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carlorossiQuote
uhbuhgullayew
With The Stones, you get a band. With McCartney, you get one guy with a hired band. Large difference.
Exactly. Same applies to Dylan. The artist decides what he wants his hired guns to play, and they do it. Different animal altogether.
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carlorossiQuote
uhbuhgullayew
With The Stones, you get a band. With McCartney, you get one guy with a hired band. Large difference.
Exactly. Same applies to Dylan. The artist decides what he wants his hired guns to play, and they do it. Different animal altogether.
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fahthreeQuote
carlorossiQuote
uhbuhgullayew
With The Stones, you get a band. With McCartney, you get one guy with a hired band. Large difference.
Exactly. Same applies to Dylan. The artist decides what he wants his hired guns to play, and they do it. Different animal altogether.
I suspect Charlie was the one pushing hard for Emotional Rescue!
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uhbuhgullayewQuote
treaclefingersQuote
DoxaQuote
Shug
Bands can either try to make the "casual" fans happy by playing most of the hits at every show or they can try to make the hardcores happy by playing rarities and doing different setlists each night. The Black Crowes have a long history of not catering to the casual fans, but keeping the hardcore fans happy AND making them want to see multiple shows on the same tour. They don't get a massive audience, but they get a very loyal one that a large majority of will go see night after night after night. Neither is necessarily right or wrong, just two different approaches, IMO. As a hardcore fan of most bands that I go see live, I vastly prefer to hear rarities and varied setlists from night to night like the Crowes and The Grateful Dead used to do. I'm not surprised when I don't get that from bands like the Stones or Tom Petty or most bands.
"You can't please everyone, so you gotta please yourself" - Ricky Nelson
Of those who don't have the taste and expectations of "casual fans" or "tourists" in mind almost at all, one of the strongest representatives from the rank of The Stones is Bob Dylan. I don't believe Dylan cares the hardcore fans either (only of himself I suppose), but he makes them very happy with his artistic choices. Or maybe the issue is that his listeners are get used to expect anything, and that's what they are looking for... But I think a typical customer the Stones - and BV here - have in their mind - you know, the audience member they want to entertain and make happy - is totally lost in a Dylan concert. Firstly, he or she most definitively will not hear those classic songs he associates with Dylan (only a couple), and secondly, in the case he or she 'gets' some of them, they most probably be almost unrecognizable.... I have heard many stories from those disappointed "tourists"....
I think in this artistic choice and idea how to "entertain" their audiences Dylan and The Stones are opposite extremes from each other (the distinction between avantgarde art and show business entertainment comes easily to mind). People like Macca and Springsteen are I guess somewhere there in between. As a hardcore fan of both acts, I need to say that it is much easier to be a Dylan fan...
- Doxa
And easy to be a MACCA fan...he was brilliant when I saw him in November, and a great mix of classics and deep cuts, Beatles, Wings, Solo. He did it all for over 3 hours. Great value and a great time. $500 for a pair of floor seats about 12th row seemed pricey, until Stones ticket prices were announced!
With The Stones, you get a band. With McCartney, you get one guy with a hired band. Large difference.
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DoxaQuote
carlorossiQuote
uhbuhgullayew
With The Stones, you get a band. With McCartney, you get one guy with a hired band. Large difference.
Exactly. Same applies to Dylan. The artist decides what he wants his hired guns to play, and they do it. Different animal altogether.
And what this artist vs. band difference has to do with set lists? Besides, there is one guy in the Rolling Stones whose power in deciding these kind of matter is not much less than Dylan's or McCartney's...
- Doxa
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JumpinJackOLanternQuote
GasLightStreet
Close to 70 songs? The set list hasn't changed much and won't change much. It's not like the Licks tour. Nothing will be like the Licks tour. They do songs from 2012 and then as late as what? 1994, 1981 and 1980. Hell, the May 20th show the oldest song in the set with exception to the two new ones was Start Me Up.
It's just amazing that they ignore their discography past Tattoo You.
So far they have done 56.
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GasLightStreetQuote
JumpinJackOLanternQuote
GasLightStreet
Close to 70 songs? The set list hasn't changed much and won't change much. It's not like the Licks tour. Nothing will be like the Licks tour. They do songs from 2012 and then as late as what? 1994, 1981 and 1980. Hell, the May 20th show the oldest song in the set with exception to the two new ones was Start Me Up.
It's just amazing that they ignore their discography past Tattoo You.
So far they have done 56.
In a inane way that is "close to 70".
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JumpinJackOLantern
I think the Stones should do a new album no matter what their fans or the general population think.
