For information about how to use this forum please check out forum help and policies.
Quote
kleermakerQuote
His MajestyQuote
kleermaker
I can't be wrong on this one.
I just sat with a guitar and listened to the above version.
The part you singled out uses root, 2nd, 3rd, and 4th of A major scale over A major, E major with passing D major chord resolving back to A major.
But the vocals HM, I just simply hear that they're in a minor key. Apart from the guitar. Tell me about the vocals, not about the guitar(s) please. You just can hear the half notes if you know what I mean.
Quote
kleermakerQuote
His MajestyQuote
kleermaker
Yes I see, but in my musical language this is minor. C# to D is a half tone, and C# to B is 1,5 tone. That's exactly what I meant, perhaps using the wrong words. Thanks for your clear explanation, HM.
C# to B - 3rd to 2nd of A Major is whole/1 tone no?
To me all versions sound major and also bluesy, not minor.
Okay, but apart from the technical explanation, the atmosphere of these sentences is 'negative' (you understand me), while in the official ADTL that's absolutely not the case. There those sentences are 'objective': descriptive. What makes the difference in atmosphere between those two versions, because I think you agree there's an essential difference of atmosphere and feel between the two, caused by the 'notes'.
Quote
gotdablouse
That version is really something, doesn't sound at all like anything Exile, more like the 77/78/79 outtakes like Claudine. It's funny how we've categorized, at least I have, different eras.
I wonder...couldn't this be an ADTL rehearsal for the 1978 tour ? Their archiving seems so totally messed up (Mick had to look up the Buddy Guy recording from 1997 on the internet !) that I wouldn't put it past them. Let me dig out the 1978 Woodstock tapes...hum, this does sound pretty close, very close actually. For those who don't have it : [dl.free.fr]
Opinions ?
Quote
MathijsQuote
kleermakerQuote
His MajestyQuote
kleermaker
Yes I see, but in my musical language this is minor. C# to D is a half tone, and C# to B is 1,5 tone. That's exactly what I meant, perhaps using the wrong words. Thanks for your clear explanation, HM.
C# to B - 3rd to 2nd of A Major is whole/1 tone no?
To me all versions sound major and also bluesy, not minor.
Okay, but apart from the technical explanation, the atmosphere of these sentences is 'negative' (you understand me), while in the official ADTL that's absolutely not the case. There those sentences are 'objective': descriptive. What makes the difference in atmosphere between those two versions, because I think you agree there's an essential difference of atmosphere and feel between the two, caused by the 'notes'.
The difference in athmosphere is, as explained by HM, the use of the pentatonic scale, whereas the final version mainly uses major only. The just released alternate version has Taylor playing several pentatonic licks, while on the released version and all live versions he mainly plays major scale slide licks.
That most probably is the key to the development of the song, they changed it from a fairly standard berrychucking track to a major major scale Stones track.
Mathijs
Quote
kleermaker
Thanks for your reply Mathijs. I like it. Better than only "Bollocks". It's mainly the half notes C# to D that do it and gave me the minor impression. But after repeating it in my head I could conclude that C# to B is a whole note. So some sort of 'false' minor with the above mentioned feel effect and difference in atmosphere.
Quote
Deltics
I got it, my email address isn't hidden
Quote
lualua
sorry, should have said. i took the mp3 from amazon myself and re-upped via rapidshare, as i know that some can't get the amazon mp3 downloader to work.