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Brennos
If someone basically comes up with the melody and arrangement of the song ( like Brian did with Ruby Tuesday )
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Koen
I didn't know that - which parts they he write?
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Koen
I didn't know that - which parts they he write?
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Brennos
Jack Nitzsche did the piano on the final studio recording...
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Brennos
'I used to say to Brian, "What on Earth are you doing? You write some of these songs and you give the name over as if Mick Jagger has done it. Do you understand, you're giving them thousands of pounds!" All the time I used to tell him, "You're writing a blank check!"' - Stan Blackbourne ( Stones' accountant )Quote
Koen
I didn't know that - which parts they he write?
Brian introduced the melody on a recorder and contributed piano. Jack Nitzsche did the piano on the final studio recording, but it was Brian's melody.
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DandelionPowderman
Yet he didn't play that melody himself on RT?
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His MajestyQuote
Brennos
Jack Nitzsche did the piano on the final studio recording...
Maybe, maybe not.
There are two pianos, one through whole song, another comes in during the chorus.
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His MajestyQuote
DandelionPowderman
Yet he didn't play that melody himself on RT?
He plays melodies throughout, some of which are same/similar to the vocal melody.
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DandelionPowderman
He plays short harmonic melody pieces. Beautiful indeed, but not the vocal melody.
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His MajestyQuote
DandelionPowderman
He plays short harmonic melody pieces. Beautiful indeed, but not the vocal melody.
He also does that, but he does play parts which are same/similar to the vocal melody.
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DandelionPowderman
How do we know it wasn't the other way around?
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VideoJames
Over the years I have spoken with people very close to Brian and he did write a few songs, whether they were fully completed has always been in debate. Many, many years ago I acquired some master tapes of The Rolling Stones from the years 1966 till 1970.
Many were 1/2 inch tape reel to reel tapes that were 4 track recordings at 15 IPS. A few from 1968 were 2 inch tapes that were 8 track recordings also at 15 IPS. But within these were a few 1/4 inch 10 inch reels, one which read B.Jones; on it was recordings Brian made in 1969. One was a slow number called "Anybody Seen My Baby", another was a track titled either "Chow Time" or "Have a cup of Tea" there was also a slow bluesy instrumental track, that had lots of keyboard. Also a tape with the Bombay Sisters that Brian must have been working on or producing, I am not sure what his contribution was for the song. I also have a 10inch reel to Reel that had some of the Pipes of Pan of JouJouka recordings but I do not know if it is outtakes from the L.P. that was released or the L.P. itself..
Some of the people that I spoke to over the years about Brian's songwriting and recordings were Anita Pallenberg, Alexis Korner, Andrew Oldham, George Chkiantz, Gene Pitney, Stash and Ian Stewart to name a few.. Some said they recall hearing basic tracks unfinished (as were the recordings I had of Brian's music) none with titles as far as I recalled. So here are a few more Brian Jones tracks to add to the list.
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BrennosQuote
Turner68
coming up with great ideas, instrumentation, intros, etc. does not constitute songwriting.
Perhaps, but then slapping your lyrics over someone else's musical arrangement shouldn't constitute song writing either. Maybe we should clarify exactly what song writing is. Can't a song be written without lyrics? What I'm getting at is this... If someone basically comes up with the melody and arrangement of the song ( like Brian did with Ruby Tuesday ) didn't they basically write it? At the very least they were a major component of the song writing process. Keith added updated lyrics, and no doubt he should be credited for that, but the core of that song is basically Brian.
So why is it that someone could add lyrics to a song and be a "song writer" but if they add instruments, melodies, and accents they cannot? I don't think song writing should be defined only by lyrics. Everybody in a band who contributed to the song in some fashion helped "write it" IMHOQuote
DandelionPowderman
Adding stuff to a song someone has written is not writing the song.
If I spent two days writing a song, and some bass player came up with a bassline that altered the song somewhat he/she would never get songwriting credit. Simply because he/she didn't write the song.
You don't see the difference here?
Similarly, If I spent days writing a song and came up with the melody and musical arrangements, and then someone else added the lyrics on top of it, I'd be a little pissed if they said that "they" wrote the song. No.... "WE" wrote the song.
But that seems to be the difference between many songwriters ( or contributors? ) and Brian Jones. Brian didn't seem to care so much about "getting credit" per say. If he was, well, he didn't really demonstrate that nor was he very assertive on that matter. It really seems like he just wanted some recognition from the band that he was losing. A "pat on the back" or a "thank you" from his old mates probably would have sufficed for him, but he felt he wasn't getting that.
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Brennos
Brian introduced the melody on a recorder
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KoenQuote
Brennos
Brian introduced the melody on a recorder
How did he record it?