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DandelionPowdermanQuote
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DandelionPowderman
IMO, Jeff Cease and Luther Dickinson were just as distinctive for the band's sound. Every note mattered. Ford is very good, of course, but he uses a lot of space to express little.
Huh?
I won’t begrudge you for your opinion, you are entitled to it. It is the first I’ve ever heard of someone preferring Cease or Dickinson over Ford...except of course if you are Cease or Dickinson.
Didn't say I preferred anyone. Just pointed out Ford's weaknesses. I like all of those three guitarists.
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OpenG
Its interesting I listened to Steve Gorman's radio show and he said that the producer George Drakoulias first listen of all the tracks on SYMM stated that Rich should play the tunes in open tunings because of Keith Richards mannerisms and Steve should swing more on drums.
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Slowride
For anyone who’s interested. Chris and Rich Robinson discuss their favourite records, steve gormans book and more with Dutch Radio DJ Rob Stenders.
[content10c3b.omroep.nl]
There is some dutch talk here and there.
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OpenG
Its interesting I listened to Steve Gorman's radio show and he said that the producer George Drakoulias first listen of all the tracks on SYMM stated that Rich should play the tunes in open tunings because of Keith Richards mannerisms and Steve should swing more on drums. I would of thought Rich wrote most of the music in open tunings first hand.
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MelBelli
Gorman writes in the book that Rich had experimented with open tunings, and that Drakoulias specifically recommended open-G (“like Keith”). After *that*, his ideas began to proliferate.
I’d have to check, but I don’t think any of Rich’s parts on SYMM are in standard tuning. I want to say, in fact, that the first appearance of Rich in standard was “A Conspiracy.”
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DandelionPowdermanQuote
MelBelli
Gorman writes in the book that Rich had experimented with open tunings, and that Drakoulias specifically recommended open-G (“like Keith”). After *that*, his ideas began to proliferate.
I’d have to check, but I don’t think any of Rich’s parts on SYMM are in standard tuning. I want to say, in fact, that the first appearance of Rich in standard was “A Conspiracy.”
What about Hard To Handle?
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DandelionPowderman
IMO, Jeff Cease and Luther Dickinson were just as distinctive for the band's sound. Every note mattered. Ford is very good, of course, but he uses a lot of space to express little.
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roryfaninva
From Blabbermouth.net- is the mood souring already?
Chris Robinson repeatedly admonished the crowd for speaking too loudly during BROTHERS OF A FEATHER's concert last Friday night (February 21) in Philadelphia, Pennsylvania.
The trek, which sees Chris and his brother Rich performing all-acoustic THE BLACK CROWES tunes at intimate venues, serves as a warm-up for this summer's THE BLACK CROWES tour in celebration of the group's 1990 debut album "Shake Your Money Maker".
During BROTHERS OF A FEATHER's show at the 400-capacity The Foundry at the Fillmore, Chris was apparently annoyed at fans who seemed refused to stay quiet while he and his brother performed.
"If you can't concentrate for a few minutes, why are we doing this?" Chris can be heard telling the audience in one of the fan-filmed clips of the show (see below). After one fan shouted out, "We are sorry. We love you," Chris countered with: "I get it, and we're happy to be here, but it's not any fun if we can't get into it. And we can't get into it when all I can hear is conversations. What's the point? I really wanna know. You're @#$%& grown adults and you paid your money. You should @#$%& pay attention." He continued: "I get it. The vibe is so good, and everyone's happy, but we have to stop, 'cause we can't hear ourselves. Seriously, man. Get it @#$%& together."
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roryfaninva
From Blabbermouth.net- is the mood souring already?
Chris Robinson repeatedly admonished the crowd for speaking too loudly during BROTHERS OF A FEATHER's concert last Friday night (February 21) in Philadelphia, Pennsylvania.
The trek, which sees Chris and his brother Rich performing all-acoustic THE BLACK CROWES tunes at intimate venues, serves as a warm-up for this summer's THE BLACK CROWES tour in celebration of the group's 1990 debut album "Shake Your Money Maker".
During BROTHERS OF A FEATHER's show at the 400-capacity The Foundry at the Fillmore, Chris was apparently annoyed at fans who seemed refused to stay quiet while he and his brother performed.
