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DandelionPowdermanQuote
DoxaQuote
DandelionPowderman
Great, great track! The embroyo of what was to become Keith's signature playing style - only this is meaner and heavier than that
Exactly. Keith is really getting there somewhere, as we can in hindsight say. There is much more, say, "Jumpin' Jack Flash" than "Sing This All Together" in it.
Anyways, "Citadel" represents very much what it so important and valuable in SATANIC MAJESTIES experiment - no, I can nevr call it a masterpiece, but I see the album as a neceassary delopment in getting rid of teh old pop format they mastered in AFTERMATH and BETWEEN THE BUTTONS. Here they free their minds and start really start digging the whole idea of a song and a form. Most of it is kind of deconstruction - call it psychedelia if you like - but I think that was kind of needed to in order to find the focus, maturity and tightness they achieved in BEGGARS BANQUET. Getting rid of ALO, and trusting 'blindly' their own artistic muse was I guess necessary, even though a pro produder like Jimmy Miller was needed in order to find the right track again. But shit, "Citadel" with "2000 Man", "She's A Rainbow" and "2000 Light Years From Home" are are simply phenomenal songs as they are, and almost all the tracks have some incredibly intersting and poteantial features in them that makes them rewarding and fascinating listening again and again. SATANIC MAJESTIES has depth in it that most of their catalog can only dream of.
I really love the atmosphere of "Citadel" - there is something I find so unique Stones-like in it that I would much rather listen to it than anything on SGT. PEPPER (which says more of me than of the greatness of the music). Maybe it is that mystique feeling of danger I find so fascinating.
- Doxa
Right on, brother!
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seitanQuote
DandelionPowdermanQuote
DoxaQuote
DandelionPowderman
Great, great track! The embroyo of what was to become Keith's signature playing style - only this is meaner and heavier than that
Exactly. Keith is really getting there somewhere, as we can in hindsight say. There is much more, say, "Jumpin' Jack Flash" than "Sing This All Together" in it.
Anyways, "Citadel" represents very much what it so important and valuable in SATANIC MAJESTIES experiment - no, I can nevr call it a masterpiece, but I see the album as a neceassary delopment in getting rid of teh old pop format they mastered in AFTERMATH and BETWEEN THE BUTTONS. Here they free their minds and start really start digging the whole idea of a song and a form. Most of it is kind of deconstruction - call it psychedelia if you like - but I think that was kind of needed to in order to find the focus, maturity and tightness they achieved in BEGGARS BANQUET. Getting rid of ALO, and trusting 'blindly' their own artistic muse was I guess necessary, even though a pro produder like Jimmy Miller was needed in order to find the right track again. But shit, "Citadel" with "2000 Man", "She's A Rainbow" and "2000 Light Years From Home" are are simply phenomenal songs as they are, and almost all the tracks have some incredibly intersting and poteantial features in them that makes them rewarding and fascinating listening again and again. SATANIC MAJESTIES has depth in it that most of their catalog can only dream of.
I really love the atmosphere of "Citadel" - there is something I find so unique Stones-like in it that I would much rather listen to it than anything on SGT. PEPPER (which says more of me than of the greatness of the music). Maybe it is that mystique feeling of danger I find so fascinating.
- Doxa
Right on, brother!
I agree with Doxa - I love that track too.
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2000 LYFH
OK so that high pitched (bell) sound did come from Keith's guitar. I'm also interested in how he did this...
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ccQuote
2000 LYFH
OK so that high pitched (bell) sound did come from Keith's guitar. I'm also interested in how he did this...
no, there is also a bell being played, or a glockenspiel. I think Silver Dagger is describing keith's guitar tone as bell-like, but the high-pitched bell sound is from a bell.
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His Majesty
Actually, it seems the high pitched pinging sound is coming from Keith's guitar. It's not a glockenspiel or a bell. How it is achieved I do not know, but in Satanic Sessions box set you can hear Glyn asking Keith if he wants to keep the effect on his guitar.
On Citadel Keith's guitar sound is the sound of a cranked Normal Channel on Vox Conqueror with the inbuilt tremolo effect engaged... and the addition of the mystery pinging effect.
[www.voxshowroom.com]
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The bright and sometimes fuzzy sounds heard on 1967 - 1968 Rolling Stones recordings is mostly down to the groovy all solid state Vox's. I think the whole of Their Satanic Majesties Request was done using those amps for the electric guitars, Beggars Banquet being a mix between Vox Supreme, Vox AC30 and Triumph Silicon 100.
I used to own a Supreme, here's some clips I did of it...
[www.myspace.com]
...
Between The Buttons amps was a mix of Fender Showman, Vox UL-760(solid state preamp/valve power section) and a Futurama Corvette.
[www.voxshowroom.com]
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His Majesty
Actually, it seems the high pitched pinging sound is coming from Keith's guitar. It's not a glockenspiel or a bell. How it is achieved I do not know, but in Satanic Sessions box set you can hear Glyn asking Keith if he wants to keep the effect on his guitar.
On Citadel Keith's guitar sound is the sound of a cranked Normal Channel on Vox Conqueror with the inbuilt tremolo effect engaged... and the addition of the mystery pinging effect.
[www.voxshowroom.com]
...
The bright and sometimes fuzzy sounds heard on 1967 - 1968 Rolling Stones recordings is mostly down to the groovy all solid state Vox's. I think the whole of Their Satanic Majesties Request was done using those amps for the electric guitars, Beggars Banquet being a mix between Vox Supreme, Vox AC30 and Triumph Silicon 100.
