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loog droogQuote
GasLightStreet
I got SUCKING IN THE SEVENTIES first. Heard TWFNO and thought it was bizarrely incredible yet it sounded like nothing else I'd heard before and wasn't quite sure if it really was the Stones!
Then I got IORR and noticed it was a decent bit longer than the SITS version, which was fantastic. And the context of IORR helped out with TWFNO.
I was going to mention this very subject. The editing of Time Waits For No One on Sucking In The Seventies was awful! Did they also use that edit when that album came out on CD?