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DandelionPowdermanQuote
LeonidP
19th Nervous Breakdown and Mother's Little Helper should be warhorses in concert!
+1
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Silver Dagger
And ain't this version at the Double Door, Chicago in 1997 one of the best. What a surprise to have it at that half tempo too.
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marcovandereijk
Found Bill's quote on the brilliant timeisonourside.com website, but it does not say
what year it's from:Quote
Bill Wyman
I played a small-bodied Framus on that one. Not the red Framus bass that I used a lot onstage around that time but the one with the brown and yellow stripes across it that looked like a humbug. It was semi-acoustic. Andrew (Oldham) or Keith said something like, Why don't you do something at the end there, some kind of a lick that will fill up the space between the vocals and the band? I came up with that Bo Diddley thing really, I just bounced the string with the top of my finger on the pickup, and ran my finger down the string. That is what created that so-called "dive-bombing" sound. Can't do it on guitars I own now.
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Wry CooterQuote
marcovandereijk
Found Bill's quote on the brilliant timeisonourside.com website, but it does not say
what year it's from:Quote
Bill Wyman
I played a small-bodied Framus on that one. Not the red Framus bass that I used a lot onstage around that time but the one with the brown and yellow stripes across it that looked like a humbug. It was semi-acoustic. Andrew (Oldham) or Keith said something like, Why don't you do something at the end there, some kind of a lick that will fill up the space between the vocals and the band? I came up with that Bo Diddley thing really, I just bounced the string with the top of my finger on the pickup, and ran my finger down the string. That is what created that so-called "dive-bombing" sound. Can't do it on guitars I own now.
So it was Bill.
Quote
DandelionPowdermanQuote
Wry CooterQuote
marcovandereijk
Found Bill's quote on the brilliant timeisonourside.com website, but it does not say
what year it's from:Quote
Bill Wyman
I played a small-bodied Framus on that one. Not the red Framus bass that I used a lot onstage around that time but the one with the brown and yellow stripes across it that looked like a humbug. It was semi-acoustic. Andrew (Oldham) or Keith said something like, Why don't you do something at the end there, some kind of a lick that will fill up the space between the vocals and the band? I came up with that Bo Diddley thing really, I just bounced the string with the top of my finger on the pickup, and ran my finger down the string. That is what created that so-called "dive-bombing" sound. Can't do it on guitars I own now.
So it was Bill.
Apparently it was
However, it's strange that he didn't mention that this was a Brian trick. Now it sounds like something Bill invented..
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matxilQuote
DandelionPowdermanQuote
Wry CooterQuote
marcovandereijk
Found Bill's quote on the brilliant timeisonourside.com website, but it does not say
what year it's from:Quote
Bill Wyman
I played a small-bodied Framus on that one. Not the red Framus bass that I used a lot onstage around that time but the one with the brown and yellow stripes across it that looked like a humbug. It was semi-acoustic. Andrew (Oldham) or Keith said something like, Why don't you do something at the end there, some kind of a lick that will fill up the space between the vocals and the band? I came up with that Bo Diddley thing really, I just bounced the string with the top of my finger on the pickup, and ran my finger down the string. That is what created that so-called "dive-bombing" sound. Can't do it on guitars I own now.
So it was Bill.
Apparently it was
However, it's strange that he didn't mention that this was a Brian trick. Now it sounds like something Bill invented..
Didn't a lot of musicians already do this before Brian or Bill? I am thinking, for instance, the intro to Roadrunner?
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GasLightStreet
That live version is more subdued. Yeah, granted, they're not ever going to play it like they did in the mid-1960s because they're not that band.
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Monsoon Ragoon
New early takes of 19th Nervous Breakdown and Mother's Little Helper have surfaced according to Elliot (online) and Zentgraf.
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DelticsQuote
Monsoon Ragoon
New early takes of 19th Nervous Breakdown and Mother's Little Helper have surfaced according to Elliot (online) and Zentgraf.
