Re: Bigger Bang?
Date: July 31, 2005 13:09
ron091 Wrote:
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> Those of us who have been followers of this band
> since 1968 don't find your "reviews" interesting
> at all.
Apperently interesting enough for you to reply.
Anyway, I get the impression that some of you think that I have a "I can do better" attitude. Well, that of course is complete bollocks. But, that isn't even the topic here. What I am saying is: Stones music for me is all about energy. Until 1983 they were the undisputed best band in the world, and to this day no band ever got close to the magic of the Stones in 1972, 1978 or 1981. But, in the studio they now seem to have lost this magic, and most of the times also live on stage. I hate Voodoo Lounge for one simple reason: it is fake. It is the Stones trying to come up with a vintage sounding Stones album. It sounds fake, the singing is fake, the lyrics are fake. B2B is much, much better. They didn't try to be classic Stones, they tried to be harder edged contemporary. Many songs succeeded (like FTS, Lowdown, Too Tight, SOM and OOC), but some didn't that well (Gunface, MAWGJ). With the 4 songs we have until now, I hear the same as with Voodoo Lounge. It's fake emotions. "Guys, if we do a blues, all the fans will go crazy again". And Jagger is right. But listen to it with your ears, not with hazy eyes. It is a 13-to-a-dozen blues, Can I do it better? Probably not, but I can come up with ten of these songs within a day. Lift some riffs from Robert Johnson, do a 12-bar blues, write some lyrics about how my girl is so mean to me, add some blues harp and your done. The same for Rough Justice: this isn't the Stones, its the Stones trying to sound like the Stones. Give me an open E guitar, and my slide solo will sound like Wood on RJ. That isn't meant as a comliment for Wood. Listen to Izzy Stradlin's albums, and you find this solo on about 16 songs.
Someone is this thread sums it up right: the Stones used to record 40 takes of a song, and then edit it down to one excellent song. In this way songs can be crafted to an higher standard. Of 40 takes, there's always that solo that stands out, so you use it. That guitar riff or bass line that stands out, you use it. It's a bit of trickery, but it works. The original Miss You features two rather boring guitars. Chris Kimsey edited the guitars down from 15 minutes boring to 3 minutes brilliant guitars. Voodoo Lounge was recorded quite live and was meant to sound organic. To me, it misses the mark completely. B2B was recorded in the tradional Stones way, and some of the songs are true classics to me (Low Down, Too Tight and especially How Can I Stop which I rate among the best 10 Stones songs).
It's the same as the difference between Wandering Spirit and Goddess: Wandering Spirit is made from the heart. Raw, dirty R&B in the old vein, straight form the heart. Goddess is a concept album: "what should I add in the mix to have a numer one hit again". Add some strings, some synth, use the same flute as Santana, use Wycleff Jean, use the guy from Bon Jovi as a producer. It's just awfull.
Anyway. Why am I still here? Because they will always and forever be the Greatest band in the World. With the press conference I was sitting behind the computer live online, and I had the same nervous feeling as at a live gig. They completely surprised me with how they looked, and how raw they sounded. Of course I will be the CD within 5 minutes when its out. Of course I go see them live. I will not go to big stadiums anymore. but an arena is o.k. with me. No, I don't think they play that well live anymore, but every gig I have seen there's always that 5 minutes of magic. There's always a moment that they become the Greates Band in the World again.
Mathijs