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GasLightStreet
I find the rolling riff of Dancing With Mr D to be a hilarious take on The Beatles' Drive My Car
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dcbaQuote
GasLightStreet
I find the rolling riff of Dancing With Mr D to be a hilarious take on The Beatles' Drive My Car
Really? To me it's more like a rather hazardous re-reading of the "Day Tripper" main riff (a fifth higher btw).
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Rockman
….its okay Lem … Gotta laugh at how ya
scream and throw things around ta get ya point across …
But hey Miller did produce those early Traffic
albums so maybe some influence seeped across inta Stones camp …
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GasLightStreetQuote
floodonthepageQuote
lem motlow
That review is bullshit, it’s from decades after the album was released so it Captures none of the zeitgeist or the place the band was in at the time.he actually said the Stones may have been influenced by Traffic.
No concept of the times, that would be like a new U2 album coming out and saying it had a drive by truckers influence.
The Stones were the premiere Rock and Roll band at that moment in time. they had outlasted the Beatles and had Zep nipping at their heels.
Their influences were probably The Stones at that point.why not look to the best band on the planet.
Also those quotes on sidebar, what s pathetic twat Nick Kent was, he didn’t understand Dancing With Mr Death even though he thought he was some authority on he band, fckng half wit.
You don't think it's possible for an established band to be influenced by someone else? Seems to me they've been influenced by all kinds of music and styles throughout their career, right up through ABB. That's not a knock or some kind of an assertion that they don't have an inner sense of who they are and what they are, musically speaking. You don't think "Miss You" was partly brought on by what was going on around them? I definitely hear some Traffic and Stevie Wonder in GHS....it doesn't mean they needed it or someone is criticizing them. Maybe they just wanted it in there and were excited by it.
Seems like Lem is "defending" the Stones, which makes zero sense. Some influences on them are obvious, like Bob Dylan and Muddy Waters, others are obviously more subtle. I find the rolling riff of Dancing With Mr D to be a hilarious take on The Beatles'Drive My CarDay Tripper, which Keith essentially lifted for his new riffage of Satisfaction in 1969 - and then he brought it up 4 to the key of A and slowed it way down for Dancing With Mr D.
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TravelinManQuote
GasLightStreetQuote
floodonthepageQuote
lem motlow
That review is bullshit, it’s from decades after the album was released so it Captures none of the zeitgeist or the place the band was in at the time.he actually said the Stones may have been influenced by Traffic.
No concept of the times, that would be like a new U2 album coming out and saying it had a drive by truckers influence.
The Stones were the premiere Rock and Roll band at that moment in time. they had outlasted the Beatles and had Zep nipping at their heels.
Their influences were probably The Stones at that point.why not look to the best band on the planet.
Also those quotes on sidebar, what s pathetic twat Nick Kent was, he didn’t understand Dancing With Mr Death even though he thought he was some authority on he band, fckng half wit.
You don't think it's possible for an established band to be influenced by someone else? Seems to me they've been influenced by all kinds of music and styles throughout their career, right up through ABB. That's not a knock or some kind of an assertion that they don't have an inner sense of who they are and what they are, musically speaking. You don't think "Miss You" was partly brought on by what was going on around them? I definitely hear some Traffic and Stevie Wonder in GHS....it doesn't mean they needed it or someone is criticizing them. Maybe they just wanted it in there and were excited by it.
Seems like Lem is "defending" the Stones, which makes zero sense. Some influences on them are obvious, like Bob Dylan and Muddy Waters, others are obviously more subtle. I find the rolling riff of Dancing With Mr D to be a hilarious take on The Beatles'Drive My CarDay Tripper, which Keith essentially lifted for his new riffage of Satisfaction in 1969 - and then he brought it up 4 to the key of A and slowed it way down for Dancing With Mr D.
Is the 1969 riff different than the record? I never noticed.
Taylor plays a cool counter riff in 1969, I just remember that.
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DandelionPowdermanQuote
TravelinManQuote
GasLightStreetQuote
floodonthepageQuote
lem motlow
That review is bullshit, it’s from decades after the album was released so it Captures none of the zeitgeist or the place the band was in at the time.he actually said the Stones may have been influenced by Traffic.
No concept of the times, that would be like a new U2 album coming out and saying it had a drive by truckers influence.
The Stones were the premiere Rock and Roll band at that moment in time. they had outlasted the Beatles and had Zep nipping at their heels.
Their influences were probably The Stones at that point.why not look to the best band on the planet.
Also those quotes on sidebar, what s pathetic twat Nick Kent was, he didn’t understand Dancing With Mr Death even though he thought he was some authority on he band, fckng half wit.
You don't think it's possible for an established band to be influenced by someone else? Seems to me they've been influenced by all kinds of music and styles throughout their career, right up through ABB. That's not a knock or some kind of an assertion that they don't have an inner sense of who they are and what they are, musically speaking. You don't think "Miss You" was partly brought on by what was going on around them? I definitely hear some Traffic and Stevie Wonder in GHS....it doesn't mean they needed it or someone is criticizing them. Maybe they just wanted it in there and were excited by it.
