mybe i better fill the dotsdotsdots when I've seen the movie ...
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they are a band for sure (and the best one around IMHO) still I cant see how they could still be around these days without the energy and the "power freakness" of Mick who, in fact, says today "i am writing songs" and "there will be something to do with the stones this year". Now, my feeling is that if it were Keith to say "I am writing songs"...well i woul
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about overdubs and how i tell there are not simply by the fact that when overdubs are i usually spot them easily certainly they can overdub very smartly (more than imax89 or austin, that is Get yer...) anyway the rawness of the song, all the "weaknesses" widely commented upon on this thread suggest that if they overdubbed this they made either a superb work of dissimulation or a very
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Quotewith sssoul>> the extreme focus on Mick, which is not new at all << okay i can't help it - i need to ask for more lessons on how to appreciate that exact aspect of the film: the non-newness of this treatment of the subject. is that something Major Scorsese Fans expect/appreciate in his films? i've formulated a few theories of my own from the interviews & art
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Quotewith sssoul>> the pure and plain filming/recording of one night << two nights - and the shows were staged specifically to make the film. ok two nightsa and FOR the film more than for that specific (partly recruited) audience. I simply dont see this circumstance as changing significantly their way of performing and I see this in this clip. You have already seen the movie so y
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I've heard SG from some boots that sound completely trainwrecked compared to this The sound is raw and it sounds better to my ears than some crystal clear overdubs on lets say... imax 89 The performance is not at all perfect... how could it be? its stones 2006 and we know they cast this and other songs just oout of the case for that night only The staging and the acting... come on Mick an
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WOW!
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pretty good imo there's everything we need another celebratory output, this time apparently brilliant
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Quotewith sssoulokay so let me try my old routine of asking for lessons in how to appreciate things better - i do have a jaundiced eye when it come to cinema so ... do any of you Major Scorsese Fans feel like outlining what sorts of greatness you expect his direction to bring to a Stones concert film? (go easy, please! because so far Kent's observations are - sorry! - having like the opp
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not bad maybe too much spaced but space is good to single out information maybe need more background/foreground contrast dont know the previous one seemed balanced more
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i see seems it has to do with the "mick jagger obsession"...
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i beg your (sssoul) pardon here but there's something i miss in the concept of "film person behavior" which seems to be... editing the film As far as i can see a director can choose wherever to cut in and out and, of course been reviewed for it but, is the integrity of the performance as a whole or in any of its part the good measure for "a good editing" or a "bad
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to answer the question: yes try slanted and enchanted
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being mainly a concert movie i take for granted that there's no original soundtrack to get releasd other than the concert (that is if there are some scenes with background music, original or not, i dont think it gets released) the concert i think is going to be edited, that is a choice of the two nights if in the movie there's a truncated version o f a song either it will be out o
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if i have some clue of what an official movie poster or graphic or design is this is not just some lousy photoshop cut and paste from the writer of berlinista
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usual mick trying to e catchy with some help of a producer somenone told him is cutting edge dont particularly hate it unfortunately he's made worst things
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it would be effingreat!
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thanks a lot, good quality, good version, great ronnie, f..ck comparisons (or compare MT achievements to ronnie's in the past 30 years also please),
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Justin Wrote: ------------------------------------------------------- > People just disliked JT so much that they began > throwing bottles on stage. Keith started pointing > and shouting...not to defend JT so much but more > him and his bandmates! no i dont think so since going back he takes five with justin second: it's the first time i see this and i think is a very
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wow
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One Love!
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Spud Wrote: ------------------------------------------------------- > Got to agree about Rambler. If anybody asks what > the stones are about...play them a live version of > that song. Any version...I don't recall a bad one > ! so true
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well a matter of taste i guess i find ronnie's part on stripped (the record) very weak (and short) and keith's licks also much less groovy maybe it is the mix but i think 95 version was much more chuck driven which is nothing wrong since the song is based on a piano still i think i like more this version where guitars are more in the foreground
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though i am not a fanatic of duets i think the version with bonnie raitt is waaaaaaaay better than the oldest one. and not because of bonnie raitt... anyone else?
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cant be satisfied keith doing his shaman stick rite before the wet BA concert the crowd shots of that concert
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This week on L'Espresso a weekly italian magazine there's an interview with Scorsese about working with the stones (being a fan). Very interesting stuff with some good shots from the movie. Confirmed: it is a concert movie with some context. In particularas scorsese puts it there's an auto-ironic account of the arrangements and planning for the movie and of his difficulties to get
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i share some of your feelings alvaro77 if it were not that i am still so addicted to the live sound of this band i would say it is mostly a waste of money but in many respect it is not at least for me and i think for those addicted as me there are some things that alone mada my day the very first time i watched it 1 the shaman's rite of keith before the wet buenos aires gig 2 the imag
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cool...
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my honest opinion on biggest bang is that i am counting the minutes because i am going to catch it this morning...
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it seems fine to me
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