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Lord, thank you. Finally someone else who loves that performance. I have always thought of "friend" and "Let it Loose" as a pair. Some of Jagger's best ad libbing and taking it all the way home; in a end rave-up, up against the gospel back-ups. The back and forth on "Friend"..I love it.Quote
hbwriter
I just caught a couple in If you Really Want To Be My Friend - other bands might have edited them out--but they're real -- Mick responding to Blue Magic's b/g vox - I swear, his amazing soul is found in those moments; when he just crackles with reaction and instinctive hum, when the music just seems to possess him and take over.
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proudmary
I always wonder what he says at the end of Loving Cup. It seems to be a pure ad-lib.
Btw, what a great thread! Thanks,hbwriter.
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Palace Revolution 2000Lord, thank you. Finally someone else who loves that performance. I have always thought of "friend" and "Let it Loose" as a pair. Some of Jagger's best ad libbing and taking it all the way home; in a end rave-up, up against the gospel back-ups. The back and forth on "Friend"..I love it.Quote
hbwriter
I just caught a couple in If you Really Want To Be My Friend - other bands might have edited them out--but they're real -- Mick responding to Blue Magic's b/g vox - I swear, his amazing soul is found in those moments; when he just crackles with reaction and instinctive hum, when the music just seems to possess him and take over.
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hbwriter
The "Whoooooooooooooo" at the end of studio Rocks Off
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jamesfdouglas
The coda of Fingerprint File is priceless!
Goin Home...
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gimmelittledrink
Two other examples from Exile: On Stop Breaking Down, the 'c'mon c'mon' just before the second to the last stanza and the 'one more time' call out before the last one. And on Tumbling Dice, during the outre, he starts to go 'mmmmmmm' when the back-up girls kick in. quote]
Good ones...
what about in Can't You Hear Me Knocking, that 'Yeah' right as Charlie kicks in.....
or speaking of sexy, the way he says 'Alright....' at the end of the verses in Bitch.
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black
What about this?
time is on my side 81
Remember, I will always be around
One day you're gonna come back [Incomprehensible]
Do you know that you can shine for me, just screamin' out
Go, go, go
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skipstone
... through that certain door is how it sounds to me.
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MississippiBullfrogQuote
skipstone
... through that certain door is how it sounds to me.
...'same old door'??!
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hbwriter
I don't think any other singer in history has created more little bits of spontaneous magic on record simply by reacting to the music in the moment. The little whoops, hollers, yelps, laughs, etc. that Mick has peppered so many recordings with, for me, give those Stones records an element that make them more real and timeless. The end of Brown Sugar, the reaction to Clayton in Gimme Shelter--any favorites of yours you'd care to call out?
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Come OnQuote
hbwriter
I don't think any other singer in history has created more little bits of spontaneous magic on record simply by reacting to the music in the moment. The little whoops, hollers, yelps, laughs, etc. that Mick has peppered so many recordings with, for me, give those Stones records an element that make them more real and timeless. The end of Brown Sugar, the reaction to Clayton in Gimme Shelter--any favorites of yours you'd care to call out?
Been listen to Van the Man?
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StonesTodQuote
Come OnQuote
hbwriter
I don't think any other singer in history has created more little bits of spontaneous magic on record simply by reacting to the music in the moment. The little whoops, hollers, yelps, laughs, etc. that Mick has peppered so many recordings with, for me, give those Stones records an element that make them more real and timeless. The end of Brown Sugar, the reaction to Clayton in Gimme Shelter--any favorites of yours you'd care to call out?
Been listen to Van the Man?
good call