I kinda dig this cover band and find this cd largely listenable. a good picture of the band at its 2k best For example i must be the only one on stonesearth that find this SAL better than the stripped one. I find it more "fat". Instead i dont dig very much FE or ATGB for the reason they're thin. I agree that ADTL is better in the bside of LARS. I dont think that bg shredded quite
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as many said they're 2 completely different approaches to live album. Imo Stripped's great value is in the reinterpretations of classics (i'm free, wild horses, spider and fly) while some classic live recordings are quite average (let it blled, dead flo) there's keith's perfect slipping away also. Sal sounds more like an "official bootleg". It has the great valu
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though she doesnt seem to consider music in her study i think this is the kind of approach we need to the problem, that is a scientific and not a moral approach. Define the matter of facts and not make general statements about what is right and what is wrong. I like it. In it you can see how come into the picture possible different policies and business strategies of the industry and seller. I wi
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very interesting points point one yeah the somegirls set was maybe a thing mick turned to when they first spoke of stones and ny and maybe survived the change (maybe the change in the theme was actually defined after the gigs. who knows? if someone does please shine a light on! but yes missing miss you is a weird in this context point two yes it is my speculation about him speaking of the "
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yes it is very not funny
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sssul i'll be sure posting my impressions around here trying to keep track of your list apparently many glazer's ideas (mick keith sharing the microphone, and first and most the idea, as it seems, of the "being on stage with the band") has been kept we probably wont know if glazer is telling all the story or if what we see in the end is the result of those ideas developed an
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interesting review he/she liked the ballads got some points on christina's howling (but i like LWM nevertheless) failed to see that the album is plenty of songs never released live and SAL is not one of those well godd for him/her, skipped SFTD among others
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QuoteBaboon BroQuotewith sssoul>> that SFTD solo should have been left on the editing floor << i have a very strong theory why it wasn't - but i'll wait until more people have seen the whole film With way way too less factual knowledge; I'd guess on something like Marty is led by some kinda naturalism here? :-D Eeeeexactly, like a nouvel Zola way down in the aby
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to think of the relation between a director and a movie as that of say a painter with his/her painting is quite naive i think each movie is the work of a team (and what a team in this particular case) each director has his/her own style of course about his/her involvement in every stage of the making scorsese seems both the type of director that is willing to delegate the work to others
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QuotebumbumMick is carrying the band as usual - agree some of the guitar is a true mess / tumling tice puha.. actually i think it is my favourite recorded live version world is really big
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thanks a lot for retrieving this
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the narrative of a thread about the making of a thread about the making of shine a light of course you know tha-that movie of that guy wha-whatshis name? ha Scortcheesy, Ma'tin Scortcheesy isnt he?
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dont know the boundaries of your "rock n rll/rock" music bro, but certainly i listen to a lot of different genres of contemporary popular music. in fact i would say that my obsession is a "stoned specific" one. In my 20ies i was exploring back the history of "rock" and "rock and roll" a lot but now i listen very little to let's say led zeppelin, byrds,
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hi james are you talking out of some kind of evidence of this specific case or out of theoretical speculation about how things usually go or should go? there's plenty of movies where first there's a script and the producer then there's the star and last AND least there's the hired director that depends both on the producer and the star of course scorsese is not that type o
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that quote from keith - repeated in many interviews - i used just to underline the fact that is mick that apparently phone to get things started and not the other way around and the others are ready willing and able to start about he speaking of having this in and this out at his pleasure I think he is just joking and that doesnt exclude he might have been involved a lot in the overall sense
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give it a second chance alef mick's voice is thinner than normal but dont forget he had just came out of a sore throat at that time dont agree that the guitar work is uninspired thru the whole record there are ups and down but the overall impact i think is pretty good ronnie in particular i think he does a great job all the way thru
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well i take for granted that mick is the person who followed the whole process of this film making from beginning to end for the band. i think he is the "business" leader of the band, ansd has been that for a while even keith plainly recognizes that when he says something like "mick calls and it's time to tour again" and things like that then mick has been working for a
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have to see before judge of course then, i think that ladies and gentleman could be seen as well as a movie about mick jagger and the rolling stones it is not strange at all that the focus is on him i mean he is mick jagger not phil collins! anyway what charlie said about the movie and about the fact he has never seen mj perform before i think is pretty telling of the focus i think is martin
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great thanks
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Quoteguitarbastardkeith' solo on SFTD is fantastic...;-) oh dear...still dont get why he does that stuff. its close to freejazz for beginners. but somehow its cool that besides showing how great they are, they didnt edit the parts where they sound lousy as hell! i completely agree
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sure it looks different funny that they choose the clip of the f*** up of keith on sftd as a teaser
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AWESOME you forgot to mention
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Quoteopen-gQuoteDifferently from radio stations or tvs or other media companies THEY DONT GIVE A F*****ING DAMN BUCK TO THE ARTISTS huh?? but the do pay for every airing of each song they play. that's what the LC code is there for. :-O that's exactly my point. Tv and radio stations pay the copyrights. Providers of broadband internet connections DONT.
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well this an intriguing discussion, at least for me, and there's no need to put it personally so, silkcut, wont you please just explain your opinion about all this stuff. that said i have the strong impression that, even if "free of charge" my (and liddas) posts are not being read but replyed a lot since the accuse is still the same... ok, you want me to get down on my knees
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i see JKF i understand also I completely relate to the "cultural" problem of having things for free I completely dig Little Steven argument that art is made of work and that work has a value what I am arguing is: who is stealing that value? The culture is made not only by the "idea" that you can have music for free. But also by the illusion of that "idea". As a
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QuoteJumpingKentFlash... That's different. You're not stealing money from your telephone company because you use a different service. If you illegally download music you are taking the product that a band has made (I.e. their music) from them without paying. Today I bought Uncut Magazine (With Mick and Keith on the cover). One of the first interviews in the issue is with Little Steve
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i am looking forward to have this music blasted around me in a theatre
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it has been in heavy rotation on my pod in the past few days and i admit that there's little to "edit out" this time... good
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i dont care at all for the "good old days" when i had no money to buy the records i wanted anticipation is what i went thru in the past few weeks until yesterday so i really dont feel i miss something well that is not really true because i do miss the vinyl and i am sure annoyed by the cd thing i am intrigued by the choice of a guy like costello who is going to release his next album
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i was curious too but i've heard no word of a vynil release i'll ask my music shop man ah of course i'll buy the "real thing" but could not resist the tempt of a sneak prelisten after some spins the only real down point to all this is that i feel pretty "saturated" with live release of the stones this is on a different level of things like live licks of cours
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