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agreed!Quote
UrbanSteel
Always the dissatisfaction with how a song was created, here The Rolling Stones, Lady Gaga, Stevie Wonder and Andrew Watt deliver a masterful musical performance.
This song has much more power than the track I've Got Dreams to Remember on Fully Finished Outtakes.
For God's sake, be happy that you can hear Sweet Sounds Of Heaven and that after 60 years of making music.
All those complaining people who, since the Undercover period, stood still in the period 1963-1981 and only talk about everything after that time about how good it was 40 years ago, well, find another band to be a fan of.
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microvibe
mick taylor would of been great on this track!
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gotdablouseQuote
plusplusjamesQuote
Mr. Jimi
Not that anyone values my opinion but I like it, but I don't love it. I've listened to both versions a few times now and the production and instruments are top notch. My criticism is like Angry, there is no repeating chorus (same lyric) that I can latch on to. So for me both songs, and I do like them both, do not have that consistent chorus hook that draws me in and keeps me coming back. Again just me, I actually like Mick's vocals.
You’re right Mr. Jimi. There is no repeating chorus. The whole thing is just a repeating chord of Dreams to Remember, with vocal riffs on sweet sound this and sweet sound that. I particularly like the call and response, first Mick calling and then Gaga responding. In the coda, they reverse. Very sweet to be licked this way….
That's my problem with the song, they took DTR and grafted a couple of Stonesy sections and a forced bridge ( ala Slipping Away). If I'm honest I prefer the great 85 version of DTR from FFSO with some actual/audible guitar work/weaving and Charlie's terrific beat/breaks...but recognize of course that it has no mainstream/commercial appeal like SSOH.
Also what happened with the credits since last week?! The bass from Watt to Keith and Matt's B3 gone, I can hear an organ part though!
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Sjouke
they still make a grown man cry... what a great song!
sjouke
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bitusa2012Quote
gotdablouseQuote
plusplusjamesQuote
Mr. Jimi
Not that anyone values my opinion but I like it, but I don't love it. I've listened to both versions a few times now and the production and instruments are top notch. My criticism is like Angry, there is no repeating chorus (same lyric) that I can latch on to. So for me both songs, and I do like them both, do not have that consistent chorus hook that draws me in and keeps me coming back. Again just me, I actually like Mick's vocals.
You’re right Mr. Jimi. There is no repeating chorus. The whole thing is just a repeating chord of Dreams to Remember, with vocal riffs on sweet sound this and sweet sound that. I particularly like the call and response, first Mick calling and then Gaga responding. In the coda, they reverse. Very sweet to be licked this way….
That's my problem with the song, they took DTR and grafted a couple of Stonesy sections and a forced bridge ( ala Slipping Away). If I'm honest I prefer the great 85 version of DTR from FFSO with some actual/audible guitar work/weaving and Charlie's terrific beat/breaks...but recognize of course that it has no mainstream/commercial appeal like SSOH.
Also what happened with the credits since last week?! The bass from Watt to Keith and Matt's B3 gone, I can hear an organ part though!
Ear buds will fix your hearing a bit. You can’t hear the guitars in SSOH? Wow.
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padre69
Is it Keith again on bass? The lead guitar does not sound like Keith, it’s more like Ronnie or Waddy.
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padre69
Is it Keith again on bass?
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bitusa2012Quote
gotdablouseQuote
plusplusjamesQuote
Mr. Jimi
Not that anyone values my opinion but I like it, but I don't love it. I've listened to both versions a few times now and the production and instruments are top notch. My criticism is like Angry, there is no repeating chorus (same lyric) that I can latch on to. So for me both songs, and I do like them both, do not have that consistent chorus hook that draws me in and keeps me coming back. Again just me, I actually like Mick's vocals.
You’re right Mr. Jimi. There is no repeating chorus. The whole thing is just a repeating chord of Dreams to Remember, with vocal riffs on sweet sound this and sweet sound that. I particularly like the call and response, first Mick calling and then Gaga responding. In the coda, they reverse. Very sweet to be licked this way….
That's my problem with the song, they took DTR and grafted a couple of Stonesy sections and a forced bridge ( ala Slipping Away). If I'm honest I prefer the great 85 version of DTR from FFSO with some actual/audible guitar work/weaving and Charlie's terrific beat/breaks...but recognize of course that it has no mainstream/commercial appeal like SSOH.
Also what happened with the credits since last week?! The bass from Watt to Keith and Matt's B3 gone, I can hear an organ part though!
Ear buds will fix your hearing a bit. You can’t hear the guitars in SSOH? Wow.
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MadMetaphoricalMax
At the end of the video interview with MIck on Sweet Sounds, a couple of pages back, there is snatch of music with some bass going on - is that the Macca track?