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His Majesty
"I will send the cassette to you as soon as possible. Your contact has stirred some memories, I think the tapes contain nazi speeches set to experimental music. There's only about 30 minutes of music."
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ovalvoxQuote
His Majesty
"I will send the cassette to you as soon as possible. Your contact has stirred some memories, I think the tapes contain nazi speeches set to experimental music. There's only about 30 minutes of music."
Wow! This is dissapointing if this is true. This will not be received well. The media will have a field day. It might be better if you listen to the tapes and then do a detailed synopsis for everyone. Then do a (I won't mention his name) and toss them in the fire. 45 years later and he still can't get a break. Maybe the speech part can be edited out and only the music remains.
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stoneheartedQuote
ovalvoxQuote
His Majesty
"I will send the cassette to you as soon as possible. Your contact has stirred some memories, I think the tapes contain nazi speeches set to experimental music. There's only about 30 minutes of music."
Wow! This is dissapointing if this is true. This will not be received well. The media will have a field day. It might be better if you listen to the tapes and then do a detailed synopsis for everyone. Then do a (I won't mention his name) and toss them in the fire. 45 years later and he still can't get a break. Maybe the speech part can be edited out and only the music remains.
That would be a most unwise and unfortunate move, in addition to doing a disservice to the composer by removing the music from its original intended context.
Consider the reason Brian allowed himself to be photographed in a Nazi uniform to begin with: It's the same motivation that led the punks 10 years later to don Nazi symbols and the like--as a rebellious piss take, to trivialize and even lampoon the madness that so ravaged their landscape and changed and destroyed so many lives. It's a coping mechanism.
Anyone who doesn't understand the context of transforming madness and tragedy into humor through rebellion just suffers from pure ignorance. And if this includes people in the media with their soapbox of self-righteous indignation, then they are just part of the problem and have no business throwing stones at a Stone.
For all we know, the composition(s) over these speeches may well serve as musical comedy to render the subject matter as ridiculous. I say, give the material a chance, consider the context of the composer's intentions and the times in which he lived, before condemning it out of hand.
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His Majesty
If the tapes date from before the whole Morocco mess maybe Keith will be on these the recordings too. I'm wondering where he/they might have sourced nazi speeches from? TV? It's a weird world so maybe they were they released on lp's?
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Rockman
and toss them in the fire. ..... WHAT????
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His Majesty
I think the tapes contain nazi speeches set to experimental music. There's only about 30 minutes of music."
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runawayQuote
His Majesty
I think the tapes contain nazi speeches set to experimental music. There's only about 30 minutes of music."
I think it could be an Art- Experimental Soundtrack, and maybe Anita was there.. it looks interesting to me
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His Majesty
"I think the tapes contain nazi speeches set to experimental music. There's only about 30 minutes of music."
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ovalvoxQuote
BluerangerQuote
ovalvoxQuote
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Blueranger
Whatever it is, it will certainly bring out some evidence and shed some light regarding his compositorial skills.
Those who claim that he wrote Ruby Tuesday, will be either surprised or dissapointed.
Seems you are putting too much weight on a snap shot of some home recordings.
We know he could compose already, his contributions to the stones and his soundtrack are proof of that.
Anybody can compose, but there is a difference of putting some chords together or adding textures to someone's songs, compared to actually 'write' a song with both words and music. I presume Brian was in the first category.
I don't expect anything other than historic relevance from these tapes.
The soundtrack is typical mid-sixties hipster music, and not peticular great at all. If this is all what this 'great mastermind' could come up with, I'm glad he contributed the things to the Stones he did, and not anything else.
First of all not just anybody can compose. You need some musical ability and knowledge. Second of all, as you marginalize Brian Jones let me educate you. The Last Time. Take Brian's dominating guitar out and Mick and Keith don't have a hit. As far as I'm concerned he took a mediocre song and turned it into a hit. Take Brian's textures out of Aftermath and see if the Stones would have competed with Dylan's Blonde on Blonde and the Beatles Rubber Soul and Revolver. As for A Degree of Murder. The film maker liked what Brian did so your opinion doesn't really matter. Considering the shape he was in he did a good job. Lastly, if not for "this great mastermind" there would not have been any Rolling Stones. No one will ever accuse Brian of being a songwriter. And if he didn't fall apart at the seams he would have contributed a lot more and made the stones even better than they were so lighten up on the guy.
Maybe I wasn't that clear, but listen up: I am a great admire of Brian Jones. I am sure he could compose, which is why his musical skills in the Stones were so important. But he didn't write the song. He added musical textures to them and made them even better. There is a difference. I love his contributions to the records, no doubt.
Regarding the soundtrack, does people really enjoy it? If it wasn't Brian's name on it, wouldn't people be less than overstatic? Compared to what he did with The Stones, the soundtrack is poor.
The term "The Great Mastermind" was a provocation. There are people who believe that The Stones were nothing without him. Well, now they have played 45 years without him and arguebly made their best records when he was out of the band. Those people who swear to Jones and nothing else are idolising him and are taking his persona out of the musical context.
Maybe I misunderstood you. I Haved read a lot of knocks on Brian Jones over the years. Some deserved. Some not. My opinion of a texture is Brian's riff on Mothers. Dulcimer on I am Waiting, etc. The Last Time I would consider his repetitive riff as far more. It dominates the entire song. It completely makes the song. And like I said he'll never be accused of being a songwriter. He has been marginalized more and more over the years. I think he deserves credit for what he did with and without the stones. Nothing more. Nothing less. So if I misunderstood you then my appologies.
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CaptainCorella
I think that any value of these tapes, other than archival & historic just vanished.
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ovalvox
It might be better if you listen to the tapes and then do a detailed synopsis for everyone. Then do a (I won't mention his name) and toss them in the fire.
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CaptainCorella
I think that any value of these tapes, other than archival & historic just vanished.Quote
ovalvox
It might be better if you listen to the tapes and then do a detailed synopsis for everyone. Then do a (I won't mention his name) and toss them in the fire.
I can't believe what I am reading.
We are talking about private home recording tapes which were not supposed to be release officially and that nobody here has heard yet...
As a bootleg collectioner, I am fond of every note played by the stones in studio.
For once we have the opportunity to hear some BJ solo works it is a unique chance not to pass.
I don't care about political speeches, Goering mercedes, ss uniforms, etc...
Fortunately "His Majesty" won't follow some crazy advices given here by some people who react by mixing all without discernment.
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DandelionPowdermanQuote
His Majesty
"I will send the cassette to you as soon as possible. Your contact has stirred some memories, I think the tapes contain nazi speeches set to experimental music. There's only about 30 minutes of music."
That's our concept boy...
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stonesstein
I hear "Mick & Keith mistreated him." and "He was so fragile." We have nothing but conjecture to base any opinion on.