For information about how to use this forum please check out forum help and policies.
Quote
DandelionPowderman
Do you guys all have $10.000 stereo systems? If so, I'm happy for you If not, I doubt you'll hear much difference in sound quality between 24 b and 16 b, even between AAC and 256 MP3.
Quote
DandelionPowderman
Do you guys all have $10.000 stereo systems? If so, I'm happy for you If not, I doubt you'll hear much difference in sound quality between 24 b and 16 bit
Quote
AP
It is available in lossless quality on musicme also:
[www.musicme.com]
I believe this offer is not limited to France only.
Quote
dcbaQuote
DandelionPowderman
Do you guys all have $10.000 stereo systems? If so, I'm happy for you If not, I doubt you'll hear much difference in sound quality between 24 b and 16 bit
I did the test (on a Lou Donaldson lp) and yeah the 24bit has more depth and thickness.
And much to my surprise the difference also lays in the sustain : with the 24bit version a note played fades and dies in a much nicer way. With the 16bit file it was much more abrupt and sterile.
But hey... music is the only field where ppl will tell you, right in the eyes, that a HD file is not better than a SD file. Try tell a movie buff his Blurays don't look better than his old DVDs...
Quote
Doc
paying over €10 for on-line music seems too much for me.
20 on Qobuz is a shame
There's no booklet, you have to store it safely somewhere, and the extra cost for just encoding files in different formats seems exagerated IMHO
Quote
bennyboy
I really like the itunes recording - its cheap and accessible and hits the spot. I couldnt give a monkeys whether its MP3 / 16 /24 bit / whatever. In my own experience, any difference you can hear between top rate lossy and lossless files is just placebo.
What matters is the music, ultimately - we live in a society where we are spoilt by the convenience of technology, yet we increasingly lose touch with the soul and spirit of what is important.
Audiophilia and its associated obsessional, nonsensical search for perfection often completely misses the wood for the trees. And from where I'm listening, there were some damn beautiful trees and only one Wood at Hyde Park.
Quote
DandelionPowderman
Do you guys all have $10.000 stereo systems? If so, I'm happy for you If not, I doubt you'll hear much difference in sound quality between 24 b and 16 b, even between AAC and 256 MP3.
It's a live recording, and as Drake points out it is the mixing and mastering of that recording that decides how listenable the recording is.
Luckily, this is a well-mixed and mastered recording, albeit a little treble heavy, imo - hence you will all enjoy good quality mp3s and AACs of this one.
Quote
Alef
The terms lossy and non-lossy can be confusing. Bot CD audio (and SACD audio) are ofcourse also lossy, as they consist of discreet bits of recorded sound. But make the dscreet bits small enough and built enough dynamic range into these bits and you have perfect audio. That's what they have done with regular CD (16bits, 44,1kHz).
Quote
Spud
Inadequate digital formats distort by not having enough "digits" to capture all the signal and, once the musical imformation is lost, your ear can't put it back !
The big mistake with CD was in accepting the scientific arguments that its resolution was good enough. [It was launched too soon by a greedy industry ]
The format has no air, no sense of a recorded acoustic and no "soul". Music sounds like it was recorded in a vacuum .
Quote
kowalskiQuote
studioramboQuote
kowalski
Most likely it was recorded in 24 bits/48kHz. That's how are recorded most albums nowadays. But even if it was recorded on a 24/96 format, a resampled file at 16bits/44.1kHz will still sound better than a compressed file at 256kbps (like the iTunes files).
There is a loss of information when the 24 bit source is reduced to 16, so the CD is a lossy format, but nobody cares as they can't hear it. Just as nobody can tell a CD from an iTunes AAC file.
The last time the industry made a push with high res audio ( SACD, DVD-A), 99.99% of audible improvement came from the improved mastering by the sound guys preparing the re-releases, and consumers buying upgraded audio gear to try and hear it. People would be far better off advocating for better mastering than throwing away their bandwidth on inaudible noise.
I totally agree with you about the importance of a proper mastering. Nowadays mastering are just absurd as they remove every bit of life from music by compressing dynamics to death.
This said, a 24 bit file sounds better than a 16 bit file. It's smoother, less harsh on the ears. So, again, it's a matter of comfort.
Also, on a good equipement, some people can hear the difference between iTunes AAC files and CD quality files. That's why I think we should have the right to choose what is best for our ears.
Quote
oldschoolQuote
kowalskiQuote
studiorambo
The last time the industry made a push with high res audio ( SACD, DVD-A), 99.99% of audible improvement came from the improved mastering by the sound guys preparing the re-releases, and consumers buying upgraded audio gear to try and hear it. People would be far better off advocating for better mastering than throwing away their bandwidth on inaudible noise.
I totally agree with you about the importance of a proper mastering. Nowadays mastering are just absurd as they remove every bit of life from music by compressing dynamics to death.
