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ROPENIQuote
MunichhiltonQuote
ROPENI
If "One More Shot" is an example of what he has in in the can,good luck to him if he does a new record,it will probably be worst than "Goddess",to me it sounds like typical Richard's bullshit...
I love your mindless passion!!! I even love the mindless bullshit!!!
This board has it all? Oh wait, I meant !
Well, thank you for those kind words MH,l am deeply touched by them...
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71Tele
I put the prospect of another Keith/Winos album on the Meh List (see Sunday NY Times Magazine). Not hot, not not...just "meh".
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MunichhiltonQuote
71Tele
I put the prospect of another Keith/Winos album on the Meh List (see Sunday NY Times Magazine). Not hot, not not...just "meh".
Great!
At least you've got him right up there with another Stones album...
Where do you put another Jagger stab at it?
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vermontoffender
God, some of you people are hilariously delusional and pathetic.
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71TeleQuote
MunichhiltonQuote
71Tele
I put the prospect of another Keith/Winos album on the Meh List (see Sunday NY Times Magazine). Not hot, not not...just "meh".
Great!
At least you've got him right up there with another Stones album...
Where do you put another Jagger stab at it?
You don't want to know...
Seriously, the first one was very good. The second one was riffs, not songs. I don't think that Keith and Steve Jordan necessarily bring out the best in each other.
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DandelionPowdermanQuote
seitanQuote
DandelionPowdermanQuote
stoneheartedQuote
DandelionPowdermanQuote
seitan
Main Offender and Talk Is Cheap are far better than anything Stones did in the eighties !!
Tattoo You?
With the exception of two tracks (Neighbors, Heaven), the music on TY was done in the 70s. TY was merely mixed in the 80s.
I know + many songs from 1979. That should count when the album was released in 1981?
Well, the 80's mix on Tattoo You is horrible.
There's lot of great songs on Tattoo You and I love the album, cause the songwriting is great as ever - but it would have been much better album if it didnt have that horrible eighties mixing job.
During the 80's guitar riff based music didnt have loud guitar sound at all. - it seemed to be trendy and fashionable to bury the guitars in the mix and I hate that. Rolling Stones play guitar riff based music- loud guitars should be the most important thing on every Stones album. That's rock n roll !!
And that's where it all went straight to hell. 80's synth's became a trendy but not the guitars. - No wonder Mick and Keith started having probleams in the eighties, I guess Mick wanted to be at the top of every chart and fashionable and trendy - and the result: Stones didnt sound like Stones anymore. To be trendy in the 80's meant that guitars had to be buried deep in the mix, and everything was mixed with poor digital studio gear and great analog gear went out the studio window - no wonder Keef was furious with Mick.
I like the mix, although the drums on Neighbours are a bit too much for me. Pretty funny, though. SMU sounds as far away from the 80s as possible. Same with Hang Fire, Slave, T+A and Waiting On A Friend, imo. They sound ancient
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RoughJusticeOnYa
...All in all: Keith Richards anouncing that he is recording new songs, and will be releasing them 'in due time' - but within the time frame of 1 year, is good news in MY book. With ór without the Stones!
I do prefer a 'Keef'-album with Mick on vocals, Charlie on drums, and Ronnie on fire though.
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71TeleQuote
MunichhiltonQuote
71Tele
I put the prospect of another Keith/Winos album on the Meh List (see Sunday NY Times Magazine). Not hot, not not...just "meh".
Great!
At least you've got him right up there with another Stones album...
Where do you put another Jagger stab at it?
You don't want to know...
Seriously, the first one was very good. The second one was riffs, not songs. I don't think that Keith and Steve Jordan necessarily bring out the best in each other.
Quote
GasLightStreetQuote
DandelionPowdermanQuote
seitanQuote
DandelionPowdermanQuote
stoneheartedQuote
DandelionPowdermanQuote
seitan
Main Offender and Talk Is Cheap are far better than anything Stones did in the eighties !!
Tattoo You?
With the exception of two tracks (Neighbors, Heaven), the music on TY was done in the 70s. TY was merely mixed in the 80s.
I know + many songs from 1979. That should count when the album was released in 1981?
Well, the 80's mix on Tattoo You is horrible.
There's lot of great songs on Tattoo You and I love the album, cause the songwriting is great as ever - but it would have been much better album if it didnt have that horrible eighties mixing job.
During the 80's guitar riff based music didnt have loud guitar sound at all. - it seemed to be trendy and fashionable to bury the guitars in the mix and I hate that. Rolling Stones play guitar riff based music- loud guitars should be the most important thing on every Stones album. That's rock n roll !!
