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You are one of IORR's great member too DandelionPowderman. I sincerley appreciate the positives you and members like Rolling Hansie post here. Cheers!!Quote
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Max'sKansasCity
when BRIDGES TO BABYLON was released, was there even net yet?
Yes there was... and the chat room was called Very English and Rolling Stones or something like that.. after it faded away I think Toru (or somebody) started antoher similar room.
I first encountered Rolling Hansie (and some others) back then and we even scheduled and I attended a big Stones concert preparty In Columbus with 15-20 people from that room. I wonder how many/if any of those people post here? I know and am very happy that Hans does, he is one of IORR's greats!
That's cool, Max! But IORR also existed in 1997, pre-B2B. That's when I joined this forum.
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originalstones
The Bigger Bang album wasn't bad. One thing I liked about the album was that it was the first album the Stones made, probably since Beggar's Banquet, where they didn't use a lot of guest musicians. With the exception of a keyboard player it was practically just them on the album. There was no Bernard Fowler or Lisa Fisher or any horn section, etc.
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Captainchaos
Voodoo Lounge, Bridges, & Bigger Bang
Got the official releases of these but could anyone point me in the right direction of the best Alt mix / Bootleg / demo's type thing of these?
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Rockman
...the most debated Stones album ever here on IORR ...
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DandelionPowderman
Biggest Mistake has an Aftermath-feel to it, imo. Something about the chorus, and Keith's guitar playing as well.
I didn't like it at first, but this is one of the ABB-songs that really has grown on me - probably my favourite from that album today.
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DandelionPowderman
Biggest Mistake has an Aftermath-feel to it, imo. Something about the chorus, and Keith's guitar playing as well.
I didn't like it at first, but this is one of the ABB-songs that really has grown on me - probably my favourite from that album today.
I've always been convinced that "Biggest Mistake" is a leftover from Alfie--just sounds so musically and lyrically tied to that project.
Anyone know anything about this?