Whats the story of this Hide Your Love version?
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Quoteliddas I got into the Stones when I was a little kid with Rolled Gold. Became a fan with Start me Up and TY. My first live image of the Stones was a news report on TV of them at the airport of Torino in July 82. I recorded the Lets Spend the Nigh Together film on videotape and played it to death ever since. Still life was my first live LP. Hampton was my first bootleg. This is what I gre
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QuoteMathijs Quotebuffalo7478 Some comments on 81 as THE peak? Maybe as a concert draw or great party. But playing? I think that peak happened in the 70s. 72 or 73 most likely. 1981 was good (as I am guessing 1982 was). Lots of fun. But Ronnie could be a mess. When Taylor was into it and the band was serious, those 1972 and 73 shows were generally amazing. Yes, Ronnie could be messy. But
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QuoteProfessorWolf QuoteTravelinMan QuoteProfessorWolf most recent books on them (last 10 or 15 years) to me with a few exceptions have been terrible rehashes of stuff that's already well known and on top of that riddled with easily corrected mistakes and errors if you've read the big books written in the 70's - 90's and keith's book and want to expand your knowledge
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QuoteProfessorWolf most recent books on them (last 10 or 15 years) to me with a few exceptions have been terrible rehashes of stuff that's already well known and on top of that riddled with easily corrected mistakes and errors if you've read the big books written in the 70's - 90's and keith's book and want to expand your knowledge of the band more your better off sea
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QuoteProfessorWolf QuoteGasLightStreet JJF from 1972 onward is unlistenable, with some tours being downright horrors, others just carpet bombs. Thank GYYYO and GIMME SHELTER for that. SFM was destroyed in 1972 and 1973 but much improved in 1995 and back to being something awesome in 20023-03. JJF lost its swagger after 1971. you've posted this opinion about jjf a lot and at first
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Quotewelshphil My first Stones bootleg was Nasty Music . A double vinyl L.P.Bought at a record shop called "At the Hop" opposite Fulham Broadway Station in 1979 . It's a recording from The Brussels "73 shows, plus 3 from U.S. 72 shows .Excellent quality. My dad had Nasty Music on cd. I think he got it in the 90’s as he knew a guy who owned a record store. The first time I he
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QuoteGasLightStreet QuoteTravelinMan QuoteGasLightStreet QuoteTheflyingDutchman QuoteGasLightStreet Over the years Ronnie solos on quite a few songs live, even for songs that, studio wise, don't have solos! Mick Taylor used to noodle all over the place, without Keith's permission. Even Ron Wood cannot top that. Ronnie knew when to stop. Have you heard the 75-76 tours? Arrangem
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QuoteTheflyingDutchman QuoteTravelinMan QuoteTheflyingDutchman QuoteGasLightStreet Over the years Ronnie solos on quite a few songs live, even for songs that, studio wise, don't have solos! Mick Taylor used to noodle all over the place, without Keith's permission. Even Ron Wood cannot top that. I for one would pay for many more of those “noodles” so open the vaults! You would
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QuoteGasLightStreet QuoteTheflyingDutchman QuoteGasLightStreet Over the years Ronnie solos on quite a few songs live, even for songs that, studio wise, don't have solos! Mick Taylor used to noodle all over the place, without Keith's permission. Even Ron Wood cannot top that. Ronnie knew when to stop. Have you heard the 75-76 tours? Arrangements/structures are literally exactly
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QuoteTheflyingDutchman QuoteGasLightStreet Over the years Ronnie solos on quite a few songs live, even for songs that, studio wise, don't have solos! Mick Taylor used to noodle all over the place, without Keith's permission. Even Ron Wood cannot top that. I for one would pay for many more of those “noodles” so open the vaults!
