Great picture!!! I think that hat that Mick is wearing is the same silly hat he wears on Brown Sugar from the 7/25/72 show on Dick Cavett!!!!!
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So is it correct that the clip at 56 seconds is from the Randwick concert? It certainly see,
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Holy Shit!!!!! Truly amazing
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I have a similar feeling about Moonlight Mile. But if the 2022 Stones played either of those songs I think it might ruin the mood. Sorry
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I downloaded this and got multiple viruses
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You post the greatest stuff!!!!!!! Merry Christmas and Thank You!!!!
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An early Christmas present!!!!
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Sounds like the radio broadcast I remember hearing way back when. I bet Mick felt burned by having to pull Some Girls off the shelf because of the album cover and didn't want a repeat of that.
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How about which ones they out did Chuck and which ones they didn't: Did: You Can't Catch Me Let It Rock ('71 version IMHO) Sweet Little Sixteen (From Garden State '78) Didn't: Bye Bye Johnny Memphis, Tennessee Carol Lots of close ones
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QuoteProfessorWolf Quotesaltoftheearth Quoteschwonek Quoteyearsinthemaking Does anyone know the source of this video? I know it's been on YouTube for years. It's certainly a professional single shot camera with soundboard audio. I've always wondered if there was more to it than just SFM and who is in possession of it? Well. Maybe they filmed the entire concert.... Let'
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So I’m guessing that means the rest of the film (if it exists) is in some vault at the BBC?
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Does anyone know the source of this video? I know it's been on YouTube for years. It's certainly a professional single shot camera with soundboard audio. I've always wondered if there was more to it than just SFM and who is in possession of it?
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People, it's a live recording. Not perfect (and they never are) but a spectacular event that we get to listen to over and over again. A great document from nearly 40 years ago. Since when is that a bad thing? I listen to shitty crowd recordings and muddle through them to enjoy the show. This is something to be grateful to have.
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I can happily say that the Wembley show is excellent!!!! As Neil Young once said "Live music is better. Bumper sticker will be issued".
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I actually have thought about this quite a lot. Keith's problem is confidence which is an affliction to many performers. If you listen to him on the '71 British tour he soloed quite a lot. They were typically the Chuck Berry style solos that Keith most often did at the time (like on Bitch and Let it Rock) and the number of solos he had were basically the same as Mick Taylor whose sol
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At least Mick could add vocals to the outtakes and no one would know the difference!!!!!!!
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I'm just happy they decided to release a different live show instead of how they repacked the same Brussels show for GHS. Makes me think when they get around to IORR they might put a different '75 tour show!!!!
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It's kind of like being DB Cooper. About a hundred people have claim that!!!!
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The story of the 1972 MSG recording is well know (if even factual) from a stolen tape from the board. I have 2 question regarding this: 1. Why has the first half of the show never surfaced? 2. If the tape was actually stolen I would think the thief would be a legend even more well known than Mike Millard. How come this legend of a human being never come forward to claim the well
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Sometimes I'll pick a song and play numerous versions over and over. I've done that with LIV many times. The highlight to me of all of the 1978 versions is Ian Stewart's piano on Garden State '78. The piano is mixed in so far out front and it has such a amazing small club feel to it unlike any other version. Nicki also has a great mix on the Welcome to NY version that is s
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That really is amazing!!! It does suggest there is a boatload of Robert Frank film sitting in a vault somewhere in pristine condition
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My take is completely different. You have a band that hadn't played live in a year and a half playing songs that were completely new handcuffed by only one person playing guitar in front of an audience that wasn't just a bunch of screaming teens. I think it's amazing. The colors are wonderful and a perfect capturing of the late 60's coming of age Stones. Keith was proving
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Dirty Work was the first album the Stones tried to be the Stones instead of just being the Stones
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Posted by: Midnight Toker () Date: July 10, 2021 07:02 A new LP of all NEW material is preferred. After all, it has been 16 years. Posted by: yearsinthemaking () Date: July 10, 2021 16:04 Please No!!!!! What a waste that would be. Another shitty unlistenable album instead of all of the great live music deteriorating in the vaults somewhere
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Please No!!!!! What a waste that would be. Another shitty unlistenable album instead of all of the great live music deteriorating in the vaults somewhere
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Every once in a while a put on one of the Stones last handful of albums and all I can think of is how mediocre (or worse) these albums are. There are treasure troves of amazing live music in their vaults. It would be so much better to release these live shows rather than another terrible, unlistenable album. Please no!!!!!!!
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Quote24FPS Quoteyearsinthemaking The Brussels version is one of the absolute highlights in the history of the Stones on stage. From the very first intro notes, Mick warming up on the Harmonica and says "we're very quick, aren't we" and then Keith slides his fingers down the guitar in a way I can't think of him doing again to kick off the actual song it's fantastic.
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The Brussels version is one of the absolute highlights in the history of the Stones on stage. From the very first intro notes, Mick warming up on the Harmonica and says "we're very quick, aren't we" and then Keith slides his fingers down the guitar in a way I can't think of him doing again to kick off the actual song it's fantastic. Mick doesn't yet short play
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Interesting to add to the discussion
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