For information about how to use this forum please check out forum help and policies.
Quote
DoxaQuote
DandelionPowderman
The Stones have so many fans who complain about their recent output. Market- and demand-driven as they are, they listened to those fans and in six years they released more music than they have in decades:
Exile Deluxe
Ladies And Gentlemen
Charlie Is My Darling
Checkerboard Lounge
Some Girls Deluxe
Live In Texas
Brussels 1973
LA I 1975 (11th)
LA II 1975 (13th)
Hampton 1981
Leeds 1982
Tokyo 1990
Toronto 2005
Doom And Gloom/One More Shot
Sweet Summer Sun
And soon: Sticky Fingers Deluxe...
Who's complaining?
And I actually listen and enjoy much more many of that stuff than I do of A BIGGER BANG...
But I still understand the sentiments of the original post... There is some kind of special attraction and thrill engaged when it goes to new studio albums... Probably having lived during the age when those releases had a special meaning... You know, a brandnew Rolling Stones album, full of new music... Probably even having that kind of feeling is some kind of sign of of nostalgia...
I try to cope with the facts and recent currents, but somehow the idea that the band 'exists' only in form of doing concerts but not releasing new music just don't quite fit to the old(-fashionable) idea I have of Rolling Stones or rock artists in general...
But that said, just do the concerts but keep the vaults open, and I'll be happy...
- Doxa
Quote
Cristiano RadtkeQuote
DandelionPowdermanQuote
Silver DaggerQuote
DandelionPowderman
The Stones have so many fans who complain about their recent output. Market- and demand-driven as they are, they listened to those fans and in six years they released more music than they have in decades:
Exile Deluxe
Ladies And Gentlemen
Charlie Is My Darling
Checkerboard Lounge
Some Girls Deluxe
Live In Texas
Brussels 1973
LA I 1975 (11th)
LA II 1975 (13th)
Hampton 1981
Leeds 1982
Tokyo 1990
Toronto 2005
Doom And Gloom/One More Shot
Sweet Summer Sun
And soon: Sticky Fingers Deluxe...
Who's complaining?
Plus there's been the Ed Sullivan shows, T.A.M.I. Show, Get Yer Ya Yas box, the Crossfire Hurricane and Stones In Exile films.
I knew I forgot something. Thanks
And the 7" with the 1964 BBC recordings and the 1963 IBC recordings bonus CD on the deluxe box-set of Grrr!.
Quote
DandelionPowderman
But I reckon they won't do it as long as the fans don't appreciate the new music.
Quote
MrThompsonWooft
So, a lot of recycled past but no new product. Disappointing.
Quote
treaclefingersQuote
MrThompsonWooft
So, a lot of recycled past but no new product. Disappointing.
hang around long enough and you'll get over it.
Quote
MrThompsonWooftQuote
treaclefingersQuote
MrThompsonWooft
So, a lot of recycled past but no new product. Disappointing.
hang around long enough and you'll get over it.
I will survive.
Quote
DandelionPowderman
The Stones have so many fans who complain about their recent output. Market- and demand-driven as they are, they listened to those fans and in six years they released more music than they have in decades:
Exile Deluxe
Ladies And Gentlemen
Charlie Is My Darling
Checkerboard Lounge
Some Girls Deluxe
Live In Texas
Brussels 1973
LA I 1975 (11th)
LA II 1975 (13th)
Hampton 1981
Leeds 1982
Tokyo 1990
Toronto 2005
Doom And Gloom/One More Shot
Sweet Summer Sun
And soon: Sticky Fingers Deluxe...
Who's complaining?
Quote
DoxaQuote
Cristiano RadtkeQuote
DandelionPowdermanQuote
Silver DaggerQuote
DandelionPowderman
The Stones have so many fans who complain about their recent output. Market- and demand-driven as they are, they listened to those fans and in six years they released more music than they have in decades:
Exile Deluxe
Ladies And Gentlemen
Charlie Is My Darling
Checkerboard Lounge
Some Girls Deluxe
Live In Texas
Brussels 1973
LA I 1975 (11th)
LA II 1975 (13th)
Hampton 1981
Leeds 1982
Tokyo 1990
Toronto 2005
Doom And Gloom/One More Shot
Sweet Summer Sun
And soon: Sticky Fingers Deluxe...
Who's complaining?
Plus there's been the Ed Sullivan shows, T.A.M.I. Show, Get Yer Ya Yas box, the Crossfire Hurricane and Stones In Exile films.
I knew I forgot something. Thanks
And the 7" with the 1964 BBC recordings and the 1963 IBC recordings bonus CD on the deluxe box-set of Grrr!.
And still people are forgetting the brand-new recording of theirs, which even had Bill Wyman on it...
- Doxa
Quote
marcovandereijk
What Mick learned after 50 years of Rock 'n Roll: number 10 (at 1:46)
Quote
GasLightStreet
It's weird that Mick thinks no one likes the new songs
on a new album when they played all the singles from
VOODOO at some point on the VOODOO tour and likewise
with BRIDGES. No one left in droves.
