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71Tele
After 1972, the Stones should have retired this song. The '69 and '72 versions are so epic that to play it without that line up does the band and the song a disservice.
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DandelionPowdermanQuote
71Tele
After 1972, the Stones should have retired this song. The '69 and '72 versions are so epic that to play it without that line up does the band and the song a disservice.
What's wrong with the Live In Texas-version? Jagger at his absolute best, imo.
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DandelionPowdermanQuote
71Tele
After 1972, the Stones should have retired this song. The '69 and '72 versions are so epic that to play it without that line up does the band and the song a disservice.
What's wrong with the Live In Texas-version? Jagger at his absolute best, imo.
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treaclefingersQuote
DandelionPowdermanQuote
71Tele
After 1972, the Stones should have retired this song. The '69 and '72 versions are so epic that to play it without that line up does the band and the song a disservice.
What's wrong with the Live In Texas-version? Jagger at his absolute best, imo.
Not sure the Mick in question is the issue here.
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marcovandereijk
I was only playing with the abbreviations, but thanks for replying anyway.
LIS is a good song too, we will discuss it next week, I suppose.
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Rip This
....68-72 versions...just put it in a bottle...seal it and label it: real rock n'roll.
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His MajestyQuote
Rip This
....68-72 versions...just put it in a bottle...seal it and label it: real rock n'roll.
Thankfully it is not rock n' roll.
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71TeleQuote
DandelionPowdermanQuote
71Tele
After 1972, the Stones should have retired this song. The '69 and '72 versions are so epic that to play it without that line up does the band and the song a disservice.
What's wrong with the Live In Texas-version? Jagger at his absolute best, imo.
It has none of the majesty of the other versions. It's ok. Jagger's good. But the band was incredible in '69. Not just Taylor. Bill's bass was genius. The drama of Charlie holding back until the second verse, I could go on...I like '78 but that song didn't really fit the thrashy mode they were in (which I quite like, by the way).
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Naturalust
This version by Keb Mo deserves to me posted here. I nicked it from Green Lady's Track Talk index thread, thank you dear!
I think it is fantastic and possibly better than the Robert Johnson AND the Stones versions. His singing and guitar work here really do the song justice.
I think it was Keith's inability to play the tune in the original alternating bass thumbpicking style (I've never seen him pull that off) as much as his desire to reinterpret the song that created the Stones classic version.
I think Keith would have loved to be able to play the tune like this. Thanks again Green Lady for that turn on, I am grateful. peace
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liddasQuote
Naturalust
This version by Keb Mo deserves to me posted here. I nicked it from Green Lady's Track Talk index thread, thank you dear!
I think it is fantastic and possibly better than the Robert Johnson AND the Stones versions. His singing and guitar work here really do the song justice.
I think it was Keith's inability to play the tune in the original alternating bass thumbpicking style (I've never seen him pull that off) as much as his desire to reinterpret the song that created the Stones classic version.
I think Keith would have loved to be able to play the tune like this. Thanks again Green Lady for that turn on, I am grateful. peace
Sure Keith can play guitar this way. The voodoo brew/stew outtakes have plenty of fine examples. And Good times Bad times shows he could do it years before Love in Vain was recorded.
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liddas
Sure Keith can play guitar this way. The voodoo brew/stew outtakes have plenty of fine examples. And Good times Bad times shows he could do it years before Love in Vain was recorded.
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kowalski
Favourite version ever is the one from Tokyo '95. Their most 'soulful' version. And love how Charlie enters the song around 1:00...
(watch it in HD!)