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TheGreek
Nice uptempo rocker. Natural progression and growth from leaving behind the golden era and diving into the future of weaving and yes I can hear Wayne Perkins staccato phrases in the fill and then Perkins kills it with a killer solo .Hard for me to tell about Keef's open-G but that is his bread and butter.No way this should have been left on the floor and should have been included on Black and Blue and I most certainly can hear the bridge from Love is Strong and maybe this was reworked during Voodoo Lounge and made into Love is Strong ,the Glimmers are known for revisiting tracks . This is a really good track damn shame that Mick did not throw down some lyrics and complete this most awesome track .DP where is this from Munich ? Love it a lot and thank you for blessing my ears with this most wonderful music so bright and early to start my workday on an uptempo
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Monsoon Ragoon
Along with Munich Reggae and It's All Lie it was remixed in 1980 for possible use on Tattoo You, but didn't make the cut.
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DandelionPowdermanQuote
Monsoon Ragoon
Along with Munich Reggae and It's All Lie it was remixed in 1980 for possible use on Tattoo You, but didn't make the cut.
With Perkins's or Wood's guitar track?
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Monsoon RagoonQuote
DandelionPowdermanQuote
Monsoon Ragoon
Along with Munich Reggae and It's All Lie it was remixed in 1980 for possible use on Tattoo You, but didn't make the cut.
With Perkins's or Wood's guitar track?
I don't know, but it is not that far from the 1975 version. It's (only?) available on the DAC Emotional Rescue Sessions.
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lem motlow
these sort of jams are heartbreaking for me to listen to because we all know it's a product of hours and hours working in the studio and something we'll probably never see again-
a typical night started around 7:30 or 8 in the evening and went until daylight the next day.keith jamming endlessly,he'd come up with a riff and they'd work on it for awhile and move on to something else.
some got worked through to become finished songs,some left for the next record,some left for years.
we most likely own bootlegs that have more work put into them than blue and lonesome.
CB11 said that he'd seen them jamming as a band for bridges and working hard together in response to a similar post i made to this one.i don't doubt what he said but it leads me to wonder,what were they working on? a song mick or keith wrote with other people? a song they wrote alone and brought to the band almost finished?
this simple track without even a vocal on it has more of the real spirit and feel of the rolling stones than entire albums they've released.
maybe they've just gotten older and don't have it in them to spend that much time locked up in a studio or too much water has passed under the bridge for mick and keith to be around each other that much,i don't know but what a damn shame.
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Monsoon Ragoon
Along with Munich Reggae and It's All Lie it was remixed in 1980 for possible use on Tattoo You, but didn't make the cut.
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Monsoon Ragoon
Better than the last five studio albums together...