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Doxa
. I always - now talking about 80's - heard more multi-talented Hendrix in Prince than I heard in Stevie Ray Vaughan - who was very much heralded the "new Hendrix", the latest guitar-hero in blues rock scene. I loved Stevie Ray but I always found the Hendrix comparison very odd (and Stevie Ray unfortunately took it too seriously and made note to note version of "Voodoo Chile".) I thought: "don't you get the whole point of Hendrix and the power his expression at all !!!" The point in both Hendrix and Prince is that they both exploded the whole scene big time. - Doxa
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NaturalustQuote
Doxa
. I always - now talking about 80's - heard more multi-talented Hendrix in Prince than I heard in Stevie Ray Vaughan - who was very much heralded the "new Hendrix", the latest guitar-hero in blues rock scene. I loved Stevie Ray but I always found the Hendrix comparison very odd (and Stevie Ray unfortunately took it too seriously and made note to note version of "Voodoo Chile".) I thought: "don't you get the whole point of Hendrix and the power his expression at all !!!" The point in both Hendrix and Prince is that they both exploded the whole scene big time. - Doxa
Doxa, I'm not sure what your smokin but maybe give some to Prince. SRV made a note for note version of Voodoo Chile? Yeah he did that cover but note for note is nowhere is sight. SRV didn't get the point? I can hardly contain my laughter at that one and then it's Prince exploded the music scene?
I know we are all entitled to our opinions but this is so silly I have to wonder what planet you are on? Minneapolis maybe? Nothing personal I assure you but slow down, take a deep breath , and then slow down some more please. peace.
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NaturalustQuote
Doxa
. I always - now talking about 80's - heard more multi-talented Hendrix in Prince than I heard in Stevie Ray Vaughan - who was very much heralded the "new Hendrix", the latest guitar-hero in blues rock scene. I loved Stevie Ray but I always found the Hendrix comparison very odd (and Stevie Ray unfortunately took it too seriously and made note to note version of "Voodoo Chile".) I thought: "don't you get the whole point of Hendrix and the power his expression at all !!!" The point in both Hendrix and Prince is that they both exploded the whole scene big time. - Doxa
Doxa, I'm not sure what your smokin but maybe give some to Prince. SRV made a note for note version of Voodoo Chile? Yeah he did that cover but note for note is nowhere is sight. SRV didn't get the point? I can hardly contain my laughter at that one and then it's Prince exploded the music scene?
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keefriffhard4life
you must not know a lot about prince. he turned the entire music scene upside down
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NaturalustQuote
keefriffhard4life
you must not know a lot about prince. he turned the entire music scene upside down
You must be smokin the same stuff as Doxa. He sure never turned the whole music scene anywhere but towards mediocre pretentiousness, imnsho. I have been a part of the music scene and was touring constantly throughout the 80's , living in Los Angeles (when I was home). The only thing I got from Prince was aomething about how he managed to get his first records out which was somewhat less than traditional at that time.
I can see there are some people who adore that girlish boy and everyone has got something to say but I'm with Keith on this one. I haven't heard or listened to a Price song until this thread since the late 80's, probably like most people on this board. Good music generally stays with a person and his seems very transient to me. And listening now after all these years I'm convinced I haven't missed anything exciting by him. Kiss was an ok tune and He gave Sinead O'connor career with nothing compares to you, for all the good it did her. I'll give him a slight nod as a songwriter.
As far as the #1 Album single and movie in the same week, it must've been a rather dull week. peace.
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keefriffhard4life
i also see a problem, you say you haven't listened to a prince tunes since the late 80's yet a majority of his best work was done in the 90's imo. THE GOLD EXPERIENCE is probably his best release ever.
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Doxa
Of the 80's huge ones. I have always felt like Michael Jackson was the Beatles of the decade, and Prince the 'not so popular and easy listenable but digged by cooler people' Stones... and like The Beatles, Jackson never really survived the mad decade, but Prince continued, and still seems to gather nice audiences wherever he plays...
- Doxa
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StoneageQuote
treaclefingersQuote
Stoneage
At least Keith says something in the interviews. The minute information you get from interviewing Jagger you have to interpret first because he never says anything straight out. I remember how Mick dismissed Springsteen just by saying something mundane. You have to interpret his face expression to understand what he means.
90% of communication is non-verbal....I think Mick 'gets' that.
Sure. But I think the bottom line is that Mick is much more calculating and aware of himself than Keith. Therefore also less honest.
