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stonehearted
<<i think i even remember bill helping out and getting keith drugs so he could lay low. although that seems crazy-come to think of it,did that bill thing really happen?>>
Bill writes about it in Stone Alone and Keith recalls it in Life.
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Naturalust
Thanks Dandie, now I can be a bit shocked. It sure seems a strange statement especially in light of the seemingly other somewhat benign and accurate information in that interview. I'm going to assume it was taken out of context and that he meant "I wrote the lead parts on the ballads" or something like that because otherwise it absolutely makes no sense.
Anyway, I was always more of a Guitar Player mag reader than a Guitar World guy. But thanks again for the link, I hadn't read that interview.
peace
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DandelionPowderman
I've quoted this interview a few times, first and foremost to poke some fun. I never took this seriously, nor did I think he said it like that.
Yeah, he probably said something like "for the ballads which had extended solos, I mostly did the lead guitar work" – or something
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DoxaQuote
DandelionPowderman
I've quoted this interview a few times, first and foremost to poke some fun. I never took this seriously, nor did I think he said it like that.
Yeah, he probably said something like "for the ballads which had extended solos, I mostly did the lead guitar work" – or something
Well, that sounds exactly the way you would like to hear him to say....
But that said, he actually was earlier describing "Time Waits For No One", and talking about his contribution there (and how the song is extraordinary for both them and himself). Unfortunately he kind of stops there before saying something even more accurateor specific, and goes to that odd line.
- Doxa
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DandelionPowdermanQuote
DoxaQuote
DandelionPowderman
I've quoted this interview a few times, first and foremost to poke some fun. I never took this seriously, nor did I think he said it like that.
Yeah, he probably said something like "for the ballads which had extended solos, I mostly did the lead guitar work" – or something
Well, that sounds exactly the way you would like to hear him to say....
But that said, he actually was earlier describing "Time Waits For No One", and talking about his contribution there (and how the song is extraordinary for both them and himself). Unfortunately he kind of stops there before saying something even more accurateor specific, and goes to that odd line.
- Doxa
The funny thing about those maj-chords is that they indeed had been playing them quite a lot the years prior to IORR. Coming Down Again and Waiting On A Friend come to mind.
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lem motlow
this narrative that has emerged of keith richards as this sort of marginalized junkie after 72 is not only untrue it's ridiculous.
i happen to have been as much of a fan in 73 as i am now.back then,instead of going on the internet you read magazine articles.and the writers didnt do 5 minute interviews by phone and ask prearranged questions,they flew to where the band was,hung out with them for awhile and wrote about it.
and i read everything-crawdaddy,rolling stone,cream,new musical express,hit parader,you name it.alot of times these guys would be in the studio with the band and i can tell you from the first hand accounts,keith richards ran those recording sessions.period.
he would sit with his guitar and just jam for hours and hours.as bill wyman later said "we would just hang out sometimes,go have a smoke or whatever while keith messed with his guitar."
and i'm talking about goats head,iorr,black and blue,some girls,it didnt matter.when he was onto something the band would join him with mick sort of mumble-scat singing half written lyrics over keith playing with the band following along.
this is how the songs were created,like an artist slowly molding something from clay.and not just the ones we ended up with on the records but many others that we have heard from bootlegs and hours and hours of jams we may never hear.
most of you have heard about mick taylor telling jagger he was leaving at robert stigwoods party.jagger was shell-shocked telling ron wood "i dont know what to do,can you maybe help out" think of the long process of replacing mick taylor-months of auditions and wondering what to do.
now imagine that being keith-the band would've stopped dead in its tracks.
the idea of calling in a session player and just just moving on without him -no,just forget it. mick jagger has never had a thought go though his head anywhere near that level of stupid -
even after ww3 and as mad as they were at each other mick never considered a wood-taylor-wyman-watts line-up he had to work with keith again no matter what.jaggers not a dummy,he knows what we know-without keith richards there is no rolling stones.it is that way today and it was that way in 1973.
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DoxaQuote
DandelionPowdermanQuote
DoxaQuote
DandelionPowderman
I've quoted this interview a few times, first and foremost to poke some fun. I never took this seriously, nor did I think he said it like that.
Yeah, he probably said something like "for the ballads which had extended solos, I mostly did the lead guitar work" – or something
Well, that sounds exactly the way you would like to hear him to say....
