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VT22
That Hendrix version is unsurpassed. He is playing 3 guitars here. I posted it several times on iorr.
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His MajestyQuote
VT22
That Hendrix version is unsurpassed. He is playing 3 guitars here. I posted it several times on iorr.
It truly is amazing eh!?
Pheweee!
Well he could not continue as a high fashioned junkie, I'm glad he's alive to play again but I agree it's his failure. As far as his Stones studio work I disagree. Much of Taylor's greatest guitar work was support parts. The nashville guitar in WH, the power chords on Loving Cup, the bass in Dice are just a start of his majestic contributions as a band member as well as a soloist. Any photo of the guitarists on Exile shows the three players in the band creating the world's greatest album as one guitar team. At times on tour Taylor was a noodler, he played too loud according to reports and too often out of tune along with KR.. Trying to judge these early 70's concerts, before accurate electronic tuning with everyone associated totally wasted much of the time will drive us crazy, er.. crazier. Much of what "bad" that could be said about Taylor can also go for Hendrix, Terry Kath and Duane Allman. Like it or not they are his only peers, Taylor played with reckless abandon, like Keith he somehow survived but not without battle scars. Underestimating his influence on guitarists, pop music and it's audience is just plain silly.Quote
MathijsQuote
VT22
And as usual, Taylor didn't give a @#$%&, that's what I liked about him. He didn't care much for Keith musical opinions on stage. Refused to listen to the "boss" and trusted his own compass. That's what I call a musician.
He cared enough to be so unhappy that he left the Stones. And what you call a musician I call a failure.
Mathijs
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DoomandGloom
Underestimating his influence on guitarists, pop music and it's audience is just plain silly.
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MathijsQuote
VT22
And as usual, Taylor didn't give a @#$%&, that's what I liked about him. He didn't care much for Keith musical opinions on stage. Refused to listen to the "boss" and trusted his own compass. That's what I call a musician.
He cared enough to be so unhappy that he left the Stones. And what you call a musician I call a failure.
Mathijs
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His MajestyQuote
DoomandGloom
Underestimating his influence on guitarists, pop music and it's audience is just plain silly.
I think it's overstating things to say he was influential in any significant way. I mean, there's so many damn Keith, Hendrix, Page, Beck, Clapton clones or people who cite them as major influences.
In my experience outside of stones/taylorites fandom he's not really seen as being in same league as Hendrix, Beck etc. He doesn't really have any mythology surrounding him... he's a young guy that joined the stones, played some good guitar and then left.
It is to his credit I suppose that anyone who is a fan is only really a fan because of his playing. His image is that of someone who is quite boring. There's no extra things or drama like you get with characters like Peter Green, Keith, Hendrix and so on.
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MunichhiltonQuote
His MajestyQuote
DoomandGloom
Underestimating his influence on guitarists, pop music and it's audience is just plain silly.
I think it's overstating things to say he was influential in any significant way. I mean, there's so many damn Keith, Hendrix, Page, Beck, Clapton clones or people who cite them as major influences.
In my experience outside of stones/taylorites fandom he's not really seen as being in same league as Hendrix, Beck etc. He doesn't really have any mythology surrounding him... he's a young guy that joined the stones, played some good guitar and then left.
It is to his credit I suppose that anyone who is a fan is only really a fan because of his playing. His image is that of someone who is quite boring. There's no extra things or drama like you get with characters like Peter Green, Keith, Hendrix and so on.
Maybe he should get a tattoo?
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71Tele
As someone who clearly prefers Taylor's period in the band overall to Wood's, it pains me to say that not only have Taylor's skills diminished but that he has lost the ability and perhaps the interest in melding with a song rather than just playing lead. The Taylor I miss is the one who put in all those tasty rhythm parts and licks on songs like Sympathy and I'm Free from Ya Yas. Even on Brussels when he was soling more he knew when to lay out and put in counterpoints to what Keith was doing. Now he simply chews up the landscape with lead guitar. That doesn't mean he still isn't the most exciting musician on stage when he's there (I think he is), but I just wish he would be playing songs that feature his overall tasteful and melodic approach to a song rather than just guitar solos. Maybe he can't do that anymore and that's why they are not playing stuff like CYHMK and TWFN. I don't think his years away from the Stones playing in inferior bands have helped him as a musician.
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Mathijs
Funny thing is -I listened to the San Jose 2013 version of Rambler, and during the first shuffle jam Taylor starts to solo. Within 30 seconds he starts noodling again, playing these useless fake jazz fusion runs. I am absolutely sure Keith wanted to shout at that moment 'shut the fvck up' again, just like he did in '72.
