say Tattoo You is undoubtedly 5 out of 5, or Pink Floyd's Dark Side Of The Moon is 5 out of 5, or the Beatles' Abbey Road is 5 out of 5, or Bowie's Ziggy Stardust is 5 out of 5?
I understand that you love CH, however if you were a critic writing for a magazine I don't think 5 out of 5 would be justified.
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kammpberg
The fact is, the album has exceeded most people's expectations as far as quality (I give it a 5 out of 5 easily), as well as sales and chart positions (not that this matters).
Can you OBJECTIVELY give CH 5 out of 5 easily if let's say Tattoo You is undoubtedly 5 out of 5, or Pink Floyd's Dark Side Of The Moon is 5 out of 5, or the Beatles' Abbey Road is 5 out of 5, or Bowie's Ziggy Stardust is 5 out of 5?
I understand that you love CH, however if you were a critic writing for a magazine I don't think 5 out of 5 would be justified.
You somehow messed up the quote as it was me who gives it a 5 out of 5 easily.
(I think kammpberg gave it a 3 of 5)
And yes, I can honestly, objectively, and without a shadow of a doubt give this a 5 out of 5 easily.
I'm not a critic for a magazine - I only speak for myself. I don't get paid to give advice to people who put their trust in other's opinions, and to those who can't listen and think for themselves.
As for your picks above, I'd agree all are 5 out of 5 except for Bowies Ziggy Stardust which I would give a 4.5 out of 5.
CH has made a bigger impression on me in less than two months than Ziggy has in over 40 years - just a matter of personal taste.
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DandelionPowderman
The sales were good for today's market. Keith had better chart positions than with his previous albums. That is relevant here.
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kammpberg
Thanks for clarifying my quote - Yes I give CH a 3 out of fine which to me is Good. Not Excellent. Five stars to me is CLassic and very few albums ever get a five. Nothing wrong with a 3 star review in my opinion. Again, to me solid criticism is a good thing.
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laertisflash
"The sales were good for today's market. Keith had better chart positions than with his previous albums. That is relevant here"
Dandelion, almost agree with you. Almost because I would add up the word "unexpectably" before "good" and the word "much" before "better"...
CH is still on Top 40 (# 34) of the "Mediatraffic" Global Chart, after 5 weeks. For a Keith's album (not for a Stones album, the different is huge) that's a fantastic application.
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tumbled
I love the rolling beautiful sound of this album! its almost too pretty to listen to. its like precious have to save it just for myself. songs get stuck in your head its really unique and special this album. I still waiting for my lp to come. the birds fly to the rhythm. that's the sign of perfection.
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kammpberg
The fact is, the album has exceeded most people's expectations as far as quality (I give it a 5 out of 5 easily), as well as sales and chart positions (not that this matters).
Can you OBJECTIVELY give CH 5 out of 5 easily if let's say Tattoo You is undoubtedly 5 out of 5, or Pink Floyd's Dark Side Of The Moon is 5 out of 5, or the Beatles' Abbey Road is 5 out of 5, or Bowie's Ziggy Stardust is 5 out of 5?
I understand that you love CH, however if you were a critic writing for a magazine I don't think 5 out of 5 would be justified.
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GasLightStreet
As Keith likes to say about some songs of his on Stones albums, in due time it will make sense.
For some people anyway.
CH has a lot of depth on it. In it. Within it.