But that said, he actually was earlier describing "Time Waits For No One", and talking about his contribution there (and how the song is extraordinary for both them and himself). Unfortunately he kind of stops there before saying something even more accurateor specific, and goes to that odd line.
- Doxa
The funny thing about those maj-chords is that they indeed had been playing them quite a lot the years prior to IORR. Coming Down Again and Waiting On A Friend come to mind.
Well, he says "which aren’t chords the Stones used that much", which is a rather vague expression, as is "quite a lot" as well. Where goes the strict boundary between them, especially when it is a question of describing things loosely out of memory, and not based on years research?
To me it only means that "Time Waits For No One" seems to an important and memorable song for him personally, and it, as its creation, has left for him a bigger impact than many other Stones songs do (for example, "Coming Down Again" or "Waiting On A Friend"), He sounds like he really need to put some special effort on that one, and he also sounds rather pleased with the results. And rightly, me thinks!
- Doxa
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DandelionPowderman
Yeah, but it is a strange thing to say, when the Stones have been exploring those chords in their songwriting for the past two or three years.
I'm certain TWFNO was more important for him personally than a song he only played bass on and a song he didn't play on
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DandelionPowderman
Yeah, but it is a strange thing to say, when the Stones have been exploring those chords in their songwriting for the past two or three years.
I'm certain TWFNO was more important for him personally than a song he only played bass on and a song he didn't play on
Aah, the whole point was that of proving how little Mick Taylor contributed to the Rolling Stones. I should have known. Woodists, and their ever-going war against Taylorites, they never sleep, never missing a chance to belittle Taylor....><
A quick Taylor-Dandie dictionary:
most of = all
not that much = quite a lot
- Doxa
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Doxa
A very good concert, but not much to do with the history of The Rolling Stones...
- Doxa
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Naturalust
Hey Doxa with much due respect, and possibly even agreement, please lighten up on the whole W-T thing because I'd like to be sure we continue to have this thread to discuss the best guitarist the Stones ever had...I'm sure you understand. Thanks man.
peace
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Naturalust
Hey Doxa with much due respect, and possibly even agreement, please lighten up on the whole W-T thing because I'd like to be sure we continue to have this thread to discuss the best guitarist the Stones ever had...I'm sure you understand. Thanks man.
peace
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Naturalust
Thanks Dandie, now I can be a bit shocked. It sure seems a strange statement especially in light of the seemingly other somewhat benign and accurate information in that interview. I'm going to assume it was taken out of context and that he meant "I wrote the lead parts on the ballads" or something like that because otherwise it absolutely makes no sense.
Anyway, I was always more of a Guitar Player mag reader than a Guitar World guy. But thanks again for the link, I hadn't read that interview.
peace
Yeah, thanks for Dandie showing the source. He's been quoting that bit quite regularly, and it has always amazed me...
But I do recall reading the interview, but somehow that bit didn't stick to my memory. Probably it was just too absurd to take seriously, or even try to interpret reasonably. For the latter I guess what you Naturalust say here makes sense. So I can't say I was shocked, more like amused...
- Doxa
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Naturalust
It's not you or Dandie I'm worried about, it's the more mentally challenged folks who tend to jump in real serious like and...well you know the story.
peace
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Shawn20
You can be huge fans of both guitarist.
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DandelionPowderman
Without starting that debate again, it is very often the Taylorites who don't appreciate the Stones's output from ALL eras – something people who like Wood often do.
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treaclefingersQuote
DandelionPowderman
Without starting that debate again, it is very often the Taylorites who don't appreciate the Stones's output from ALL eras – something people who like Wood often do.
lovely sweeping statement that puts everything into very black and white terms...thanks for clarifying.
Seems decided then that it is the Taylorites that have the problem.
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Naturalust
Hey Doxa with much due respect, and possibly even agreement, please lighten up on the whole W-T thing because I'd like to be sure we continue to have this thread to discuss the best guitarist the Stones ever had...I'm sure you understand. Thanks man.
peace
No one touches Keith. Still my favourite guitar player of all time.
You probably meant apart from Keith
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StonesCat
Yeah, there's a lot of people who don't really dig the Stones music from part of "Wood's era", but that's not really down to him, it's just the fact that the music's not as good. He's been marginalized so much since the 80s, that maybe a larger role from him would have done something positive for their output.