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JumpinJackOLantern
I don't think the Stones should settle for anything less than the best possible exit. There is no doubt that if they can somehow pull it together and produce that one last classic it would be the best possible exit scenario. I think we can at least agree on that.
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JumpinJackOLantern
I don't think the Stones should settle for anything less than the best possible exit. There is no doubt that if they can somehow pull it together and produce that one last classic it would be the best possible exit scenario. I think we can at least agree on that.
They have already settled for less except financially. And they already did their one last classic album, which was Tattoo You. Why you continue to ape on and on and on about something that is not possible is astounding.
Yes, you can tell it's a classic because they treat it like all their other classic albums and play its highlights over and over in concert. Oh wait, maybe they need to be reminded that Bridges, which I happen to like a lot, is a classic. I like it but nobody I know can name a song from it. The idea that these four men have the ability to get together and make classic music, something they haven't even had the desire to do in decades, is, as the man says, not possible.Quote
JumpinJackOLanternQuote
GasLightStreetQuote
JumpinJackOLantern
I don't think the Stones should settle for anything less than the best possible exit. There is no doubt that if they can somehow pull it together and produce that one last classic it would be the best possible exit scenario. I think we can at least agree on that.
They have already settled for less except financially. And they already did their one last classic album, which was Tattoo You. Why you continue to ape on and on and on about something that is not possible is astounding.
Not possible? Even you should know better.
And what's this nonsense you always spew about Tattoo You being their last classic album? Stop being silly. Bridges (so far) is their last classic album.
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RokyfanYes, you can tell it's a classic because they treat it like all their other classic albums and play its highlights over and over in concert. Oh wait, maybe they need to be reminded that Bridges, which I happen to like a lot, is a classic. I like it but nobody I know can name a song from it. The idea that these four men have the ability to get together and make classic music, something they haven't even had the desire to do in decades, is, as the man says, not possible.Quote
JumpinJackOLanternQuote
GasLightStreetQuote
JumpinJackOLantern
I don't think the Stones should settle for anything less than the best possible exit. There is no doubt that if they can somehow pull it together and produce that one last classic it would be the best possible exit scenario. I think we can at least agree on that.
They have already settled for less except financially. And they already did their one last classic album, which was Tattoo You. Why you continue to ape on and on and on about something that is not possible is astounding.
Not possible? Even you should know better.
And what's this nonsense you always spew about Tattoo You being their last classic album? Stop being silly. Bridges (so far) is their last classic album.
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Fan Since 1964
So you think that the Stones needs these guest artists to make the tour a buzz?
Well then my opinion is confirmed by you.
The Rolling Stones can't make enough buzz on their own.
No! This is just a sad, sad farewell and they expect us to pay oversized ticketprices for that. It's just to bad!
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Fan Since 1964
So you think that the Stones needs these guest artists to make the tour a buzz?
Well then my opinion is confirmed by you.
The Rolling Stones can't make enough buzz on their own.
No! This is just a sad, sad farewell and they expect us to pay oversized ticketprices for that. It's just to bad!
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Marhsall
Word of advice...be cool posting anything about Dirty Work being underrated or starting a Undercover appreciation thread! Things could go south REAL fast!
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JumpinJackOLanternQuote
RokyfanYes, you can tell it's a classic because they treat it like all their other classic albums and play its highlights over and over in concert. Oh wait, maybe they need to be reminded that Bridges, which I happen to like a lot, is a classic. I like it but nobody I know can name a song from it. The idea that these four men have the ability to get together and make classic music, something they haven't even had the desire to do in decades, is, as the man says, not possible.Quote
JumpinJackOLanternQuote
GasLightStreetQuote
JumpinJackOLantern
I don't think the Stones should settle for anything less than the best possible exit. There is no doubt that if they can somehow pull it together and produce that one last classic it would be the best possible exit scenario. I think we can at least agree on that.
They have already settled for less except financially. And they already did their one last classic album, which was Tattoo You. Why you continue to ape on and on and on about something that is not possible is astounding.
Not possible? Even you should know better.
And what's this nonsense you always spew about Tattoo You being their last classic album? Stop being silly. Bridges (so far) is their last classic album.