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Naturalust
I can see there are some people who adore that girlish boy and everyone has got something to say but I'm with Keith on this one. I haven't heard or listened to a Price song until this thread since the late 80's
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proudmaryQuote
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treaclefingersQuote
Stoneage
At least Keith says something in the interviews. The minute information you get from interviewing Jagger you have to interpret first because he never says anything straight out. I remember how Mick dismissed Springsteen just by saying something mundane. You have to interpret his face expression to understand what he means.
90% of communication is non-verbal....I think Mick 'gets' that.
Sure. But I think the bottom line is that Mick is much more calculating and aware of himself than Keith. Therefore also less honest.
I'd call somebody honest who speaks openly about himself. spill the beans about others it is not honesty, it's bimbos' thirst for attention and headlines.
Sure, Mick is aware of himself - it's a sign of the intelligence, the maturity and the ability to prevent others to drive you into a corner.
Jagger does not like to talk about his personal life and about other people, but he talks about the music with wit and passion. His interviews about Exile and Some Girls periods were much more interesting and meaningful than the KR's interviews.
In addition, he shares the colourful details, but does not repeat from time to time one memorized legend in which there is no grain of truth.
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DoxaQuote
keefriffhard4life
i also see a problem, you say you haven't listened to a prince tunes since the late 80's yet a majority of his best work was done in the 90's imo. THE GOLD EXPERIENCE is probably his best release ever.
I need to admit that I'm with Naturalust with this one. I don't really know Prince's works since LOVESEXY (that I didn't like very much any longer) but just those MTV/radio-well-known songs. For some reason I don't find his music interesting enough any longer to really listen to. I have felt that he lost the momentum when he was the leader of the scene, and haven't been able to really invent himself enough after that, or was somehow stuck or lost somewhere. But I still listen and dig the old stuff. But that's me and my impression. To make my previous analogy further, I am probably like Rolling Stones fans of the Brian Jones era, if you know what I mean....
- Doxa
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Doxa
That was cool that Prince's take on Hendrix tune.. a nice version; he put his own stance on it. I don't think Prince tried to "pull of" anything. I see that more like an inspired tribute.
Besides, I find it a bit odd the argument that Prince have no "blues" etc. There are (puristic) arguments according to which Hendrix didn't have no "real" blues but just messsing the thing with his guitar skills and latest sound experiments and pop influences, including Jagger-like showmanship. Yeah, he surely had no 'pure' blues attitude as, say, Clapton or Peter Green or Mick Taylor has... you know those serious minded guys who learned the blues from records note by note, not to forget the real authentic heroes from Chicago and Delta, etc.
In a way I see a lot in Prince that there is in Jimi Hendrix. Both of the guys had in them almost the whole heritage of black music so far and they transmit it in their stuff, but most of all, were/are always looking for new challenges, and finding new ways of expression by the means of the day. Both are incredibly talented in doing so. When I say hat I see in Prince the 'black heritage', I mean I can see and hear there Hendrix as I can see and hear there James Brown, or, even The Stones, and many else, who knows, even Robert Johnson if you like. And he mixed it all with the latest dance music and trends - of which he was very very much creating then (the 'Minneapolis' sound, etc.) He was not looking back but going forward (as he still probably is); that's as Hendrixique as it can be. I always - now talking about 80's - heard more multi-talented Hendrix in Prince than I heard in Stevie Ray Vaughan - who was very much heralded the "new Hendrix", the latest guitar-hero in blues rock scene. I loved Stevie Ray but I always found the Hendrix comparison very odd (and Stevie Ray unfortunately took it too seriously and made note to note version of "Voodoo Chile".) I thought: "don't you get the whole point of Hendrix and the power his expression at all !!!" The point in both Hendrix and Prince is that they both exploded the whole scene big time. Seemingly for many who had decided that the standards of good music - especially for white audiences concerning the standards of good 'black music' - were cemented during the seventies, or 60's, or 50's, or 40's, etc. Prince was not easy to get. I hear that in Keith's comment and in many other comments here. Yeah, it wonderful to remember the golden days of Motown, or Chess, or even the cotton fields, but hey, the music - as the art of self-expression - didn't stopped there. What I have always found so impressive within black Amerucan artists is their contemporary touch; they really don't cry for nostalgia. In this sense, I think Mick Jagger might be the "blackest" guy of the whole British R&B scene... (by the way, Jagger even tried absorb Prince - of course, being the hottest thing at the time - to his solo stuff but that was out of his reach).