Seems like Lem is "defending" the Stones, which makes zero sense. Some influences on them are obvious, like Bob Dylan and Muddy Waters, others are obviously more subtle. I find the rolling riff of Dancing With Mr D to be a hilarious take on The Beatles'Drive My CarDay Tripper, which Keith essentially lifted for his new riffage of Satisfaction in 1969 - and then he brought it up 4 to the key of A and slowed it way down for Dancing With Mr D.
Is the 1969 riff different than the record? I never noticed.
Taylor plays a cool counter riff in 1969, I just remember that.
His 1971-riff is different than the record - just a different riff.
The 1969-riff, too, but only because he plays is an octave higher on the g-string
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dcba
"Fast Talking Slow Walking"... They'll put that one on the reissue won't they?
It's pretty good, it's finished (complete with lyrics and overdubs) so it's a rather strong contender for an inclusion on the reissue (imo).
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Taylor1
What about Man Eating Woman, Jamaica, After Charlie and Muddy, Zigaboo, Curtis Meets Smoky, Scarlet, and a Jagger song High Roller ,which Lesley West recorded
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Taylor1
What about Man Eating Woman, Jamaica, After Charlie and Muddy, Zigaboo, Curtis Meets Smoky, Scarlet, and a Jagger song High Roller ,which Lesley West recorded
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JordyLicks96Quote
Taylor1
What about Man Eating Woman, Jamaica, After Charlie and Muddy, Zigaboo, Curtis Meets Smoky, Scarlet, and a Jagger song High Roller ,which Lesley West recorded
Man Eating Woman
[www.youtube.com]
English Rose
[www.youtube.com]
These were taped when the Stones were in Rotterdam in early '75. Many sources claim these are playbacks from Jamaica in late '72. I'm pretty sure you can hear Mick Taylor playing on "English Rose" but not sure.
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DandelionPowdermanQuote
dcba
"Fast Talking Slow Walking"... They'll put that one on the reissue won't they?
It's pretty good, it's finished (complete with lyrics and overdubs) so it's a rather strong contender for an inclusion on the reissue (imo).
Many of these songs drag after a while (Fast Talking, Criss Cross), but it would be cool to have them in good quality.
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treaclefingers
Just to get it straight, no actual announcement on this yet, just Mick mentioning it in an interview?
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TravelinManQuote
Taylor1
What about Man Eating Woman, Jamaica, After Charlie and Muddy, Zigaboo, Curtis Meets Smoky, Scarlet, and a Jagger song High Roller ,which Lesley West recorded
Zigaboo is interesting. I wonder if Ziggy Modeliste plays on it.
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Taylor1
What about a Jagger song High Roller ,which Lesley West recorded
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Rocky DijonQuote
Taylor1
What about a Jagger song High Roller ,which Lesley West recorded
It's on Leslie West's THE GREAT FATSBY album. Mick is one of the co-writers with West, drummer Corky Laing, and Sandra Palmer. Keith is credited only because they did not yet separate Jagger/Richards for their non-Stones songwriting efforts. It's as much a Jagger song as his co-writing credit on Mick Jones (of Foreigner)'s godawful "Just Wanna Hold" in 1989. Jagger was there and participated and his a writing credit. It was never a Stones track.
[www.youtube.com]
Is it worse than his collaboration with Michael Jackson on State of ShockQuote
gotdablouseQuote
Rocky DijonQuote
Taylor1
What about a Jagger song High Roller ,which Lesley West recorded
It's on Leslie West's THE GREAT FATSBY album. Mick is one of the co-writers with West, drummer Corky Laing, and Sandra Palmer. Keith is credited only because they did not yet separate Jagger/Richards for their non-Stones songwriting efforts. It's as much a Jagger song as his co-writing credit on Mick Jones (of Foreigner)'s godawful "Just Wanna Hold" in 1989. Jagger was there and participated and his a writing credit. It was never a Stones track.
[www.youtube.com]
I'd heard of "High Roller" but not of (indeed it's awful) "Just Wanna Hold", credited to M. Philips who is according to [en.wikipedia.org]) : "It is widely believed that the co-composer "M. Phillips" on the track "Just Wanna Hold" is a pseudonym of Mick Jagger. " Wonder how that collaboration came about ?!
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gotdablouseQuote
Rocky DijonQuote
Taylor1
What about a Jagger song High Roller ,which Lesley West recorded
It's on Leslie West's THE GREAT FATSBY album. Mick is one of the co-writers with West, drummer Corky Laing, and Sandra Palmer. Keith is credited only because they did not yet separate Jagger/Richards for their non-Stones songwriting efforts. It's as much a Jagger song as his co-writing credit on Mick Jones (of Foreigner)'s godawful "Just Wanna Hold" in 1989. Jagger was there and participated and his a writing credit. It was never a Stones track.
[www.youtube.com]
I'd heard of "High Roller" but not of (indeed it's awful) "Just Wanna Hold", credited to M. Philips who is according to [en.wikipedia.org]) : "It is widely believed that the co-composer "M. Phillips" on the track "Just Wanna Hold" is a pseudonym of Mick Jagger. " Wonder how that collaboration came about ?!
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jloweQuote
bye bye johnnyQuote
treaclefingers
Just to get it straight, no actual announcement on this yet, just Mick mentioning it in an interview?
Yes.
[iorr.org]
So....18 pages and counting, based on one remark.
I canna believe it!