They were posted by ABKCO as "Copyright Preservation" a couple of months ago on YouTube. They've now been taken down.
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Monsoon RagoonQuote
DelticsQuote
Monsoon Ragoon
New early takes of 19th Nervous Breakdown and Mother's Little Helper have surfaced according to Elliot (online) and Zentgraf.
They were posted by ABKCO as "Copyright Preservation" a couple of months ago on YouTube. They've now been taken down.
Unfortunately they are not on the new 5cd The Legend Of Emerald with "all" outtakes and alternates 1961-66.
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DelticsQuote
Monsoon RagoonQuote
DelticsQuote
Monsoon Ragoon
New early takes of 19th Nervous Breakdown and Mother's Little Helper have surfaced according to Elliot (online) and Zentgraf.
They were posted by ABKCO as "Copyright Preservation" a couple of months ago on YouTube. They've now been taken down.
Unfortunately they are not on the new 5cd The Legend Of Emerald with "all" outtakes and alternates 1961-66.
This looks like the same old, same old rehashed yet again.
[page10.auctions.yahoo.co.jp]
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frtg55
This song is not really my kind of stuff!
Not bad, not good!
I was always a little bit bored.
A song, for having a break, to go to the kitchen and bring some more beer!
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DelticsQuote
Monsoon Ragoon
New early takes of 19th Nervous Breakdown and Mother's Little Helper have surfaced according to Elliot (online) and Zentgraf.
They were posted by ABKCO as "Copyright Preservation" a couple of months ago on YouTube. They've now been taken down.
Quote
DandelionPowdermanQuote
DelticsQuote
Monsoon Ragoon
New early takes of 19th Nervous Breakdown and Mother's Little Helper have surfaced according to Elliot (online) and Zentgraf.
They were posted by ABKCO as "Copyright Preservation" a couple of months ago on YouTube. They've now been taken down.
A closer listen lead me to believe that some of these «early versions» are the takes they used to mime/sing over for Ed Sullivan and other shows. At least 19th Nervous Breakdown is, surely?
Quote
Monsoon RagoonQuote
DandelionPowdermanQuote
DelticsQuote
Monsoon Ragoon
New early takes of 19th Nervous Breakdown and Mother's Little Helper have surfaced according to Elliot (online) and Zentgraf.
They were posted by ABKCO as "Copyright Preservation" a couple of months ago on YouTube. They've now been taken down.
A closer listen lead me to believe that some of these «early versions» are the takes they used to mime/sing over for Ed Sullivan and other shows. At least 19th Nervous Breakdown is, surely?
Where to get them now? And why did they release it online? Why doesn't ABKCO release a box set? It would sell 100.000s. I'm sure the 60s outtakes we know is only 20-40% of what's existing, not counting the studio rehearsals.
Quote
DandelionPowdermanQuote
matxilQuote
DandelionPowdermanQuote
Wry CooterQuote
marcovandereijk
Found Bill's quote on the brilliant timeisonourside.com website, but it does not say
what year it's from:Quote
Bill Wyman
I played a small-bodied Framus on that one. Not the red Framus bass that I used a lot onstage around that time but the one with the brown and yellow stripes across it that looked like a humbug. It was semi-acoustic. Andrew (Oldham) or Keith said something like, Why don't you do something at the end there, some kind of a lick that will fill up the space between the vocals and the band? I came up with that Bo Diddley thing really, I just bounced the string with the top of my finger on the pickup, and ran my finger down the string. That is what created that so-called "dive-bombing" sound. Can't do it on guitars I own now.
So it was Bill.
Apparently it was
However, it's strange that he didn't mention that this was a Brian trick. Now it sounds like something Bill invented..
Didn't a lot of musicians already do this before Brian or Bill? I am thinking, for instance, the intro to Roadrunner?
Of course, but it was Brian who used to do this in the Stones