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Doxa
The analogy to "FarAway Eyes" is a good one (but I am more positive of its goodness than Gazza). - Doxa
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As for "ER," Gazza aside (sorry!), was it more negatively received in the US? It seems to me that the conservative, classic-rock "Disco Sucks" campaign was a US phenomenon, as demonstrated by FrankM.
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Edward Twining
'Emotional Rescue' is a perfect indication in my eyes to where the Stones could have gone musically, by saying that i don't necessarily mean by using the falsetto on all occasions, but the willingness to be experimental and different, which never really happened. 'Emotional Rescue' sounds nothing like the Bee Gees whatever anyone may say, it's a fine experimental track with a strange half reggae beat which really works in every area, and i think the Stones should be applauded for having the guts to release it as a single. It's tracks like 'You Got Me Rocking', 'I Go Wild', 'Mixed Emotions' and 'Rough Justice' that are really worthy of being derided, but i suppose they may be more palatable to some fans because they 'sound' more like the Stones.
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TeaAtThree
Gazza has a good point, they do country straight sometimes -- when they choose to.
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Doxa
The analogy to "FarAway Eyes" is a good one (but I am more positive of its goodness than Gazza). - Doxa
Eh? I love 'Far away eyes'.
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The Greek
the falsetto is what makes this song anyone that does not care for this unique quality of jagger voice should go listen to amy winehouse
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Edward Twining
Mick's effort on Emotional Rescue is nothing like the Temptations - it is harsh and mannered, not soft and sweet. That comparison is completely meaningless.Emotional Rescue stands on its own, and certainly doesn't resemble Motown by any stretch of the imagination.
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The Greek
gazza you miss the humor and fun aspect of micks falsetto on emotional rescue .especialy the knight in shining armour .you will be mine all mine . very tongue in cheek
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Crackinup
I remember trying to argue to my friends in the late 70's that the Stones were still big time rockers. ER being relaeased as a single did nothing to help my cause.
I also remember listening to the release press conference on the radio. Keith didn't attend, so it was primarily Mick talking. Ronnie made a comment that Mick was demonstrating his entire vocal range on ER, or something to that affect.
Since Kieth later stated his general displeasure with a lot of the songs from this period ('they all sound the same, but nobody listens to me') I wonder if his no-show was because of his lack of enthusiasm for the material?