The 1990s went by fast yet the Stones only released 2 studio albums...
not sure where Mick gets the idea no one wants to hear the new
songs when record sales were good and the new songs fit in well
with the other and older songs.
And no one left in droves.
No one wants to hear the new songs? Then why did they record
howevermany for LICKS and finished 4 of them with one being a
single? Why did they release A BIGGER BANG then?
Because no one wants to hear new songs?
And why record two new songs for another hits comp?
Mick needs to zip it about that.
Quote
corriecasQuote
DoxaQuote
Cristiano RadtkeQuote
DandelionPowdermanQuote
Silver DaggerQuote
DandelionPowderman
The Stones have so many fans who complain about their recent output. Market- and demand-driven as they are, they listened to those fans and in six years they released more music than they have in decades:
Exile Deluxe
Ladies And Gentlemen
Charlie Is My Darling
Checkerboard Lounge
Some Girls Deluxe
Live In Texas
Brussels 1973
LA I 1975 (11th)
LA II 1975 (13th)
Hampton 1981
Leeds 1982
Tokyo 1990
Toronto 2005
Doom And Gloom/One More Shot
Sweet Summer Sun
And soon: Sticky Fingers Deluxe...
Who's complaining?
Plus there's been the Ed Sullivan shows, T.A.M.I. Show, Get Yer Ya Yas box, the Crossfire Hurricane and Stones In Exile films.
I knew I forgot something. Thanks
And the 7" with the 1964 BBC recordings and the 1963 IBC recordings bonus CD on the deluxe box-set of Grrr!.
And still people are forgetting the brand-new recording of theirs, which even had Bill Wyman on it...
- Doxa
Which one do you mean , doxa..
Jeroen
Quote
stonehearted
<<And still people are forgetting the brand-new recording of theirs, which even had Bill Wyman on it...>>
Covers are often easy to forget, whereas Plundered My Soul stays in one's head.
<<what's missing, or what's been missing, is the 'killer single' that rules the airwaves, that would help 'sell' that album. The Miss You, or the Start Me Up.
They haven't had one like that in 35 years>>
They had one in Rough Justice, which if put on Steel Wheels in place of Mixed Emotions would have been an even bigger hit. If Out Of Control had been on Tattoo You it would have been top 10 and maybe even top 5. If Miss You and Start Me Up were released as brand new in 2015 they would barely scrape the tip of the top 100.
The reason is that hit singles are for a younger market, and the kiddies don't make hits out of stuff that comes from their grandparents' generation. All the popular long-standing artists from the sixties, Stones included, stopped having hits after age 45, despite often worthy new material.
That's why when Mick gets a group together for a side project like SuperHeavy he does so with younger artists that a younger market would recognize rather than other artists his own age.
The only way the Stones could find mass appeal with a younger audience at this point would be to have their songs licensed for the soundtrack of some trendy TV show, the 2015 equivalent of Breaking Bad or something. If they could do this with new material, then they might have a chance at something approaching a hit. If they just do it the way they've always done it, then their only market exposure will be classic rock stations who might play it for 2 or 3 weeks before setting it aside for endless heavy rotation of Start Me Up and Honky Tonk Women.
There's an inconvenient truth about celebrity and especially the music business--age matters.
Quote
James Kirk
Despite claims that nobody wants to hear new Stones music don't forget that A Bigger Bang was #1 on the global charts for two weeks in a row...ABB's final sales totals weren't eye popping, but they were more than respectable in an era where nobody buys records in nearly any genre at the rate they did in past decades.
I never thought I would see the day where Mick Jagger is happy being an oldies act.
Quote
treaclefingersQuote
GasLightStreet
It's weird that Mick thinks no one likes the new songs
on a new album when they played all the singles from
VOODOO at some point on the VOODOO tour and likewise
with BRIDGES. No one left in droves.
The 1990s went by fast yet the Stones only released 2 studio albums...
not sure where Mick gets the idea no one wants to hear the new
songs when record sales were good and the new songs fit in well
with the other and older songs.
And no one left in droves.
No one wants to hear the new songs? Then why did they record
howevermany for LICKS and finished 4 of them with one being a
single? Why did they release A BIGGER BANG then?
Because no one wants to hear new songs?
And why record two new songs for another hits comp?
Mick needs to zip it about that.
By "no one" Mick means the 97% of the show-goers that are there just to see Start Me Up, Miss You, Satisfaction, Brown Sugar and JJF.
The 3% or so won't buy enough copies of the new album to make it 'worth it' in his eyes, at least that's my read of it.
However what's missing, or what's been missing, is the 'killer single' that rules the airwaves, that would help 'sell' that album. The Miss You, or the Start Me Up.
They haven't had one like that in 35 years, so difficult to imagine them pulling one like that out of their hat. It is possible but unlikely. If it were easy, they'd have done it again some time in the last few decades.