Mathijs
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DandelionPowderman
Not according to the maestro, roby
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DoxaQuote
Mathijs
Funny thing is -I listened to the San Jose 2013 version of Rambler, and during the first shuffle jam Taylor starts to solo. Within 30 seconds he starts noodling again, playing these useless fake jazz fusion runs. I am absolutely sure Keith wanted to shout at that moment 'shut the fvck up' again, just like he did in '72.
Mathijs
Mathijs's own fetisse... no one else has ever heard that from LADIES AND GENTLEMEN, but he is keep on circulating it as a fact....
- Doxa
I take it you weren't raised in Queens or Long Island.Quote
His MajestyQuote
DoomandGloom
Underestimating his influence on guitarists, pop music and it's audience is just plain silly.
I think it's overstating things to say he was influential in any significant way. I mean, there's so many damn Keith, Hendrix, Page, Beck, Clapton clones or people who cite them as major influences.
In my experience outside of stones/taylorites fandom he's not really seen as being in same league as Hendrix, Beck etc. He doesn't really have any mythology surrounding him... he's a young guy that joined the stones, played some good guitar and then left.
It is to his credit I suppose that anyone who is a fan is only really a fan because of his playing. His image is that of someone who is quite boring. There's no extra things or drama like you get with characters like Peter Green, Keith, Hendrix and so on.
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DoomandGloom
I take it you weren't raised in Queens or Long Island.
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roby
Really ?
"Ronnie played much better than last year", "this show was by far the best to date", " better than during the previous Tour". that is I've always read...Quote
DandelionPowderman
Not according to the maestro, roby
So, Keith wasn't living with Ron for months on end before Taylor left the band, Mick didn't have Ron play on at least the demos for IORR and gave Ron an "inspiration" credit for that song while not giving Taylor any credits for songs that he helped write (at least two on IORR and two on Exile), that Keith wiped Taylor's guitar tracks off of parts of IORR, and that Ron was available for the Stones at the time Taylor left, since he had no other job after the Faces had ended? I'm not sure what in that set of "facts" that have been published in books is not true, anymore than other sets of "facts" that may have been published elsewhere, like in Keith's self-serving "autobiography." Even Ron says that Jagger and Richards are difficult personalities. He just has a better ability to put up with it than Taylor or Wyman.Quote
DandelionPowderman
These are not facts, Mariana.
And the songwriter has every right to do what he thinks is best for his song.
Even if he did, it's meaningless, Taylor played long and loud but it never seemed to bother the singer. Taylor has his moments expanding into Holdsworthisms, much of that style has gone by the wayside at the moment. When the band had to lift themselves out of the regular and compete with the best guitar gunslingers of the day they had theirs. Like CSN without Y there's a giant difference.Quote
DoxaQuote
Mathijs
Funny thing is -I listened to the San Jose 2013 version of Rambler, and during the first shuffle jam Taylor starts to solo. Within 30 seconds he starts noodling again, playing these useless fake jazz fusion runs. I am absolutely sure Keith wanted to shout at that moment 'shut the fvck up' again, just like he did in '72.
Mathijs
Mathijs's own fetisse... no one else has ever heard that from LADIES AND GENTLEMEN, but he is keep on circulating it as a fact....
- Doxa
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DoxaQuote
Mathijs
Funny thing is -I listened to the San Jose 2013 version of Rambler, and during the first shuffle jam Taylor starts to solo. Within 30 seconds he starts noodling again, playing these useless fake jazz fusion runs. I am absolutely sure Keith wanted to shout at that moment 'shut the fvck up' again, just like he did in '72.
Mathijs
Mathijs's own fetisse... no one else has ever heard that from LADIES AND GENTLEMEN, but he is keep on circulating it as a fact....
- Doxa
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MathijsQuote
DoxaQuote
Mathijs
Funny thing is -I listened to the San Jose 2013 version of Rambler, and during the first shuffle jam Taylor starts to solo. Within 30 seconds he starts noodling again, playing these useless fake jazz fusion runs. I am absolutely sure Keith wanted to shout at that moment 'shut the fvck up' again, just like he did in '72.
Mathijs
Mathijs's own fetisse... no one else has ever heard that from LADIES AND GENTLEMEN, but he is keep on circulating it as a fact....
- Doxa
At 3:12.
Mathijs
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VT22
Thanks for posting; I never noticed that: Keith gets upset and Taylor doesn't give a shit. Those were the days. Priceless.