Camille Paglia: A Feminist Defense of Masculine VirtuesThe cultural critic on why ignoring the biological differences between men and women risks undermining Western civilization itself.'What you're seeing is how a civilization commits suicide," says Camille Paglia. This self-described "notorious Amazon feminist" isn't telling anyone to Lean In or asking Why Women Still Can't Have It All. No, her indictment may be as surprising as it is wide-ranging: The military is out of fashion, Americans undervalue manual labor, schools neuter male students, opinion makers deny the biological differences between men and women, and sexiness is dead. And that's just 20 minutes of our three-hour conversation.
When Ms. Paglia, now 66, burst onto the national stage in 1990 with the publishing of "Sexual Personae," she immediately established herself as a feminist who was the scourge of the movement's establishment, a heretic to its orthodoxy. Pick up the 700-page tome, subtitled "Art and Decadence From Nefertiti to Emily Dickinson, " and it's easy to see why. "If civilization had been left in female hands," she wrote, "we would still be living in grass huts."
Ms. Paglia relishes her outsider persona, having previously described herself as an egomaniac and "abrasive, strident and obnoxious." Talking to her is like a mental CrossFit workout. One moment she's praising pop star Rihanna (a true artist), then blasting ObamaCare ("a monstrosity," though she voted for the president), global warming (a religious dogma), and the idea that all gay people are born gay ("the biggest canard," yet she herself is a lesbian).
But no subject gets her going more than when I ask if she really sees a connection between society's attempts to paper over the biological distinction between men and women and the collapse of Western civilization.
Ms. Paglia, who has been a professor of humanities and media studies at the University of the Arts in Philadelphia since 1984, sees her own students as examples. "I have woodworking students who, even while they're in class, are already earning money making furniture and so on," she says. "My career has been in art schools cause I don't get along with normal academics."
To hear her tell it, getting along has never been Ms. Paglia's strong suit. As a child, she felt stifled by the expectations of girlhood in the 1950s. She fantasized about being a knight, not a princess. Discovering pioneering female figures as a teenager, most notably Amelia Earhart, transformed Ms. Paglia's understanding of what her future might hold.
These iconoclastic women of the 1930s, like Earhart and Katharine Hepburn, remain her ideal feminist role models: independent, brave, enterprising, capable of competing with men without bashing them. But since at least the late 1960s, she says, fellow feminists in the academy stopped sharing her vision of "equal-opportunity feminism" that demands a level playing field without demanding special quotas or protections for women.
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he proudly recounts her battle, while a graduate student at Yale in the late 1960s and early '70s, with the New Haven Women's Liberation Rock Band over the Rolling Stones: Ms. Paglia loved "Under My Thumb," a song the others regarded as chauvinist. Then there was the time she "barely got through the dinner" with a group of women's studies professors at Bennington College, where she had her first teaching job, who insisted that there is no hormonal difference between men and women. "I left before dessert."
She's quite the firebrand and she makes some good sense here. Link to the full article:
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