i dont care at all for the "good old days" when i had no money to buy the records i wanted anticipation is what i went thru in the past few weeks until yesterday so i really dont feel i miss something well that is not really true because i do miss the vinyl and i am sure annoyed by the cd thing i am intrigued by the choice of a guy like costello who is going to release his next album
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i was curious too but i've heard no word of a vynil release i'll ask my music shop man ah of course i'll buy the "real thing" but could not resist the tempt of a sneak prelisten after some spins the only real down point to all this is that i feel pretty "saturated" with live release of the stones this is on a different level of things like live licks of cours
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about editing and overdubbing you probably are more smart and expert than me only thing i ask is what is exactly the point in make these precise overdubbling you both point at and then leave so many other problems so evident not to speak of SFTD where you could argue that there are so many flaws that the only thing to do would be to overdub the entire keith solo ... wait is this not what the
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i found it on a P2P network, i wrote down these impressions while listening to the files for the first time First one is for sssoul: Connection is there in its entirety and good 1. regular jack flash 2. shattered good 3. we already knows she's hot (damn hot in the end) 4. smoking train down the line ... ... 7. somegirls smoking good 8. just my imagination. it takes
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if you make phone calls with Skype from your computer are you stealing money from your telephone company? are you phoning for "free"? I would answer no to both the questions There is someone who's been smart enough to invent a service that is changing the way a lot of people use to call and to use the computer I think that for music download the approach should be much the same
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QuotebvI don't need to save my ass to have this policy. It is simply a matter of my own standards. I am a software developer and supplier by profession. Programming or developing or writing music is the same thing. You spend time making some sort of art, and then you make it available to the public, hoping they will pay you back so that you can get bread on your table. Most developers and mo
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Quotewith sssoul>> You make a good point Fair compensation << i'm glad you like it, but please note that i'm talking about fair compensation for the artists, not the record companies (or bandwidth providers or whatever other middlemen). as i keep saying: i will be very happy if someone would point out a way i can rip off the big bad corporations without simultaneously
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Quotewith sssoul>> The problem is that the money dont go the the artists. Is that my problem? << ah: if it doesn't affect you directly, why think about it? ah ah, dear ssoul i will have appreciated much if you would have considered all of my post and not just cut and paste that sensible statement which is , of course, if you read all the post completely a rhetoric question
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Quotewith sssoul>> the mass of money that we are paying should be enough for everyone in the business that is the providers of bandwidth << yes, and where does paying the artists come into all that? who's supposed to do that - the providers of bandwidth? what would motivate them to start doing that - just to get us to download more stuff? so they can charge us more and m
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Quotewith sssoul>> so the money for the artists is already there... << where? sorry, but it sounds like you mean something like "the record companies have always screwed artists so why should we worry about them" .... of course i could not explain myself. try again. we need to find a way to make artists live out of their art. we have a technology that allows fre
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what i think sssoul you dont see in the picture is how much profit has been made out of the new technology - and a lot right out of the fact that you and me can download with it you look at the technology only in the perspetctive of the user try and look in the perspective of the seller and how much money they have made out of - say - the wide spread of music consume that the technology all
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sssoul my point is everyone has to make a fair profit of his or her own work so the artist where is the money for the artist? i answer: ask the companies that make huge profits in the field of the art (that is media) what kind of fair profit is that it needs to be protected against the progress of technology?... so you (the company) want to make profit of a new technology but then you want
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of course i agree with liddas moreover about the technological difference that should be an argument for the criminalization of sharing of digital copies i think quite the opposite just as in "the good old days" the industry made profit producing tape recorders now is making profit offering broadband to download music and movies there is this false image of you and me that go in a
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i completely agree with the argument of ohnonotyouagain i will just add that in the last decade the companies that provide internet connection have made immense profit and the spin forward to mass use of broadband has been greately fueled by this "immoral black market" when i pay my telephone bill though i am paying more or less the same sum of ten years ago i am still paying a h
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yeah Open-G answers only to himself uploading a "new" AWESOME taylor video and then again spins it, god knows why, against keith i agree completely on this post of DandelionPowderman, and yet - i dont mean no offense here - it is quite the ABC of anyone who loves ...nah just knows this band a little
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it's hard to choose only three inland velvet eraser
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...
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hi OpenG of course the problem is not you or your respectable opinions the problem is me or ablett or liddas or... who fuel this absurd crusade love and respect to KR AND MT, great guitar players who made, IN DIFFERENT WAYS AND DEGREES, the history of rock and roll
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curious how this thread has been buried down since it refers to prelisten of the forth coming sal album maybe the author should add MICK TAYLOR on the title to pump it up and an AWSOME too...
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Quoteopen-g>>and i have keith coming out of the left speaker...?<< could be because you're hanging upside down? !dog ym ho
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i think no security is great, good choice of song good sound
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from the promo songs i've listened no way this is going to compete in the same league as get yer still can be the quality of the prelisten files that does not match the real product i am not fond of duest too, alimente, but i have to admit that aguilera is doing good job on live with me sympathy imho is damn bad good SWH, good SG but to get to the status of Get yer...
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here my impressions in short (A to E) given is a Mp3 shine a light: C too much chuck in the middle, i cant hear ron almost live with me: B good christina even if too much yelling in the end, but great energy sympathy: E i cant believe this is released lovinc cup: C good fumbling sound but, on the opposite to live with me, energy level is low she was hot: B it starts grooving after the mid
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OUCH!
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Quotewith sssouli just checked with a passing non-Stones-freak, and the verdict is: this and Some Girls feature some very witty guitar-playing, and they both rock. HOW COULD YOU DARE CHECKING KEITH NOODLING WITH SOMEONE WHO PROBABLY THINK OF AGED PRALINES IF TOLD BRUSSELS 73!!!
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it sounds better than the clip of the beginning on myspace "much too excessive movements" ...?
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great thanks this is beautiful "You—Keith Richards—would call your mother in those dark moments? If it was bad, I would, yeah. Just to let her know. But unfortunately she didn’t live. Me mum, that’s another thing, man. I went… I went… We knew me mum was going, and so my daughter Angela says, “Dad, take the guitar out. Play to her. Go into her room.” So I went up there and sat on the
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of course MT is not preoccupied to , he has nothing to prove as a guitar player of course! that's exactly the reason why i am baffled that some fans are so preoccupied i agree with you about the "safe by numbers" thing. i think is something that has rooted over these decades of mostly stadium tours and now is very hard to get rid of. I think they could if they wanted strip do
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Good point lightning. I dont think there's anything wrong with "interpretation" of a song. Quite the opposite. Think of Brown Sugar by Ryan Adams and Beth Orton... I think that is AWESOME. More: i think is a down point in recent stones years to play songs too much out of records. MT version is just not AWESOME to my ears but it's ok, i like it and I understand how someone with
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QuoteliddasI don't want to spoil the party, but I don't think this version of no expecations is any good. A part the excitement for MT playing a stones song, it was the low point of his concert here in Milano last November. C yeah liddas i agree with you and the party seems to manifest FOR MT and AGAINST the other stones and K in particular. See thing in this forum go this way
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