- Doxa
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Doxa
To back up Proudmary, I think that the term "honesty" is not correctly used by Keith Richards "defenders". Being honest is not any justification for talking any crap or talk out loud any random thoughts that might occur in the (drunken) mind. It is not either a justification for acting stupid (saying tasteles, stupid remarks, such as saying stuff like "Is that referee a Ray Charles or Stevie Wonder?" - remember that one?, etc.). Some people seem to give Keith a free pass with this claim of "honesty" but I think that is totally misplaced. Okay, Keith does that, says "what he thinks" without a mature reflection, especially when he is encouraged by cheering people to do that, but I think it is good that there are people who actually say to him (as people tend to say to anyone who talks childishly/stupidly) etc, "Shut up, Keith".
Yeah,, Keith's stories/interviews/one-liners/remrks etc. are very much more entertaining than Mick's silence or saying nothings, but from the point of view or the truth concerning the factual reality they are very questionable. Keith seemingly has long ago confused reality with his fantasies; to distinguih what is actually possible or likely from his wishes/constructions, and the latter is very much determined by what he thinks people expect him to say. Being 'honest' is not just to consult or listen one's instant feelings and desires but relate them to reality. Reading LIFE is a testimony that Keith simply lies too much to be called an honest person. Besides being 'honest' even towards one's feelings is a tough job. To really articulate one's true feelings is hard, and I think Keith does very lazy job in that, too. (But like great artists, he does that with his music very well.)
Ugh. I hope I made my point clear that I don't like the way the term "honesty" is many times associated to Keith Richards (outside his art of music). At least if the term has any of its traditional honoric meaning.
- Doxa
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letitloose
He says it like he sees it. oh, and he has always been sweet to ACDC . So he he does tip his hat where deserved.
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keefriffhard4lifeQuote
DoxaQuote
keefriffhard4life
i also see a problem, you say you haven't listened to a prince tunes since the late 80's yet a majority of his best work was done in the 90's imo. THE GOLD EXPERIENCE is probably his best release ever.
I need to admit that I'm with Naturalust with this one. I don't really know Prince's works since LOVESEXY (that I didn't like very much any longer) but just those MTV/radio-well-known songs. For some reason I don't find his music interesting enough any longer to really listen to. I have felt that he lost the momentum when he was the leader of the scene, and haven't been able to really invent himself enough after that, or was somehow stuck or lost somewhere. But I still listen and dig the old stuff. But that's me and my impression. To make my previous analogy further, I am probably like Rolling Stones fans of the Brian Jones era, if you know what I mean....
- Doxa
what? there was that one album in the early 90's that had a lot of hits on it "cream", "diamonds and pearls", "gett off", "money don't matter 2 nite" and a few other lower charting songs. trust me the album with "most beautiful girl in the world" on it THE GOLD EXPERIENCE is his best album
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Naturalust
I can see there are some people who adore that girlish boy.
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Naturalust
We are talking about Prince here and I think the girlish boy comment is appropriate. Just listen to the feminine whisper the guy tries to use in normal conversation. A mannish boy he ain't.
peace.
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24FPSQuote
Naturalust
We are talking about Prince here and I think the girlish boy comment is appropriate. Just listen to the feminine whisper the guy tries to use in normal conversation. A mannish boy he ain't.
peace.
I think Prince is one of the most manly men in rock. He has a James Brown ruthlessness when it comes to whipping a band into shape and keeping them there. Go to a Prince concert and you'll see tons of fine looking females dressed up and smelling good. Not that it matters, but I don't remember a large, visible gay crowd at his concerts. I've sat in the very back row at the top of an arena and there are regular black guys there, digging Prince and his funky music, showing their respect. That whole girly thing is contrived, like Mick's campy years. (See the Hey Negrita video). For a five foot two black guy to command the respect he does, and get the primo women he gets,while in high heels, there's something macho about that. I only wish I was half as girly.
Double Peace.
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Pie1
Did someone say 'assless pants' ?Quote
Naturalust
I can see there are some people who adore that girlish boy and everyone has got something to say but I'm with Keith on this one. I haven't heard or listened to a Price song until this thread since the late 80's
So essentially you're speaking from a position of complete ignorance and bragging about it ? And 'girlish boy', on a Stones board, seriously ? Because he has long hair, presumably.
Anyway, for anyone interested, the latest from the über-active Prince bootleg world, a great batch of demos from 1986 :
[dabang319.blogspot.com]