Are they the originally released tracks, with digtal or other filtering to isolate/remove some layers? Remixed from original masters? Outtakes?
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What is the origin of these tracks?
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Citadel would work so well, live. As a young kid, I remember being blown away by it when hearing my older brother playing it. This was def not Sgt Pepper's.
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REALLY looking forward to hearing this!
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Thanks for all your efforts Captain!
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do they even need a label?
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Very light year. I think I need to win the lottery and retire to allow more time for shows. A select few: The Heavy Heavy (young band from Brighton that would have fit nightly in to the 1960s/70s California sound. Much better live than on record The Nude Party - Southern/Southwestern US Blues and Rock. Somelate 60s Stones vibes Roger Daltry with is band. I went at the last minute for
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Thanks Wired All Night, and thanks for the repost Rank Stranger. Looking forward to hearing this. I don't get why some love all the compression used on so many boots
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Thanks for compiling and posting!
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Thanks Captain! Such a great tour!
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Thanks Captain! I look forward to cranking this in the morning, I miss Bowie!
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An artist I did not appreciate till decades later. Thanks you!
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Thanks for posting, and ensuring just Taylor-played tracks made it!
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Very good version of Pretty Beat Up on it.
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Thanks! Although parts of the album sound dated with 80s production, I loved Undercover (maybe the last Stones album I really liked and re-listened to often, till Hackney diamonds I'd love to here some additional material. Thanks for posting.
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Thank you very much Glimmerman and Norbert!
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My Chicago 2 Lucky Dips were upper deck, with the back/right of the stage partially out of view. OK sound and view of the screens
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Thank you Topi!!! Made my day!
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A question about how LD's worked in Chicago 6/27: Did they really check for both ID AND credit card?
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Not for everyone. Pretty technical at times about specific mics and amps, etc. But some Stones content (and Jeff Beck, Crowes, VH). Interviewer Rick Beato with Dave Natale, live-sound man to the Stones for the last several tours, along with Jeff Beck. I LOATHE going to a show and getting crappy sound - esp in venues where I have been to shows with great sound previously. I could not care about
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anything but She's So Cold...never did anything for me, live, esp when they have Bite My Head Off, their best rocked in decades, and dozens of iconic and wildly high-quality deep cuts.
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It sounds like the strategy if you receive nosebleeds or obscured-view seats is to monitor the ticket seller's website (AXS or Ticketmaster) close to show time and look for unsold seats to move to and hope no one else has the same idea? Or just sit back and enjoy the show from a distance (for about $50, inc service charges, sell not bad). I'll be at Chicago 2 with LDs
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Maybe so close to the catwalk that parts of the stage are obscured?
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Best set list of the tour. Hope I see something close to this next Sunday in Chicago. Love that Sweet Sounds is back. Miss You is gone. I'd rather see Heartbreaker than Wild Horses or IORR but I do love that the band is experimenting, playing 4 songs of the new album and seemingly tight and playing with drive and confidence. Maybe 80 is the new 30.
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I have LDs for Chicago 2. Have a feeling it's going to be HOT
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At least in terms of original, non-resale tix near showtime, Cleveland seemed closer to a sellout than many dates so far on the tour/
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I LOVE this song. Best song on Undercover (or at least stands up better than the rest years later). Undercover and Too Much Blood I liked at the time, but they sound so dated now. She Was Hot seemed a throw-away.
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For me, it's either Paint It Black or Gimme Shelter. Though GS does tell us that love is the way thru it all. PIB is just dark, dark, dark. Stray Cat Blues, seducing an underaged girl, and maybe her friend, is maybe the sleaziest. I love all 3. PIB and Stray Cat showed: this is not the Beatles
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Singing at 80 can't be easy. I saw Roger Daltry on Friday night and his voice was great (not 1970s great, but still good). The show pacing had a break and chatter between every song, had Simon Townsend singing Going Mobile (quite well) and when it came to having to scream at the end of Won't Get Fooled Again, Roger warned in advance that the scream would damage his voice all the way b
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Heartbreaker the tragedy of the song fits the tough neighborhoods and challenges of Cleveland (I like Cleveland )
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