I used to own a Supreme, here's some clips I did of it...
[www.myspace.com]
...
Between The Buttons amps was a mix of Fender Showman, Vox UL-760(solid state preamp/valve power section) and a Futurama Corvette.
[www.voxshowroom.com]
How about "nerd".Quote
Silver Dagger
Phil, how the hell do you know all this stuff? What do you do? Are you an engineer / musician?
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His Majesty
Actually, it seems the high pitched pinging sound is coming from Keith's guitar. It's not a glockenspiel or a bell. How it is achieved I do not know, but in Satanic Sessions box set you can hear Glyn asking Keith if he wants to keep the effect on his guitar.
On Citadel Keith's guitar sound is the sound of a cranked Normal Channel on Vox Conqueror with the inbuilt tremolo effect engaged... and the addition of the mystery pinging effect.
[www.voxshowroom.com]
...
The bright and sometimes fuzzy sounds heard on 1967 - 1968 Rolling Stones recordings is mostly down to the groovy all solid state Vox's. I think the whole of Their Satanic Majesties Request was done using those amps for the electric guitars, Beggars Banquet being a mix between Vox Supreme, Vox AC30 and Triumph Silicon 100.
I used to own a Supreme, here's some clips I did of it...
[www.myspace.com]
...
Between The Buttons amps was a mix of Fender Showman, Vox UL-760(solid state preamp/valve power section) and a Futurama Corvette.
[www.voxshowroom.com]
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tonterapiHow about "nerd".Quote
Silver Dagger
Phil, how the hell do you know all this stuff? What do you do? Are you an engineer / musician?
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His Majesty
The effect is puzzling, makes perfect sense for it to be a glockenspiel or something similar, but listen close to the satanic sessions stuff and it seems to be coming from the guitar, it's even briefly talked about. Perhaps something has been done to high E string so that when it's struck it gives that high pitched ping?
The Conqueror and Supreme sound much the same dirt wise at high volume, but the Supreme is louder and bit fatter due to higher wattage and bigger cab. No pics that i've seen showing the Supreme at Satanic sessions, but some showing the Conqueror. They used Supreme for 1967 European tour so no reason why they wouldn't for sessions too. Could be either, much the same thing really.
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Silver Dagger
There's also a similar ringing sound on Street Fighting Man although that could well be the shenai (?) that Dave Mason plays. I take it the shenai is a relative of the sitar.
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Redhotcarpet
Isnt Citadel in some ways the Stones answer to Sgt Pepper, the opening track, and Hendrix? Not a rip off or anything like that, just an attempt at the harder heavier style.
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His MajestyQuote
Redhotcarpet
Isnt Citadel in some ways the Stones answer to Sgt Pepper, the opening track, and Hendrix? Not a rip off or anything like that, just an attempt at the harder heavier style.
They already did such stuff before Hendrix or Pepper.
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RedhotcarpetQuote
His MajestyQuote
Redhotcarpet
Isnt Citadel in some ways the Stones answer to Sgt Pepper, the opening track, and Hendrix? Not a rip off or anything like that, just an attempt at the harder heavier style.
They already did such stuff before Hendrix or Pepper.
Yeah ok but still, before the riffs were single note riffs. Mostly. And Citadel is a heavy chord riff.
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DandelionPowdermanQuote
RedhotcarpetQuote
His MajestyQuote
Redhotcarpet
Isnt Citadel in some ways the Stones answer to Sgt Pepper, the opening track, and Hendrix? Not a rip off or anything like that, just an attempt at the harder heavier style.
They already did such stuff before Hendrix or Pepper.
Yeah ok but still, before the riffs were single note riffs. Mostly. And Citadel is a heavy chord riff.
Well, I'm guilty to that as well and have been for 16 years now.Quote
His Majesty
Amateur musician and geek for info about 1966 - 1968 stones gear etc.
For those that want that era's sound in a new, but small, relativley cheap package you should buy a ZT Lunchbox amp. For what ever reason, it's basic sound is very similar to the solid state vox's the stones used during 1967 - 1968.
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His MajestyQuote
tonterapiHow about "nerd".Quote
Silver Dagger
Phil, how the hell do you know all this stuff? What do you do? Are you an engineer / musician?
Amateur musician and geek for info about 1966 - 1968 stones gear etc.
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Silver Dagger
Be great to hear some of you stuff Phil. Got anything you fancy sharing here?
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His MajestyQuote
Silver Dagger
Be great to hear some of you stuff Phil. Got anything you fancy sharing here?
I have a load of guitar pedal demos here: [www.youtube.com]
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MathijsQuote
His MajestyQuote
Silver Dagger
Be great to hear some of you stuff Phil. Got anything you fancy sharing here?
I have a load of guitar pedal demos here: [www.youtube.com]
How did the Magical Mystery Box compare to a genuine Supreme? I still can't find a Supreme, so maybe this box is an option?
Mathijs
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His MajestyQuote
MathijsQuote
His MajestyQuote
Silver Dagger
Be great to hear some of you stuff Phil. Got anything you fancy sharing here?
I have a load of guitar pedal demos here: [www.youtube.com]
How did the Magical Mystery Box compare to a genuine Supreme? I still can't find a Supreme, so maybe this box is an option?
Mathijs
It's the Brilliant Channel of those amps, pretty much spot on.
If yah didn't like the Conqueror so much, why do you want a Supreme?
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His MajestyQuote
Silver Dagger
Be great to hear some of you stuff Phil. Got anything you fancy sharing here?
I have a load of guitar pedal demos here: [www.youtube.com]