"If you can't concentrate for a few minutes, why are we doing this?" Chris can be heard telling the audience in one of the fan-filmed clips of the show (see below). After one fan shouted out, "We are sorry. We love you," Chris countered with: "I get it, and we're happy to be here, but it's not any fun if we can't get into it. And we can't get into it when all I can hear is conversations. What's the point? I really wanna know. You're @#$%& grown adults and you paid your money. You should @#$%& pay attention." He continued: "I get it. The vibe is so good, and everyone's happy, but we have to stop, 'cause we can't hear ourselves. Seriously, man. Get it @#$%& together."
Good for him. Why would people go to an acoustic show just to talk loudly with their friends?
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TornAndFriedQuote
roryfaninva
From Blabbermouth.net- is the mood souring already?
Chris Robinson repeatedly admonished the crowd for speaking too loudly during BROTHERS OF A FEATHER's concert last Friday night (February 21) in Philadelphia, Pennsylvania.
The trek, which sees Chris and his brother Rich performing all-acoustic THE BLACK CROWES tunes at intimate venues, serves as a warm-up for this summer's THE BLACK CROWES tour in celebration of the group's 1990 debut album "Shake Your Money Maker".
During BROTHERS OF A FEATHER's show at the 400-capacity The Foundry at the Fillmore, Chris was apparently annoyed at fans who seemed refused to stay quiet while he and his brother performed.
"If you can't concentrate for a few minutes, why are we doing this?" Chris can be heard telling the audience in one of the fan-filmed clips of the show (see below). After one fan shouted out, "We are sorry. We love you," Chris countered with: "I get it, and we're happy to be here, but it's not any fun if we can't get into it. And we can't get into it when all I can hear is conversations. What's the point? I really wanna know. You're @#$%& grown adults and you paid your money. You should @#$%& pay attention." He continued: "I get it. The vibe is so good, and everyone's happy, but we have to stop, 'cause we can't hear ourselves. Seriously, man. Get it @#$%& together."
Good for him. Why would people go to an acoustic show just to talk loudly with their friends?
I dunno....
talking etc. happens all the time to every bar-band that ever existed...if you want to perform, you have to deal w/ less-than-enthusiastic crowds....the key word being "deal"....
maybe the set list sucked? maybe he sucked?
either way, a performer admonishing the crowd is so juvenile.
that being said: I do find yacking away and videotaping the entire show on a cell phone to be an annoying part of concerts these days.
....but, nothing is more annoying/horrible than sitting next to cigarette smoking....especially if it is illegal.
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Send It To meQuote
stickyfingers101\Quote
TornAndFriedQuote
roryfaninva
From Blabbermouth.net- is the mood souring already?
Chris Robinson repeatedly admonished the crowd for speaking too loudly during BROTHERS OF A FEATHER's concert last Friday night (February 21) in Philadelphia, Pennsylvania.
The trek, which sees Chris and his brother Rich performing all-acoustic THE BLACK CROWES tunes at intimate venues, serves as a warm-up for this summer's THE BLACK CROWES tour in celebration of the group's 1990 debut album "Shake Your Money Maker".
During BROTHERS OF A FEATHER's show at the 400-capacity The Foundry at the Fillmore, Chris was apparently annoyed at fans who seemed refused to stay quiet while he and his brother performed.
"If you can't concentrate for a few minutes, why are we doing this?" Chris can be heard telling the audience in one of the fan-filmed clips of the show (see below). After one fan shouted out, "We are sorry. We love you," Chris countered with: "I get it, and we're happy to be here, but it's not any fun if we can't get into it. And we can't get into it when all I can hear is conversations. What's the point? I really wanna know. You're @#$%& grown adults and you paid your money. You should @#$%& pay attention." He continued: "I get it. The vibe is so good, and everyone's happy, but we have to stop, 'cause we can't hear ourselves. Seriously, man. Get it @#$%& together."
Good for him. Why would people go to an acoustic show just to talk loudly with their friends?
I dunno....
talking etc. happens all the time to every bar-band that ever existed...if you want to perform, you have to deal w/ less-than-enthusiastic crowds....the key word being "deal"....
maybe the set list sucked? maybe he sucked?
either way, a performer admonishing the crowd is so juvenile.
that being said: I do find yacking away and videotaping the entire show on a cell phone to be an annoying part of concerts these days.
....but, nothing is more annoying/horrible than sitting next to cigarette smoking....especially if it is illegal.
Tickets are so expensive now that someone ruining your night at the show is like someone burning your sofa or something.