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mickijaggeroo
What´s the font called that they use on Exile for all titles on the original and the new stuff?
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akgameboyQuote
mickijaggeroo
What´s the font called that they use on Exile for all titles on the original and the new stuff?
I think I read somewhere that the original Exile is Keith's handwriting.
I agree!Quote
drewmaster
I daresay it's better than the version on Exile!!
I disagree.Quote
drewmaster
(So, for that matter, is the acoustic version, IMO).
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Palace Revolution 2000
This version is interesting. It really shows that tune taking shape more and more into what it became. Started out as country major chords, sounding wholesome, on the acoustic version. Here you can hear a few minor thirds already thrown in there. Some of the punches are already there; I think the piano is telling Taylor's lead where to go on later versions.
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Palace Revolution 2000
The acoustic one is major chords all the way.
Thijs is totally right.
And the final version also is major chords. But my point was not about 'chords'; it is about major thirds; in the bluesy scales. (e.g using the note 'G' in the key of E etc)
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skelly
From amazon.co.uk
[www.amazon.co.uk]
"All Down the Line (Alternate Take)"
Recorded as part of the sessions for the Stones' classic Exile on Main St, this exclusive, never-before-heard alternate take of album track "All Down the Line" is available to download for free for one week only (00:00 BST 3rd May to 23:59 BST 9th May).
UK only? I'm not sure.
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drewmaster
I daresay it's better than the version on Exile!!
(So, for that matter, is the acoustic version, IMO).
Drew
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kleermakerQuote
Palace Revolution 2000
The acoustic one is major chords all the way.
Thijs is totally right.
And the final version also is major chords. But my point was not about 'chords'; it is about major thirds; in the bluesy scales. (e.g using the note 'G' in the key of E etc)
I mean Mick's vocals, which are dominant in the acoustic version.
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MathijsQuote
kleermakerQuote
Palace Revolution 2000
The acoustic one is major chords all the way.
Thijs is totally right.
And the final version also is major chords. But my point was not about 'chords'; it is about major thirds; in the bluesy scales. (e.g using the note 'G' in the key of E etc)
I mean Mick's vocals, which are dominant in the acoustic version.
What do you mean? Mick's singing minor over the A major chord scheme?
Bollocks.
Could be F# minor theoretical.First class music school.
Mathijs
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AmsterdamnedQuote
MathijsQuote
kleermakerQuote
Palace Revolution 2000
The acoustic one is major chords all the way.
Thijs is totally right.
And the final version also is major chords. But my point was not about 'chords'; it is about major thirds; in the bluesy scales. (e.g using the note 'G' in the key of E etc)
I mean Mick's vocals, which are dominant in the acoustic version.
What do you mean? Mick's singing minor over the A major chord scheme?
Bollocks.
Mathijs
Could be F# minor theoretical.First class music school.
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ThankGodQuote
AmsterdamnedQuote
MathijsQuote
kleermakerQuote
Palace Revolution 2000
The acoustic one is major chords all the way.
Thijs is totally right.
And the final version also is major chords. But my point was not about 'chords'; it is about major thirds; in the bluesy scales. (e.g using the note 'G' in the key of E etc)
I mean Mick's vocals, which are dominant in the acoustic version.
What do you mean? Mick's singing minor over the A major chord scheme?
Bollocks.
Mathijs
Could be F# minor theoretical.First class music school.
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Amsterdamned
Could be F# minor theoretical.