Quote
BeforeTheyMakeMeRun
When I read that 'no one wants to hear your new material' argument Mick keeps throwing up, I instantly think of the Some Girls tour, where many if not all of the setlists, had SEVEN 'new' songs from the new album...and they all were played one after one with no warhorses to break up the pace.
Quote
stonehearted
They had one in Rough Justice, which if put on Steel Wheels in place of Mixed Emotions would have been an even bigger hit. If Out Of Control had been on Tattoo You it would have been top 10 and maybe even top 5. If Miss You and Start Me Up were released as brand new in 2015 they would barely scrape the tip of the top 100.
Quote
DoxaQuote
stonehearted
They had one in Rough Justice, which if put on Steel Wheels in place of Mixed Emotions would have been an even bigger hit. If Out Of Control had been on Tattoo You it would have been top 10 and maybe even top 5. If Miss You and Start Me Up were released as brand new in 2015 they would barely scrape the tip of the top 100.
Even though I agree that there is a certain generation gap in explaining the chartings of hit singles - especially in American market - I don't think we could so easily assume that it is the bad timing only, which makes Stones singles to flop in charts. Or that back in the old days it wasn't something to do with quality of the songs why many of them were big hits - some even smashing big ones. This is to say I don't buy the claim that songs are as good as always, or that the quality doesn't mean anything, and it is nothing but the context, which makes the difference (why some turned out to be hits, and some not).
I really can't see, for example, "Rough Justice" having a strong commercial value ever. Their old albums had better Stones-type of basic rockers that never saw the light of the day as singles. And as far as those songs which made it - well, "Rough JUstice" is not exactly "Jumpin' Jack Flash", "Brown Sugar" or "Start Me Up". Nor 'even' "Tumbling Dice", "Happy", "Heartbreaker" or "It's Only Rock'n'Roll" - classical songs that had difficulties even making top ten at the time! Hard to think that such a basic Stones rocker could have made better than, say, more radio- and dance-floor friendly "Undercover of The Night", "Harlem Shuffle" or "Mixed Emotions", their last top ten ten hits in the States. More I think "Rough Justice" would have been in the range of "She Was Hot", "One Hit" or "Rock & A Hard Place", a bit touching Top Forty. If even that.
Why earlier "Angie", "Fool To Cry", "Miss You" and "Emotional Rescue" made the top ten was not that they sounded 'classical' Stones, but just being kind of songs that had a commercial appeal at the time (besides being great songs). One could say that "Start Me Up" was actually a rare exception to a rule - after many 'different' hit singles it was a traditional Stones-sounding rock tune with a catchy riff (the first since "Tumbling Dice"). If we look at the songs trying to re-use its receipt of success - "Mixed Emotions", "Highwire", "Love Is Strong", "Don't Stop", "Rough Justice" - the reason they (except "Mixed Emotions") flopped wasn't just the change of climate and the generation gap - none of them, I claim, had that immedeatily recognizable hit character in them. None of those songs would have been as huge hits as "Start Me Up" was in its day. Nor had, say, "Anybody Seen My Baby?" seen the success of "Miss You" in 1978 nor "Out of Tears" or "Streets of Love" that of "Angie", "Fool To Cry" or "Beast of Burden" in their heyday. Or do we really think those songs are equal in greatness to them?
Another issue is how well those old hits would do now if released today. Not probably (certainly) doing so well, but I am rather sure much better than how their singles are doing these days.
So the moral of my post is that it wasn't so easy even back then for them to make 'hits'. The age profile of buying audience was more on their side, yeah, but still they had to have great and suitable kind of songs to make the top ten - and damn catchy tunes hitting the very top. We probably need to go back to mid-60's when just being a new Rolling Stones single, containing almost whatever, was a sure top ten hit (and considered almost a flop if not taking the top position). But jeez, they put all their creative energy in those singles at those 'ancient' times.
- Doxa
Quote
RikQuote
corriecasQuote
DoxaQuote
Cristiano RadtkeQuote
DandelionPowdermanQuote
Silver DaggerQuote
DandelionPowderman
The Stones have so many fans who complain about their recent output. Market- and demand-driven as they are, they listened to those fans and in six years they released more music than they have in decades:
Exile Deluxe
Ladies And Gentlemen
Charlie Is My Darling
Checkerboard Lounge
Some Girls Deluxe
Live In Texas
Brussels 1973
LA I 1975 (11th)
LA II 1975 (13th)
Hampton 1981
Leeds 1982
Tokyo 1990
Toronto 2005
Doom And Gloom/One More Shot
Sweet Summer Sun
And soon: Sticky Fingers Deluxe...
Who's complaining?
Plus there's been the Ed Sullivan shows, T.A.M.I. Show, Get Yer Ya Yas box, the Crossfire Hurricane and Stones In Exile films.
I knew I forgot something. Thanks
And the 7" with the 1964 BBC recordings and the 1963 IBC recordings bonus CD on the deluxe box-set of Grrr!.
And still people are forgetting the brand-new recording of theirs, which even had Bill Wyman on it...
- Doxa
Which one do you mean , doxa..
Jeroen
Watching the river flow - boogie for stu