It's my opinion that people just get brainwashed into thinking that one album is far superior to another. Including the artists. In live concerts it's the songs that the audience can participate in that seem to be the most popular. Tattoo You was just another great Stones album, but I love everything they did after all the way up and through Bridges, including Dirty Work. Tattoo You is far from being the Stones last classic album. Sometimes it takes decades for an album to be recognized as a true classic, as was the case with Exile. My point is that in about ten years people will look back and realize that just about every Stones album ever made was a classic. They don't make bad albums! Satanic was a psychedelic masterpiece in my opinion and will be recognized as such one day. Even ABB is going to grow in stature. I firmly believe that if Mick had made the decision (years ago) to retire some of the warhorses and played some of their other great songs in their place, that those songs would be seen as classics today.
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JohnnyBGoode
How about this?
1. Get Off My Cloud
2. It's Only Rock 'N' Roll or You Got Me Rocking
3. Undercover Of The Night
4. Doom And Gloom
5. Memory Motel or Waiting On A Friend
6. When The Whip Comes Down
7. Shattered
8. Emotional Rescue
9. All Down The Line
10. Sway
11. Honky Tonk Women
12. You Got The Silver
13. Happy or Little T&A
14. Gimme Shelter
15. Paint It Black
16. Midnight Rambler
17. Street Fighting Man
18. Start Me Up
19. Tumbling Dice
20. Brown Sugar
21. Sympathy For The Devil
22. Jumping Jack Flash
23. Satisfaction
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rambler44
REplace Paint it Black with Silver Train and Start Me Up with One Hit
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bv
They should repaint Mona Lisa because it is boring after all these years!
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Rolling HansieQuote
rambler44
REplace Paint it Black with Silver Train and Start Me Up with One Hit
That's it ? You're easily satisfied. Good attitude
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rambler44Quote
JumpinJackOLanternQuote
RokyfanYes, you can tell it's a classic because they treat it like all their other classic albums and play its highlights over and over in concert. Oh wait, maybe they need to be reminded that Bridges, which I happen to like a lot, is a classic. I like it but nobody I know can name a song from it. The idea that these four men have the ability to get together and make classic music, something they haven't even had the desire to do in decades, is, as the man says, not possible.Quote
JumpinJackOLanternQuote
GasLightStreetQuote
JumpinJackOLantern
I don't think the Stones should settle for anything less than the best possible exit. There is no doubt that if they can somehow pull it together and produce that one last classic it would be the best possible exit scenario. I think we can at least agree on that.
They have already settled for less except financially. And they already did their one last classic album, which was Tattoo You. Why you continue to ape on and on and on about something that is not possible is astounding.
Not possible? Even you should know better.
And what's this nonsense you always spew about Tattoo You being their last classic album? Stop being silly. Bridges (so far) is their last classic album.
It's my opinion that people just get brainwashed into thinking that one album is far superior to another. Including the artists. In live concerts it's the songs that the audience can participate in that seem to be the most popular. Tattoo You was just another great Stones album, but I love everything they did after all the way up and through Bridges, including Dirty Work. Tattoo You is far from being the Stones last classic album. Sometimes it takes decades for an album to be recognized as a true classic, as was the case with Exile. My point is that in about ten years people will look back and realize that just about every Stones album ever made was a classic. They don't make bad albums! Satanic was a psychedelic masterpiece in my opinion and will be recognized as such one day. Even ABB is going to grow in stature. I firmly believe that if Mick had made the decision (years ago) to retire some of the warhorses and played some of their other great songs in their place, that those songs would be seen as classics today.
I am really curious to know why you don't like ABB? I feel the same you do about a lot of these topics especially about them doing a new album. I thought ABB was very strong. What don't you like?
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rambler44
REplace Paint it Black with Silver Train and Start Me Up with One Hit
That's it ? You're easily satisfied. Good attitude
Well of course I could alter it with more rare songs but I was trying to keep to a somewhat realistic setlist Mick might play. But my ballad choice would be Til the NExt Time we Say Goodbye or Indian Girl. And I wowuld definitely want Let it Loose but for some reason Mr. Jagger appears set on NEVER playing it!
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JumpinJackOLanternQuote
rambler44Quote
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rambler44
REplace Paint it Black with Silver Train and Start Me Up with One Hit
That's it ? You're easily satisfied. Good attitude
Well of course I could alter it with more rare songs but I was trying to keep to a somewhat realistic setlist Mick might play. But my ballad choice would be Til the NExt Time we Say Goodbye or Indian Girl. And I wowuld definitely want Let it Loose but for some reason Mr. Jagger appears set on NEVER playing it!
Me too. and it amazes me that they have played Out of Tears and Streets of Love (both of which I like) but never Indian Girl or Til the NExt Time as far as I know. Til the Next Time is up there with any of their ballads IMO
Thumbs up to Indian Girl and Till The Next Goodbye. Two of my all time favorite Stones songs.