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RobertJohnson
I have still in my ears the great medley If You Can't Rock Me/Get Off Of My Cloud from 75/76. What a difference in the guitar skills, although there are the same guitarists today. A history of decline ...
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ryanpowQuote
StonesTodQuote
ryanpow
I wanna be your man was something different and a good way to kick the show off. I don't know why they dropped it. Was it an ego thing because its a Lennon/Mc Cartney song?
remember that time mick sang, "i wanna be your mother-fukking man?" yeah, that was awesome...
I thought I heard him say "I wanna be your mother fuckker, baby" which would be even awesomer.
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laertisflash
Just heard GOMC from Chicago #2, from a clip that has a better sound than the usual. I think the song works very well as opening number. Judging from what i can hear, the guitars are doing really good job. And the crowd seems to be enthousiastic.
As for what RobertJohnson says about GOMC (overdabbed or not ?) version from "Love You Live" album: To be honest, i'm not dying for that "sharp" guitar sound on the particular song. Call me crazy, but i think what make the big difference on that is the piano...
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treaclefingersQuote
ryanpowQuote
StonesTodQuote
ryanpow
I wanna be your man was something different and a good way to kick the show off. I don't know why they dropped it. Was it an ego thing because its a Lennon/Mc Cartney song?
remember that time mick sang, "i wanna be your mother-fukking man?" yeah, that was awesome...
I thought I heard him say "I wanna be your mother fuckker, baby" which would be even awesomer.
I'm quite sure he said Mother Tucker, baby, which is really cool if you're a woman with children with the last name Tucker.
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RobertJohnsonQuote
laertisflash
Just heard GOMC from Chicago #2, from a clip that has a better sound than the usual. I think the song works very well as opening number. Judging from what i can hear, the guitars are doing really good job. And the crowd seems to be enthousiastic.
As for what RobertJohnson says about GOMC (overdabbed or not ?) version from "Love You Live" album: To be honest, i'm not dying for that "sharp" guitar sound on the particular song. Call me crazy, but i think what make the big difference on that is the piano...
I'm referring particularly on the version of LA Friday. On this "official" boot are definitely no overdubs. Yes, I agree, besides the guitar skills (Ronnie and Keith were on their top I think) the piano by Billy Preston is unchallenged. No piano player (with the exception of Stew) had so much influence on the band. The present version is a rather boring twin of the studio track - no risk, no fun ...
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abQuote
RobertJohnsonQuote
laertisflash
Just heard GOMC from Chicago #2, from a clip that has a better sound than the usual. I think the song works very well as opening number. Judging from what i can hear, the guitars are doing really good job. And the crowd seems to be enthousiastic.
As for what RobertJohnson says about GOMC (overdabbed or not ?) version from "Love You Live" album: To be honest, i'm not dying for that "sharp" guitar sound on the particular song. Call me crazy, but i think what make the big difference on that is the piano...
I'm referring particularly on the version of LA Friday. On this "official" boot are definitely no overdubs. Yes, I agree, besides the guitar skills (Ronnie and Keith were on their top I think) the piano by Billy Preston is unchallenged. No piano player (with the exception of Stew) had so much influence on the band. The present version is a rather boring twin of the studio track - no risk, no fun ...
Billy Preston had TOO MUCH influence on the band. He tended to trample on things, such as on the Love You Live version of GOOMC. I much prefer Nicky Hopkins, who made his mark on many Stones albums, but never tried to overshadow his employers.