Two dead so far, 15 people hurt. Probably car bomb.
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70s: Let it Loose Brown Sugar Star Star Heartbreaker If You Can't Rock Me All Down the Line Hand of Fate Ventilator Blues Wild Horses Time Waits for No One
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Exile is my favorite studio album. Play it more than any other. It has a relaxed feeling, makes you relaxed and happy listening to it.
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I'm Norwegian. At least two dead so far.
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I love All Down the Line from Brussels 1973:
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Perhaps they are both super groups, vincentwhirlwind! Joss Stone, one of the members of Mick's group, is fantastic:
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A great Gimme Shelter with the Winos from Boston 1993 - love it, especially towards the end (999 is also on the video) (at first I linked to video not as good as this one): Just found it, this Gimme Shelter from Cologne, Germany, 1992, is also great (notice Bobby Keys):
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QuoteTropicalDisease75 Awesome! Thanks for posting this. Fantastic pics Ringo. At 8:25, Keith looks super fired up to be talking to Bianca. Wow, put a caption on that one! TD75 Thanks, TropicalDisease75! Keith's actually talking to the German model and actress Uschi Obermaier. From Wikipedia: "Rainer Langhans mentions in his autobiography that he and Obermaier (...) in lat
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I love this version from Los Angeles, July 13, 1975 - can't stop playing it, it's a wonderful rhythm orgy, so I uploaded it on Youtube:
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The version from Los Angeles, July 13, 1975 is one of my favourite versions:
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Yes, I like this version very much, both Daltrey, the guitars and the orchestra! Here's a live version by The Faces in 1971 (Rod Stewart had an even better version on what I think was his debut album):
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Almost 2.5 million views, not without reason!
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People who don't like Hold Back, simply haven't understood it, just like there is lots of music I can't appreciate because I don't understand what it gives (perhaps that's a general rule - if you don't like a song that someone else likes, that other person simply has understood it, you haven't). I've always loved the song, considered it to be one of th
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I care about their legacy. Or, to put it another way, I don't care so much about what non-fans think about them, in the same way it's not so interesting what I think about Boney M. But I care about what Stones fans think about them. And I think we should think about them as a band that is generally underrated. An important reason for this, I think, is that the best Stones music
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Love you, Aretha
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Congratulations, JumpingKentFlash and Riffbuk, you deserved to win!
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I've shortened my post, to stay under the 100 word limit: One of my first memories of The Stones, was seeing my brother, around 1975, banging his hand towards the speaker to the rhythm of the Ya-Ya's Jumpin' Jack Flash. I still remember me and a friend looking at the cover of Beggars Banquet, the shared feeling that this was "it". Especially the Europe 1973 boot
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One of my first memories of The Stones, was seeing my brother, around 1975, banging his hand towards the speaker to the rhythm of the Ya-Ya's Jumpin' Jack Flash. I had a friend who at that time also was a fan, I still remember us looking at the cover of Beggars Banquet, the shared feeling that this was "it". Later we bought bootlegs. Especially Nasty Songs, or Bedspring S
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I've become aware of this great version of Gimme Shelter, it's so relaxed, and the rhythm is great. Can't stop playing it, so I uploaded it on Youtube:
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I've made a cd with my favourite Stones bootleg versions, nothing beats that one! Apart from bootlegs: 1 Ya-Ya's 2 Aretha Franklin: Live at Fillmore West 3 James Brown: Live at the Apollo
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Quotestones78 The 1971 Leeds version is absolutely smokin'. I agree:
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My favourite: I also like the one on Welcome to New York, 1972:
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Well said, NedKelly! If you've been to Mount Everest (or made Exile), there's no way up, only down. But there are lots of other high mountains you can go to!
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Quotewordnat I'm sure this has been asked before, but..... is "Nasty Music" Brussels '73? thanks! As far as I remember, these two bootlegs have pretty much the same versions (but these same versions may still sound a little different on the two records). But All Down the Line on Nasty Music is from New York 72, if my memory is correct.
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A great favourite of mine. As far as I remember, it was credited Jagger/Richards on "got LIVE if you want it!", but it's really written by Bo Diddley.
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Quotephd I was there. At the concert for the French Audience. Even if it was a long time ago and even if I was quite young ( 17), they did sound real great. The best line-up : for sure. I never heard such sharp and groovy notes from Keith except some JJF or TD at Wembley . And what to say from his team with MickT....Heaven on earth. You WERE at the first Oct. 17 show in Brussels in 1973? That
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I love Mick Taylor and Brussels, but they were also at their best some times after Taylor left, I think:
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For a long time, this has been my favourite Bitch version (I guess it's from Sydney, February 26, 1973): Now I've discovered that the Sydney February 27-version is also great: Do you know of any other great Bitch versions?
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Here it is, Bitch, Sydney 1973, the old video is now surrounded by slides: Here's some talk about it.
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I love It Won't Take Long, too. Writing such a good song at that age is impressive.
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