I found this from Wikipedia on Claudine Longet: Claudine Longet From Wikipedia, the free encyclopedia Jump to navigationJump to search Claudine Longet Claudine Longet in 1969 Claudine Longet in 1969 Background information Born 29 January 1942 (age 79) Origin Paris, France Genres PopBossa novaFrench popstandardsSoft rock Occupation(s) Singeractress Instruments Vocalsguitar Yea
Forum: Tell Me

It was recorded during that prolific Some girls period. Maybe they were thinking about putting it on ER as well as SG and failed both times. It's just my recollection from 1980. Not necessarily correct
Forum: Tell Me

I was listening to the Emotional Rescue album (quite underrated) and I was trying to remember what song was added when they decided at the last minute to leave off "Claudine"? I can remember some radio broadcast at the time saying that the Stones were worried about legal troubles from Claudine Longet but I don't recall the replacement song. My suspicion is "Indian Girl"
Forum: Tell Me

At the risk of offending some I'll be bluntly honest. The Stones are so far removed from making good music, live or in studio, that I wouldn't consider paying money to see them. There are far too many bands to see in clubs or on stage that are making good new music and playing their instruments well. Neither of which apply to the Stones of 2021. I would equate watching the Stones of
Forum: Tell Me

Very interesting article written by a very young Jon Landau. His insight into the Stones at such a young age as well of his knowledge and awareness of music at that moment in time is quite impressive. Also kind of funny that the review was 3-4 months after the release. I guess another time another place!!!
Forum: Tell Me

You know, when GHS came out I fooled myself in to thinking they would release the London show instead of Brussels again. Now I keep wasting brain matter hoping they will release the full Roundhouse show. Why do I even consider suck nonsense?
Forum: Tell Me

I’m sure there will be some greedy release with nothing worthwhile. A polka dot vinyl or a zipper that goes the opposite direction
Forum: Tell Me

Interesting that you say that. I was driving the other day listening to something similar when "Let Me Down Slow" from A Bigger Bang came on and I had almost the exact opposite reaction. I honestly thought a high school garage band down the street could something this bad. The lyrics were forced and sophomoric. The singing was uninspired and the music was the best part of the song a
Forum: Tell Me

They would never have had some nobody walk in front of them unless it was a teaser. That is unequivocally Mick in Jan/Feb 1981 whenever they did the filming Italy
Forum: Tell Me

I thinks it’s the same girl who was on the poster and on the billboards at the time. No idea who that was
Forum: Tell Me

I don't remember if this was posted here. Better watch it now before YouTube deletes it
Forum: Tell Me

I agree with that. Most of the problems with the tour as it evolved can be place at the feet of Mick
Forum: Tell Me

Quotesaltoftheearth Turning back to the thread I must say that I learned a lot. I Always thought the 1975 tour to be mediocre, to say the least. But now I listened to the first concerts of the tour, and they are really very good. For instance, they could have released a double album of the Boston shows, selecting the best version of each song from both Shows. Later on, it deteriorated, mainly b
Forum: Tell Me

QuotePaul Kersey The Toronto 17th June show is an outstanding performance and in great audio quality on bootleg. Absolutely. The Toronto show is outstanding. High energy and great performance with Mick being at the top of his game which could rarely be said about him later in the tour. The show was obviously recorded. Too bad the rest of the show (besides the bootleg) hasn't seen the l
Forum: Tell Me

Quoteryanpow There has to be a point? Oh, sh*t. Not really. Just a question!!!
Forum: Tell Me

The whole point of this thread is the discussion about the changing feel and performance of the '75 tour as it evolved from one of energy and excitement to lazy and sloppy. I would love for everyone to go listen to It's Only Rock and Roll and Fingerprint file on LYL both from June 17th in Toronto then listen to them on the LA Friday Vault release and see what the hell happened. Lots
Forum: Tell Me

Gimme Shelter and Brown Sugar are perfect examples of where Billy Preston proves to be a horrific addition to the band. In ‘73 he’s in the background and does nothing ridiculous. In ‘75 he just adds silly, childish noises that are a huge distraction. I just think the tour went a little off the rails
Forum: Tell Me

