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NaturalustQuote
DandelionPowderman
Taylor only referred to Keith not playing guitar on Sway. Of course it is Keith singing there, it's classic Keith harmony vocals.
I agree about studio vs. live, btw (as I stated in my post).
I just tried to give Stoneage the short version, and actually stood up for you
Classic Keith harmony vocals that could have been done by Mick or any of the other three vocalists credited on the track...Pete Townsend, Ronnie Lane and Billy Nicholls (if you believe Ian's site). And when Taylor said "I don't think Keith's on it" it's not clear he was referring to just guitar without further context really. But thanks for standing up for us getting a bit off track here, I agree it's OK, sometimes it's just best to deal with things as they come up.
I'm willing to accept that you think it's Keith and we both probably see no sense in dissing Darryl.
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DandelionPowderman
That's ok (as long as you understand that you are one of the VERY FEW) who don't believe Keith is singing on that track )
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DandelionPowderman
Back to Darryl, the stuff he's done on MY and ER on recent tours is pretty good, imo.
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RipThisBoneQuote
DandelionPowderman
Back to Darryl, the stuff he's done on MY and ER on recent tours is pretty good, imo.
Yes, even Mick stated "Sometimes I wanna play the bass like Darryl".
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Rollin92Quote
RipThisBoneQuote
DandelionPowderman
Back to Darryl, the stuff he's done on MY and ER on recent tours is pretty good, imo.
Yes, even Mick stated "Sometimes I wanna play the bass like Darryl".
I like his work on ER, but not so fussed on Miss You. As a rule I think bass solos are tacky (speaking as a bassist).
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Naturalust
The fact that Keith doesn't get anywhere near a mic on the live versions of Sway also makes me think he wasn't involved in the B/G vocals but this of course isn't the best judge of such things. He always seemed to be having enough trouble with the guitar parts he didn't play on the record.
One of those Stones questions us hard core fans kind of brood over but is pretty meaningless in the larger scope of things.
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NaturalustQuote
StonesNYc
It's laughable comparing Jones to Wyman. Jones is an accomplished musician, Bill barely played on any Stones albums.
Since when did being an accomplished musician have much to do with good rock and roll?
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duke richardson
there is really a lot to consider here in this thread.
Bill: bassist for 31 years, active in every phase of the band and its official self- appointed historian
Darryl: bassist since 1994. Darryl isn't the bassist on many recorded versions,
but neither was Bill ...
yet- Darryl provides a very warm, spot-on pocket with Charlie, always there in a supportive way.
and yet- Bill did this so much more creatively. the groove, the warmth, plus musically interesting lines, always there with Bill and Charlie, live.
listening to the Vault stuff dramatically shows this.
but- I wonder if its a personal thing with Bill. over the years, how hot and cold it must have been, especially with him and Keith.
with Darryl, none of that applies. He does his job and the relationships within the band apparently have been all good all the time.
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latebloomerQuote
roundnround
Lisa also compared Keith to the "Cookie Monster"...
That's funny...as in he loves to eat sweets or is it a different connotation?
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StonesNYc
Wyman is not in the same league as Jones yet I read how great Wyman was. He was an average bass player.
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dcbaQuote
StonesNYc
Wyman is not in the same league as Jones yet I read how great Wyman was. He was an average bass player.
Your post proves you don't udnerstand the essence of rock'n roll. An idiot who bought his instrument tow months ago can produce music that's more exciting than what a guy who graduated from Berklee or GIT will come up with.
Bill's the "idiot" Darry's the guy from GIT.
Btw John McLaughlin didn't get either... I remember reading an early 90's interview where he pissed all over Keith and his complete lack of skills on guitar.
Poor John...
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RipThisBoneQuote
DandelionPowderman
Back to Darryl, the stuff he's done on MY and ER on recent tours is pretty good, imo.
Yes, even Mick stated "Sometimes I wanna play the bass like Darryl".
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GasLightStreet
Darryl will never provide the lurch that Bill did.
So what. Keith doesn't play like he did in 1981 either.
Goddamn.
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duke richardsonQuote
GasLightStreet
Darryl will never provide the lurch that Bill did.
So what. Keith doesn't play like he did in 1981 either.
Goddamn.
lurch..
it don't mean a thing if it ain't got that lurch.
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HMS
I dont mind who is playing the bass with the Stones, most of the times I dont notice the bass anyway. Rather feel than hear it. The actual playing is covered by the guitars and the drums. So any bass player the Stones want to work with is fine for me, since I wouldnt hear any difference.
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24FPS
I love the way this thread makes Bill sound like some musical primitive. He took piano lessons for a couple years as a kid. That swing on the studio Under My Thumb ain't from some plunker. I would trust Bill to put one perfect note in a free space and make it count emotionally more than any bassist I can think of. Think how many different styles he had to play in the Stones. From blues to jazz (think 'Terrifying'). The Stones don't require noodling technique, ala Stanley Clarke, they require 'feel'.
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Turner68Quote
HMS
I dont mind who is playing the bass with the Stones, most of the times I dont notice the bass anyway. Rather feel than hear it. The actual playing is covered by the guitars and the drums. So any bass player the Stones want to work with is fine for me, since I wouldnt hear any difference.
this explains so much... ;-)
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24FPS
He took piano lessons for a couple years as a kid.
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NaturalustQuote
24FPS
He took piano lessons for a couple years as a kid.
Well that surely gives him rock and roll credibility.
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24FPS
I love the way this thread makes Bill sound like some musical primitive. He took piano lessons for a couple years as a kid. That swing on the studio Under My Thumb ain't from some plunker. I would trust Bill to put one perfect note in a free space and make it count emotionally more than any bassist I can think of. Think how many different styles he had to play in the Stones. From blues to jazz (think 'Terrifying'). The Stones don't require noodling technique, ala Stanley Clarke, they require 'feel'.