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"I knew those solos in my head. I could reproduce them, with tremendous respect for Mick," Wood told Rolling Stone. "Technically, I'm not as good a guitarist as Mick but the only way I can really f--- up is by being too loud. That is a sore point with Keith and Mick. I'd get my guitar wrapped 'round my head by Keith." This is what makes me like Ron Wood. How
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QuoteMathijs QuoteDelcoProud QuoteMathijs QuoteTheflyingDutchman Do 5-tees LP's sound better than 6-tees, 7-tees, several 8-tees and later built LP's or is this just a nostalgia idefix? Generally speaking, Gibson guitars made in the 1950's up to about 1963 are better than what they made until the 2010's. But, even for the 1950's there are bad, decent, good and very good
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QuoteMathijs QuoteGasLightStreet I can't find the info, it may've been here, I checked a couple of things I have but keep going back to the "alternative version" of Hide Your Love is (supposedly) from the 1973 LA sessions. Could also be from the Rotterdam Rehearsals, Taylor's solo's on these rehearsals are remarkebly close to the 'alternative version' and
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QuoteMathijs QuoteDandelionPowderman Quotez QuoteMathijs QuoteDandelionPowderman QuoteTravelinMan QuoteDandelionPowderman I was listening to Hide Your Love with headphones, and heard a guitar in the right channel for the first time! It comes in round 2:04 and does a classic Keith lick round 3:36. The baritone sax comes in at 2:04 That blues lick at 3:36 sounds like a classic Taylor Bluesbrea
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QuoteRisingStone A throwaway comment without reading the bulk of the posts upthread. Sorry if this is coming out of context. GHS — an album that doesn’t do much for me. It is a reminder that everything the Stones did in the Miller/Taylor era is not gold. It is too esoteric to deliver the goods, too unfocused or disjointed to bear cohesiveness although some may claim therein lies the album’s
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QuoteMathijs QuoteDandelionPowderman QuoteTravelinMan QuoteDandelionPowderman I was listening to Hide Your Love with headphones, and heard a guitar in the right channel for the first time! It comes in round 2:04 and does a classic Keith lick round 3:36. The baritone sax comes in at 2:04 That blues lick at 3:36 sounds like a classic Taylor Bluesbreakers lick. It might have been from his origi
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QuoteDandelionPowderman QuoteTravelinMan QuoteDandelionPowderman I was listening to Hide Your Love with headphones, and heard a guitar in the right channel for the first time! It comes in round 2:04 and does a classic Keith lick round 3:36. The baritone sax comes in at 2:04 That blues lick at 3:36 sounds like a classic Taylor Bluesbreakers lick. It might have been from his original take. L
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QuoteDandelionPowderman I was listening to Hide Your Love with headphones, and heard a guitar in the right channel for the first time! It comes in round 2:04 and does a classic Keith lick round 3:36. The baritone sax comes in at 2:04 That blues lick at 3:36 sounds like a classic Taylor Bluesbreakers lick. It might have been from his original take.
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Well, according to Keith I think it's safe to say that's not Jagger on the cover! These bootleg covers are wild, Haha!
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What happened to to the Ya Ya's SG? Might have even been called a Les Paul at the time.
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QuoteRedhotcarpet QuoteMathijs QuoteTaylor1 video: of Taylor playing great in tandem with Keith and the rest of the band, and not one of his 13 solos Good example of how Taylor is not a great rhythm player...akward choice of chording, and he clashes with the backbeat and with Richards' main part. Taylor is pulling back, not pushing. Here Wood shows how to add energy by great pushing an
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QuoteMathijs QuoteTaylor1 video: of Taylor playing great in tandem with Keith and the rest of the band, and not one of his 13 solos Good example of how Taylor is not a great rhythm player...akward choice of chording, and he clashes with the backbeat and with Richards' main part. Taylor is pulling back, not pushing. Here Wood shows how to add energy by great pushing and pulling, and his
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QuoteMathijs QuoteTravelinMan Let's put it this way. I find (and so do most people and sales charts) Clapton to be a far superior guitarist and songwriter to Ron Wood—plus he's a lot richer so people can't say I am being some kind of hater. BUT I would much rather share a pint or three with Ron Wood. And sometimes that's what matters when it comes to bringing a new person in
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QuoteTaylor1 QuoteMathijs QuoteTravelinMan QuoteMathijs The magic to Ron Wood for me is that his guitar playing sounds so simple but when you want to copy it, it turns out to be much more complicated. His playing in 1975, 1978 and 1981 is actually much more technically advanced, much faster and much more intricate than you think on first listen. And Wood has taste -he always plays the right part
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QuoteMathijs QuoteTravelinMan QuoteMathijs The magic to Ron Wood for me is that his guitar playing sounds so simple but when you want to copy it, it turns out to be much more complicated. His playing in 1975, 1978 and 1981 is actually much more technically advanced, much faster and much more intricate than you think on first listen. And Wood has taste -he always plays the right part to a track, e
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Quoteroryfaninva Harvey Mandel never recorded a song this cool.... To each their own!
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QuoteMathijs The magic to Ron Wood for me is that his guitar playing sounds so simple but when you want to copy it, it turns out to be much more complicated. His playing in 1975, 1978 and 1981 is actually much more technically advanced, much faster and much more intricate than you think on first listen. And Wood has taste -he always plays the right part to a track, especially when they play soul
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QuoteDandelionPowderman Of course he is. He is a very good guitar player. However, he is known for tapping and (over)use of electronic effects. So, in this context, with this interview, it wasn't really unfair to mention that, imo. And Mandel never wrote or played on (or sang!) big songs like Ooh La La or Stay With Me, songs that people really remember. Getting input from a top notch
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QuoteGasLightStreet Wow. It's getting worse and worse for Harvey Mandel. He's looking more and more of a shuttered old complaining fool. "Not to brag"... what a jerk. It's obvious why Keith didn't want him in the Stones - he's beyond arrogant. A friend's dad once said: "Ronnie Wood is the best of the bad classic rock guitarists"
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