I remember years ago reading in the “Encyclopedia of Rock” from the late 70’s describing Mick’s performance in ‘75 as a “parody of himself”. I think that’s a sad but accurate description of his stage performance
Forum: Tell Me

Quotecimaz In 1975 and 1976 the Stones went into some kind of useless Barnum on stage. Even if some shows of this era (NY and LA but not all of them) are still a pleasure to listen to. After The 1973 european Tour you had to wait until the 1978 US tour before they went back to something shorter, raw and essential. This is absolutely right. I think the tour started out as being about the music.
Forum: Tell Me

I agree with the Ollie Brown percussion nonsense. It's totally unnecessary and I think sometimes it's a distraction for Charlie. Was he just there to be Billy Preston's companion for the tour. IFor that matter Billy Preston becomes more a musical liability as well. In 1973 I think he was more professional and played more to the Stones needs and can even be an interesting change
Forum: Tell Me

The entire June 17th Toronto show was great and it was only 11 nights into the tour. Other than NYC I'm not overly familiar with the mid tour shows before the LA shows. When did things change? Mick was clearly not himself later on singing stupid lyrics like "don't want no Jews hanging round" on Tumbling Dice and just sloppy uninteresting singing. Maybe his drug of choice w
Forum: Tell Me

My opinion of the 1975 Tour is largely one of great promise that turned to failure. When the tour started in Baton Rouge they were energetic and carried on a performance that rivaled their 1973 tour (with early show mistakes). The songs were high octane. Mick sang well and the band was playing hard and fast. This carried on early in the tour as you can hear in the songs from Toronto in mid Ju
Forum: Tell Me

Wow, that's shocking to me. If an alien landed in my yard and asked me to play 5 songs to define the Stones, Honky Tonk Women would certainly be one of them!!!!
Forum: Tell Me

‘73 Brussels from Nasty Songs/Bedspring Symphony/KBFH hands down. The tempo is perfect. Mick Taylor’s guitar filler is his typical flawless and subtle. Keith’s opening guitar and his solo break (even the little feedback). The horn section never sounded better. Mick’s vocals are energetic and not sloppy life in ‘75. Keith also does the best job he ever did on backing vocals. Makes me wonder why th
Forum: Tell Me

Let It Rock from Leeds '71 is a solid a rocker as the Stones ever played live. The Stones could almost out-Chuck Chuck!!!!
Forum: Tell Me

The Stones at their best have absolutely no need for overdubs. Leave that to studio recordings that you can layer, replace or eliminate parts as you see fit. Live recordings are just that, live and imperfect. The shows from '69-'73 could not be any better. The '71 tour shows are the best example of their skills as live musicians with spontaneity and energy that they show during
Forum: Tell Me

I'm just referring to Keith's voice. He sings considerably better than the other Texas shows, The Philadelphia shows and Pittsburgh. I almost wonder if the whole performance of Happy is a studio rehearsal of the song that maybe they pasted into L&G because the audience sounds like an addition to the song more so than the rest of the movie. Just an observation which may be comple
Forum: Tell Me

Keith's singing seems to be at a level that he never reached on any of the other versions of Happy during the '72 tour. For example the outtake version from one of the other Texas shows is much more similar to all of the other versions vocally. It's not as obvious to me as Happy on LYL. I'm not certain that it is a vocal overdub but it's just sonically so much better t
Forum: Tell Me

I think the overdubs in L&G are limited to Happy. There may be others. As far as GYYYO I think the main issue is that they are just unnecessary. It's a live show. Why fake it? They are tasteful as opposed to many of them on LYL
Forum: Tell Me

The overdubs on the "Keep Your Motor Running" boot are terrible. They are so obvious and poorly done. I can't imagine those were anything other than raw early efforts that were not seriously considered for release. The overdubs on GYYYO and LYL are more polished but are still often awful (Happy and Keith adding backing for Tumbling Dice!!!)
Forum: Tell Me