This said, a 24 bit file sounds better than a 16 bit file. It's smoother, less harsh on the ears. So, again, it's a matter of comfort.
Also, on a good equipement, some people can hear the difference between iTunes AAC files and CD quality files. That's why I think we should have the right to choose what is best for our ears.
Unless people do a very controlled A/B comparison on high end audio equipment I can almost guarantee you the average person cannot hear the difference between an MP3 ripped at 256 or 320Kps compared to the original CD source. I have taken audio classes at work where this was done and it wasn't until you got down to 192Kps that it was really noticeable. You may see the difference on an spectrum analyzer but to the average person using average audio equipment they can't tell the difference.
Quote
kowalskiQuote
oldschoolQuote
kowalskiQuote
studiorambo
The last time the industry made a push with high res audio ( SACD, DVD-A), 99.99% of audible improvement came from the improved mastering by the sound guys preparing the re-releases, and consumers buying upgraded audio gear to try and hear it. People would be far better off advocating for better mastering than throwing away their bandwidth on inaudible noise.
I totally agree with you about the importance of a proper mastering. Nowadays mastering are just absurd as they remove every bit of life from music by compressing dynamics to death.
This said, a 24 bit file sounds better than a 16 bit file. It's smoother, less harsh on the ears. So, again, it's a matter of comfort.
Also, on a good equipement, some people can hear the difference between iTunes AAC files and CD quality files. That's why I think we should have the right to choose what is best for our ears.
Unless people do a very controlled A/B comparison on high end audio equipment I can almost guarantee you the average person cannot hear the difference between an MP3 ripped at 256 or 320Kps compared to the original CD source. I have taken audio classes at work where this was done and it wasn't until you got down to 192Kps that it was really noticeable. You may see the difference on an spectrum analyzer but to the average person using average audio equipment they can't tell the difference.
Ears can be trained. I can make the difference between a AAC file from iTunes and WAV or Flac file from a CD, and also between a 16 bit file and a 24 bit file. But as pointed out above if the mastering is bad it won't make much difference anyway...
Quote
oldschoolQuote
kowalskiQuote
oldschool
Unless people do a very controlled A/B comparison on high end audio equipment I can almost guarantee you the average person cannot hear the difference between an MP3 ripped at 256 or 320Kps compared to the original CD source. I have taken audio classes at work where this was done and it wasn't until you got down to 192Kps that it was really noticeable. You may see the difference on an spectrum analyzer but to the average person using average audio equipment they can't tell the difference.
Ears can be trained. I can make the difference between a AAC file from iTunes and WAV or Flac file from a CD, and also between a 16 bit file and a 24 bit file. But as pointed out above if the mastering is bad it won't make much difference anyway...
Of course you can be trained to hear the differences once they are pointed out to you and you are listening in a quiet environment on high end audio equipment but that is not the point of this discussion.
JMO but the majority of people here who are complaining about paying for M3's would never know the difference unless someone told them they bought MP3's even if they had a CD quality recording to compare it too.
Now I don't blame them as I would prefer the highest quality recording I can get but in all honesty in every day listening the higher resolution gets lost in the noise.
The average person cannot tell the difference between a high bit rate MP3 and the original CD. I have seen this experiment done with my own ears in a class at work which included other design engineers.
Quote
kowalskiQuote
oldschoolQuote
kowalskiQuote
oldschool
Unless people do a very controlled A/B comparison on high end audio equipment I can almost guarantee you the average person cannot hear the difference between an MP3 ripped at 256 or 320Kps compared to the original CD source. I have taken audio classes at work where this was done and it wasn't until you got down to 192Kps that it was really noticeable. You may see the difference on an spectrum analyzer but to the average person using average audio equipment they can't tell the difference.
Ears can be trained. I can make the difference between a AAC file from iTunes and WAV or Flac file from a CD, and also between a 16 bit file and a 24 bit file. But as pointed out above if the mastering is bad it won't make much difference anyway...
Of course you can be trained to hear the differences once they are pointed out to you and you are listening in a quiet environment on high end audio equipment but that is not the point of this discussion.
JMO but the majority of people here who are complaining about paying for M3's would never know the difference unless someone told them they bought MP3's even if they had a CD quality recording to compare it too.
Now I don't blame them as I would prefer the highest quality recording I can get but in all honesty in every day listening the higher resolution gets lost in the noise.
The average person cannot tell the difference between a high bit rate MP3 and the original CD. I have seen this experiment done with my own ears in a class at work which included other design engineers.
I just wish they give people a choice. For example I like to listen to music in a quiet environment or with good headphones. And I don't want to listen to mp3 because I can hear the loss.
Also I think mp3 is in part responsible for current state of music where everything is highly compressed, very bright and sounding the same.
At least with having a choice between mp3 and CD quality, there's a hope that music will sound good again someday...
Quote
oldschool
If record companies really cared about sound quality DVDs and better yet buray discs are the perfect media to offer high quality lossless music but there is no money in it I think