And that's where it all went straight to hell. 80's synth's became a trendy but not the guitars. - No wonder Mick and Keith started having probleams in the eighties, I guess Mick wanted to be at the top of every chart and fashionable and trendy - and the result: Stones didnt sound like Stones anymore. To be trendy in the 80's meant that guitars had to be buried deep in the mix, and everything was mixed with poor digital studio gear and great analog gear went out the studio window - no wonder Keef was furious with Mick.
I like the mix, although the drums on Neighbours are a bit too much for me. Pretty funny, though. SMU sounds as far away from the 80s as possible. Same with Hang Fire, Slave, T+A and Waiting On A Friend, imo. They sound ancient
80's mix on TATTOO YOU? That is beyond ridiculous. It was the first year of the 1980s - the "80's mix" you're talking wasn't anywhere near TATTOO YOU. That album is supreme - songwise and mix wise, especially considering the different formats and different boards the recordings were done on. Mick and Keith had problems with EMOTIONAL RESCUE, not TATTOO YOU. Mick's issue with being trendy (Miss You and Emotional Rescue aside) started with UNDERCOVER and then his solo albums, not TATTOO YOU. Besides, the Stones didn't do anything digital until STEEL WHEELS.
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Roll73Quote
GasLightStreetQuote
DandelionPowdermanQuote
seitanQuote
DandelionPowdermanQuote
stoneheartedQuote
DandelionPowdermanQuote
seitan
Main Offender and Talk Is Cheap are far better than anything Stones did in the eighties !!
Tattoo You?
With the exception of two tracks (Neighbors, Heaven), the music on TY was done in the 70s. TY was merely mixed in the 80s.
I know + many songs from 1979. That should count when the album was released in 1981?
Well, the 80's mix on Tattoo You is horrible.
There's lot of great songs on Tattoo You and I love the album, cause the songwriting is great as ever - but it would have been much better album if it didnt have that horrible eighties mixing job.
During the 80's guitar riff based music didnt have loud guitar sound at all. - it seemed to be trendy and fashionable to bury the guitars in the mix and I hate that. Rolling Stones play guitar riff based music- loud guitars should be the most important thing on every Stones album. That's rock n roll !!
And that's where it all went straight to hell. 80's synth's became a trendy but not the guitars. - No wonder Mick and Keith started having probleams in the eighties, I guess Mick wanted to be at the top of every chart and fashionable and trendy - and the result: Stones didnt sound like Stones anymore. To be trendy in the 80's meant that guitars had to be buried deep in the mix, and everything was mixed with poor digital studio gear and great analog gear went out the studio window - no wonder Keef was furious with Mick.
I like the mix, although the drums on Neighbours are a bit too much for me. Pretty funny, though. SMU sounds as far away from the 80s as possible. Same with Hang Fire, Slave, T+A and Waiting On A Friend, imo. They sound ancient
80's mix on TATTOO YOU? That is beyond ridiculous. It was the first year of the 1980s - the "80's mix" you're talking wasn't anywhere near TATTOO YOU. That album is supreme - songwise and mix wise, especially considering the different formats and different boards the recordings were done on. Mick and Keith had problems with EMOTIONAL RESCUE, not TATTOO YOU. Mick's issue with being trendy (Miss You and Emotional Rescue aside) started with UNDERCOVER and then his solo albums, not TATTOO YOU. Besides, the Stones didn't do anything digital until STEEL WHEELS.
I agree - I think Tattoo You is a fantastic sounding album. And the guitars don't sound buried to me at all. Quite the opposite.
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TeddyB1018
I love One More Shot. I think the production is a little thin. I don't understand people who love the Rolling Stones who think it sucks. It's not a major song but it's better Stones by numbers than most of the uptempo songs on the last three albums. It's got the roll, baby.
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Woz
Keith will be on tour with the Rolling Stones in 2014, who is he kidding?
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Doxa
Hi Seitan, that's not a fair example... EVERYTHING in "Neighbours" is buried under those drums, even though Jagger tries his best to keep some noise...><
That's Charlie Watts and His Rolling Stones...
- Doxa
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DandelionPowdermanQuote
71TeleQuote
MunichhiltonQuote
71Tele
I put the prospect of another Keith/Winos album on the Meh List (see Sunday NY Times Magazine). Not hot, not not...just "meh".
Great!
At least you've got him right up there with another Stones album...
Where do you put another Jagger stab at it?
You don't want to know...
Seriously, the first one was very good. The second one was riffs, not songs. I don't think that Keith and Steve Jordan necessarily bring out the best in each other.
I agree with some of the songs being riffs.
However, if we look into it a bit more you'll find that Wicked As It Seems, Words Of Wonder, Eileen, Hate It When You Leave and Demon are finished as well as good songs, imo.
Running Too Deep, Will But You Won't and 999 are just grooves. The latter one is good, though.
TIC is excellent. Almost as good as Ronnie's best albums, imo.
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DandelionPowderman
There are no "news". Keith was just saying what he might do...